I’ve popped subheadings in for easy skimming!

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London Downpour Painting – The Flooding Thames and Relentless Rain!     

London Downpour- Jenny Meehan painting abstraction at The Strand Gallery London as part of "Lines" visual art exhibition, jenny meehan jamartlondon london downpour process led painting british contemporary female abstract expressionistic painting, claude venard style work of london southbank tate modern river thames,contemporary emerging artist exhibition london.

London Downpour- Jenny Meehan painting abstraction at The Strand Gallery London as part of “Lines” visual art exhibition. Lyrical and geometric abstraction painting southbank london from the imagination! painted in a process-led, intuitive guided fashion, external impressions from regular trips to London appear to have seeped into my subconscious!

Gosh, that was a while ago!  I didn’t realise  that “London Downpour” was quite so relevant.

london downpour, excessive rain flooding london thames uk,painting thames southbank intuition imagination,jenny meehan jamartlondon process led painting,imaginative landscape cityscape riverscape, urban city river,

 “London Downpour” was purchased by a collector, and I think they too may possibly be enjoying the relevance of their painting!

Creativity In The Prison System

An interesting read regarding art and other forms of creativity in the prison system:

https://www.gov.uk/government/uploads/system/uploads/attachment_data/file/254450/Intermediate-outcomes-of-arts-projects.pdf

“The National Offender Management Service has published a review of the outcomes of arts projects with offenders. The review determines that while there is a lack of good-quality research evidence that explores the impact of arts projects with offenders, the best available evidence indicates that arts projects are effective at improving in-prison behaviour (such as compliance with rules and engagement with the regime) and individual psychological factors (such as depression and a sense of purpose). The review (or rapid evidence assessment) is the first stage in a wider project funded by the National Offender Management Service to develop a framework for outcome measurement which can be adopted by organisations that deliver arts projects to offenders. ”  (Quoted from the London Arts in Health Forum website)

It could quite possibly be that the most important things in life are the hardest to quantify, assess, and judge?  It’s heartening to see the outcomes of art projects with offenders being looked into, and a necessary part of any type of education is indeed to examine how the process has helped, or not.   The “best available evidence” though is enough,  and I find myself wishing that more time would be invested in delivering arts projects, rather than measuring the outcomes.

Wimbledon Art Studios

I try to visit Wimbledon Art Studios once a year and in November 2013 stopped off once more for a little keeping up to date… It has taken me rather a long time to posting this little part of my blog!

A re-visit to see Vaughn Horsman….

http://www.youtube.com/watch?v=x9HrxeUontI

I find what Vaughn does very inspiring…This is someone who really does push creative boundaries, and there is non of this “art bollocks” going on…So refreshing.  It’s very important for artists to embrace new technologies, materials, processes, etc. and amazing what can be achieved with the right technical knowledge and experience, plus creativity.   In the end, it’s all about pushing oneself and the boundaries which present themselves in various ways.   It’s great when people hand carve and cut wood, but it’s also great when people use machinery.  And using technology/machinery is no less virtuous…because the boundaries are always there, maybe in different places, but always there, waiting, suggesting, inviting you to just try something new, or a different approach.  The skill is in the continual process of assessment, adaptation, experimentation, problem solving, and analysing.  You may use many different tools and mediums as an art worker.  Some are old and some are new.  It’s amazing.

47 Nelson Square 

 

47 nelson square surviving houses,jenny meehan psychotherapy art post traumatic stress, painting modernist 21st century female british fine artist. house mind process led painting,guild of psychotherapists art,therapy painting,
Final version of Surviving Houses/47 Nelson Square
47 nelson square surviving houses painting jenny meehan, art therapy psychological trauma stress, psychotherapy guild london mental health creativitiy,jenny meehan female british contemporary fine artist,
47 nelson square/ Surviving Houses exhibition image hoxton arches as part of the Dugout Inclusive Women’s Festival

Rather oddly, I have just discovered that in a past blog entry (March 2013) about the Dugout Inclusive Women’s Art Festival and my painting “47 Nelson Square/Surviving Houses” I omitted to include an image of the painting!  So here is an image of  “47 Nelson Square/Surviving Houses”, and also below the questions which were posed by the curators of the exhibition regarding the painting.

Do you feel this painting is like a self-portrait?  

I see it as showing a journey inside of myself, so it is a sort of internal portrait.  Psychotherapy  feels like going on a journey through your own ways of thinking. Sometimes it’s hard to find your way, and work out a sense of direction.   I wanted  the painting  to show a mixture of outside and  inside views so that the person looking at it would  experience the same sense of difficulty and feeling as I have experienced in therapy.  Before deciding to start therapy I also had a dream that my own mind was a house, and that it was crumbling and breaking up because the foundations were all destroyed.  

Why did the building catch your attention? Why did you decide to learn its history? 

The building caught my interest because it is part of a small terrace of old buildings (built  1807 – 1814) in a square of blocks of flats which are all much newer.  I wanted to know why.  Because I go inside  47 Nelson Square often I know how wonky the floor inside is. So I knew something had happened!  Lambeth Bomb Damage maps which mapped all damage during WW2 in London show that  all other houses in the square sustained some damage,  ranging from “General Blast Damage – not structural” to “Seriously Damaged; doubtful if repairable”. Though 47 and it’s neighbours did  survive the bombing it was not unaffected by the impact.  Rather like me!  So I felt a link with it.  

This all seems rather a long time ago, but “47 Nelson Square” is currently hanging in my studio as I review it once more and see what I can draw out of the experience again.  Bomb damage is something which in my thinking speaks of traumatic events and their effect on the mind…on faith, on the ability to be in touch with ones emotions, on the ability to connect, in all kinds of ways.  While the realisation of devastation very hard to go through, it is part of our life…Looking back on some past painting, the painting “Christ”, which I have dug out and have hanging up on the wall once more,  I remember well the sense of realisation which hit me as I was painting the work.  A kind of touching of brokenness…

semi abstract expressionistic painting oil, british female contemporary artist jenny meehan jamartlondon.com, expressive painting process led from figure 2008 at west dean college during john t freeman's
expressive painting process led from figure 2008 at west dean college during john t freeman’s course

It is very useful, helpful, and important to look back periodically on one’s past work.  I cannot overstate the importance I feel that psychotherapy has had on my life and my artistic creative processes.   Initially I started therapy a couple of years ago in order to negotiate my way through a intensely difficult  period of depression, but now, out from the thick of it, I am finding this analytical approach and awareness very useful to me, and I have decided to continue in the practice of engaging in analysis.  Not only does it enhance my experience of life, but it also feeds into my artistic practices in a way which I find exciting and interesting.  It has been, and will continue to be, a good tool in the formation of my life and work.  I am grateful for the paths it has led me on, and see no conflict (though some do!) with my Christ-centred faith and psychotherapy. It is a complete blessing to me, which has deepened my internal wells, and enabled me to be much stronger as a person, and more responsive to the work of the Holy Spirit in my life and in the lives of others too.

Back to the theme of  bomb damage, I love the way that there is the shell of a bomb  which fell through the roof of St Edmund King and Martyr right in front of the altar of the church.  The bomb made a hole in the roof of the building, but the damage was then made into a square window.  The window is a little off centre!   St Edmund King and Martyr was damaged in both World Wars by German bombs but it is the incendiary device which landed on the church during the First World War, in 1917 which is encased in front of the altar.  (I think…if incorrect, let me know! )   The church has  only just been restored in the 1930’s, before being struck once again, this time in the Second World War during the London Blitz.  So it is unique in being the only one of the London Churches to have been damaged in both World Wars.

window in place of bomb damage st edmund the martyr and king lombard street london centre for spirituality, london centre for spirituality image roof ceiling,first world war bomb damage london churches, jenny meehan contemporary fine art
window in place of bomb damage st edmund the martyr and king lombard street london centre for spirituality

I am enjoying the fact I now have a phone with a camera!   Images are not so good in quality, but OK for little snaps useful for jogging memory!

Notepads and sketchbooks.

I keep many sketchbooks, but often they contain as many notes and as much writing as they do drawing.  I cannot seem to keep everything in once place…Just picking up random books here and there does make things interesting though and sometimes result in new ideas happening which otherwise I think would not.   I found this little cutting…I cannot remember where it is from, but I kept it aside  and stuck it in one of my sketchbooks…

“Estimates are that when we lived more natural lives – as indigenous people in other parts of the world still do – we would typically spend around three days of the week collecting food, firewood and so on, and the rest in community cooking or washing together, talking laughing, dancing, eating and telling stories, caring for children and the elderly.  In our pursuit of a better world we have sacrificed that dignity of life.”

We cannot turn the clock back can we, but all the same it is a good reminder regarding work/life balance, the importance of investing time and energy into relationships and making relating, communicating, and interacting a core part of life rather than something we do AFTER everything else if we have time left. I need to remember this!

Sea Wash Balls for Painting With!

At the end of last year while walking along the shore at Bognor Regis I found loads of Sea Wash Balls!   Just love the sound of that!  I thought at first that they were natural sponges, but they did look a bit different so I checked them out and discovered that indeed, they were not sponges but Sea Wash Balls.  One of the larger marine snails in British waters is the common whelk, Buccinum undatum, and what I had found was clusters of the egg capsules glued together to make Sea Wash Balls.  There were so many, I can only think that this was because of the very stormy weather the few days before.  Sea wash balls can be very big indeed, up to 50cm, but my largest was around eight cms long.  Sea wash balls get their names from their use by early mariners as a substitute for sponge.  I read that if you use them they make a nice lather, so I tried this out, but I think I will stick with my ordinary flannel!   I did use them with students in my acrylic ink painting session recently, and they made some lovely marks.  It was also great not to need to worry about expensive natural sponges being ruined because of the rapidly drying acrylic resin in the ink!

Jenny Meehan’s Favourite Paintings

Just love this…

The Round Table – Braque

The Round Table Braque

The Round Table Braque is one of my favourite paintings.

Oil, Sand and Charcoal on Canvas   dated 1929

Size  57 3/8 x 44 3/4 in.; 145.7325 x 113.665 cm.

Braque information

Text quoted from the Phillips Collection website:

CompositionallyThe Round Table is related to Braque’s large vertical still lifes from 1918 to 1919, when the common French pedestal table known as the guéridon first appeared in his paintings. With this work, Braque substantially expanded his color range, increased the scale of his canvases, experimented with textures and materials, and devised a more complex use of pictorial space. Pushing the table into the corner of the room, he creates an unusual perspective that presents multiple viewpoints at the same time. The result is a grand, luminous canvas in which oil has been mixed with sand over gesso to create a textured, fresco-like effect.

At the time of its purchase, The Round Table was the largest, most abstract painting in the museum’s collection. Phillips considered it to be “one of [Braque’s] greatest and most exciting works—a consummation of the artist’s best powers . . . all that was hoped for in the founding a school on Cézanne’s cubes and cones. . . . The rest is architecture. . . . It is functional and majestic in its forms and in its chromatic range it is exultant.” Soon after, Phillips began installing works by Braque in groups or units in the museum’s galleries.”

See http://www.phillipscollection.org for the source of the quoted text.

I took a photograph of the image from a book, but I cannot remember which one in order to credit this.  It might have been Braque – The Late Works?    However, as you can see I have found the painting to be part of the Phillips Collection and so will of course give the credit due for including it in my blog.   (As an aside, The Phillips Collection website also includes very useful and helpful information on images and “fair usage” which I will include here also, as it’s rather helpful to know).  Take a look at the excellent Phillips Collection website too.  You will find a better image of The Round Table than mine, and be able to take a clearer look as you can see it enlarged on screen!

FAIR USE IS PERMITTED (from the Phillips Collection website)
Fair use of copyrighted material includes the use of protected materials for non commercial educational purposes, such as teaching, scholarship, research, criticism, commentary, and news reporting. Unless otherwise noted, users who wish to download or print text, audio, video, image and other files from The Phillips Collection’s website for such uses are welcome to do so without The Phillips Collection’s express permission. Users must cite the author and source of this material as they would material from any printed work; the citation should include the URL http://www.phillipscollection.org.”

This is a nice little slide show of some more examples of Braque’s paintings…

http://www.bbc.co.uk/arts/yourpaintings/artists/georges-braque/paintings/slideshow#/13

Another little plug…

“Sacred Spaces” – Free Art Exhibition, Open to All.  Disabled Access.  Children Welcome. 

See this exciting and interesting collection of work by Kingston Artists’ Open Studio artists Chris Birch, Emily Limna,  Jenny Meehan,  Richard Tomlin,  Derek Turner,  Hilary Walker, and Jude Wild.

The exhibition is curated by Jenny Meehan on behalf of Kingston Artists’ Open Studios.  A varied mixture of  18 original paintings, monoprints and  photography by  seven  professional artists is sure to delight and interest you.  The title of the exhibition “Sacred Spaces” references the inner lives of the artists , the process of creating artworks,  and evidence  expressed  physically  in the artworks themselves.  In our creation we bring body and substance from our own inner contemplation, reflection and response to life and all we experience,  both internal and external.

Details are:

It runs from 2pm on Saturday 3rd May until Friday 30th May  during normal theatre opening hours which are normally 10am – 10pm. Sometimes the theatre closes at 4pm so best to check exact times with the theatre first. Phone:  01372 365141).

Leatherhead Theatre:  7 Church Street Leatherhead Surrey KT22 8DN.     The exhibition takes place on the ground floor main theatre foyer, and is accessible to all. Children are welcome.   There is a coffee shop too, so you can enjoy a drink while you look at the exhibition.

Contact Jenny Meehan at j.meehan@tesco.net for more information. Or see  www.jamartlondon.com and

www.kingstonartistsopenstudios.co.uk

Visiting Information:

The Leatherhead Theatre
7, Church Street
LEATHERHEAD
Surrey
KT22 8DN

Tel: 01372 365141
Fax:     01372 365195

Accessible location – 5 mins from M25, Junction 9

5 minutes walk from Leatherhead British Rail Station.
Town centre location, close to local shops and restaurants.

Three car parks within a few minutes walk (free after 6pm)

Parking is free on Sundays at the Swan Centre

Access to the exhibition is from Tuesday to Saturday inclusive.  The theatre is not open to the general public on Sundays or Mondays.

Kingston Artists’ Open Studios Exhibition at the Riverside Gallery, Richmond Upon Thames

Also, The Kingston Artists’ Open Studios Exhibiton at the Riverside Gallery, Richmond Upon Thames.  This is being organised by a group of artists from Kingston Artist’s Open Studios and will be a treat to visit.  If you would like an invitation to the Private View then just contact me or anyone else taking part.

Art@Work Guildford Arts

http://www.guildfordarts.com/guildford-arts-exhibitions/art-at-work

Text below from the Guildford Arts website, with details of the art@work arrangement.

“Art@Work is a series of art exhibitions arranged within the offices of two major organisations based in Guildford. It is a programme that has been running successfully for over 10 years and provides a platform for painters, print makers, ceramicists and sculptors from the Guildford area, London and the South East. Participation is by invitation only.

The aims of the programme are:

  • enhance the quality of the working environment
  • encourage a broader awareness of the visual arts
  • promote the work of visual artists
  • generate funding for the arts

Exhibitions continue for a three month period and are viewed by staff, company clients, Guildford Arts members and, by arrangement, members of the public.

A private viewing is held for each exhibition attended by members of GA, their guests and guests of the exhibiting artists. Most exhibits are available for purchase. Some works may be on view to obtain commissions.

The host organisations provide the catalogues and food and drink for the private viewings. They also place details of the exhibitions on their company intranets so providing, potentially, international exposure of the exhibitions.

Four exhibitions a year are held in each of the offices of Clyde & Co, solicitors and Baker Tilly, accountants.”

I have been invited to exhibit some work this year for the Baker Tilly venue from 7 June – 20 September.  I will show some original paintings and some prints.  If you would like me to send you an invitation to the private view on Tuesday 29th July please contact me via my website.  One of the paintings I plan to show,  again, with a somewhat watery feel to it, is “Deluge” which was painted in 2012

Abstract Acrylic Painting/Markmaking with Colour. Instinctive intuitive process led painting, psychotherapy and art,psychotherapy and painting, British Contemporary female artist painter Jenny Meehan

Jenny Meehan is a painter and designer based in East Surrey/South West London.
Her website is www.jamartlondon.com.  (www.jamartlondon.com replaces the older now deceased website http://www.jennymeehan.co.uk)

Jenny Meehan BA Hons (Lit.) PGCE also offers art tuition.  Please contact Jenny at j.meehan@tesco.net or through the contact form at www.jamartlondon.com for further details.   Commissions for paintings are also undertaken at affordable prices.

 Jenny Meehan works mainly with either oils or acrylics  creating both abstract/non-objective paintings  and also semi-abstract work.  She also produces representational/figurative artwork,  mostly using digital photography/image manipulation software, painting and  drawing.  Both original fine paintings and other artwork forms (prices ranging from between £60 and £700) and affordable photo-mechanically produced prints are available to purchase.

Enquiries welcome.  I have more artwork than I can display on the internet, so let me know if you are looking for something specific in terms of style, function, or subject matter. 

Jenny Meehan exhibits around the United Kingdom and holds regular Open Studio/Studio Sale events.  To be placed on Jenny Meehan’s mailing list please email j.meehan@tesco.net requesting to be kept up to date.  Also, follow the Jenny Meehan Contemporary Artist’s Journal at WordPress and keep informed that way. 

You tube video with examples of photography, drawing and painting

by Jenny Meehan http://www.youtube.com/watch?v=TAXqzMIaF5k

Website Link for jamartlondon:  www.jamartlondon.com 

Digital photography can be viewed on http://www.photographyblog.com/gallery/showgallery.php?cat=500&ppuser=5491

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Walking a Labyrinth at St John’s Church, Waterloo

Walking a labyrinth is a spiritual exercise to quiet, center, and allow contemplation and prayer.  I tried this experience out recently at St John’s Church, Waterloo.   People get very different things from the experience, depending on exactly where they are (in a personal sense!) when they choose to walk it.  The location also, it follows has a big impact too!   I enjoyed it  and found it much better than I expected it would be, and I came away with  some of the strands of thought which I had already been playing with in my mind, rather focused and much clearer.  So I suppose I could say it “worked” for me.  I am not interested at all in anything to do with “sacred geometry” or anything like this, I see it as a tool. It is a helpful structure, a useful form and pattern to hold a walk within it, and a good tool to help contemplation take place.

I took lots of lovely ideas away. For example, it was a nice feeling being in the centre,  and even though I personally always set myself to the path and did not think of the centre as a destination at any point, I did realise after walking the labyrinth several times that I liked the middle simply because it was the most surrounded part…It had the most layers or boundaries around it, so maybe it was a sense of safety there in the centre which I was enjoying so much?   It wasn’t so much a place to stop for me, as I found myself stopping en-route anyway to enjoy the interesting  paintings and sculpture which happen to be in the interior of St John’s and provided some very good foci in themselves.  But, because there was a bit more space, it was logical to stop in the middle and this is what pretty much everyone seemed to do.

I tried walking the Labyrinth both slowly and at speed.   When you walk fast, people tend to step aside as you approach!    (Why was I surprised at this!)  This reminded me of the potential damage that is done by rushing, not in the sense of bumping into people (Which did not happen, I hasten to add, I was very careful!) but in terms of relationship…That in being very busy, maybe, and moving very fast, other people may pull away and draw away from us at times where we might have been able to experience a closeness, an opportunity to show grace,  or simply to just relate more intimately because of  people feeling less need to pull away from us in order to protect themselves from our busyness which, let’s face it, can be a very damaging thing if it communicates (which is often does) that that other person doesn’t matter, or that you are not available to them, should they need you.  It was a rather risky and adventurous experiment, and I was conscious that in doing it quite differently, I made myself conspicuous.  It would have been quite different walking it fast with a bunch of lively children!

However, even the decision to risk being seen to be noticeably “different”  was a helpful and meaningful one for me.  To step out, follow the courage of my own conviction, and not to be self-conscious to the extent that stops me exploring in life, is something I have been working on for some time.   It seems that pretty much all the time we quite easily find difference, in whatever shape or form, challenging.  Be it disagreement, sexuality, culture, or religious beliefs… And I decided that rather than being something to shy away from, maybe I would be better served by embracing  differences and disagreements a little more myself, and by recognising that they can be positive, if handled with grace?  Walking at a difference pace was a way and method for me to imprint this into my mind.  It is all right to stick out sometimes!  We don’t all merge together in a huge blob like jelly.

By risking walking differently,  (though it was a little mortifying for me at the time), I have gained in that I will be able to picture clearly (for I won’t forget!) that there is a vulnerability involved in difference, a risk, and that those who are markedly different, and stand out, maybe more obviously, as “different” deserve respect and even admiration maybe at times, and certainly not hostility, because of the difference.  For we are all very very different from eachother, even if we look to be pretty similar on the outside.   The acceptance and implicit respect  of other peoples  ways of walking, their paths and journeys, however different in character, foot size, types of socks or length of toe nails  (!!!!) , are essentially the same, in that we are humans on a journey (essentially the same journey, called “life”), and cannot see the whole.   My wild and fanciful imagination takes me, on thinking the matter over right now, to a delightful image with rather extreme variations, ie some people hopping, others rolling, some dancing….all very different but on the same labyrinth at the same time.  Well, the differences where there, but far more subtle on this occasion.  What fun you could have with a wild and wacky labyrinth walk!

I had many other reflections on my Labyrinth walk at St John’s, Waterloo.  I met some interesting and lovely people, and also found watching other people walking the labyrinth quite moving too…  I hope to do the walk again at some point in time.

Kingston Artists’ Open Studio – Leatherhead Exhibition in May 2014  “Sacred Spaces”

Time runs so fast!  Despite my intentions to hibernate for the whole year, I am, of course, unable to do that.  However, I am now getting at least two good length studio sessions in per week.  So the discipline is paying off.   As well as my own painting I do enjoy spending time with other creatives, and wanted to organise an exhibition at Leatherhead Theatre this year for some of my fellow artist members of Kingston Artists’ Open Studios, or KAOS, ( the abbreviation, which I prefer!).  Last year I organised and curated “Order and KAOS” which focused in on abstraction in painting but this year I am going for a theme… one which I would like to explore with my fellow artists a little and also, very importantly, give us an opportunity to explore, think, reflect and ruminate, meditate, contemplate (pick the word you prefer!) on our work and also maybe even add new dimensions to our understanding and thinking about what we are doing, through the insights of one another.   So part of the exhibition process this year will be a meeting of the artists who are contributing their work also being able to contribute themselves by meeting and discussing together.   Among other things, I am  wanting to explore the important “sacred space” that exploration of our creative  selves through our art working provides.  How this works for each of us, what helps it to work well, what hinders,  how it relates to our sense of well being.  All that kind of thing. I will post more later.  Here is the flyer for the “Sacred Spaces” Exhibition at Leatherhead.   I quite enjoy designing flyers.

jenny meehan KAOS flyer leatherhead sacred spaces art exhibition. The flyer designed by Jenny Meehan for the Kingston Artists' Open Studios Exhibition at Leatherhead Theatre 2014 Jenny Meehan curation project, exhibition curated by jenny meehan, community arts exhibition,

jenny meehan KAOS flyer leatherhead sacred spaces art exhibition.
The flyer designed by Jenny Meehan for the Kingston Artists’ Open Studios Exhibition at Leatherhead Theatre 2014

It is quite a way ahead, but time does whizz so.   I have selected the artworks and will hopefully be posting information on them and their creators as time goes by.  I am not organising a Private View for the exhibition, as in the past I have found that the travel distance from Kingston to Leatherhead has put people off.   However, the footfall at the theatre is normally very good at this time of year so I think the exhibition will get plenty of viewings!  Sorted out the blurb:

“Sacred Spaces” – Free Art Exhibition, Open to All.  Disabled Access.  Children Welcome. 

See this exciting and interesting collection of work by Kingston Artists’ Open Studio artists Chris Birch, Emily Limna,  Jenny Meehan,  Richard Tomlin,  Derek Turner,  Hilary Walker, and Jude Wild.

The exhibition is curated by Jenny Meehan on behalf of Kingston Artists’ Open Studios.  A varied mixture of  18 original paintings, monoprints and  photography by  seven  professional artists is sure to delight and interest you.  The title of the exhibition “Sacred Spaces” references the inner lives of the artists , the process of creating artworks,  and evidence  expressed  physically  in the artworks themselves.  In our creation we bring body and substance from our own inner contemplation, reflection and response to life and all we experience,  both internal and external.

Details are:

It runs from 2pm on Saturday 3rd May until Friday 30th May  during normal theatre opening hours which are normally 10am – 10pm. Sometimes the theatre closes at 4pm so best to check exact times with the theatre first. Phone:  01372 365141).

Leatherhead Theatre:  7 Church Street Leatherhead Surrey KT22 8DN.     The exhibition takes place on the ground floor main theatre foyer, and is accessible to all. Children are welcome.   There is a coffee shop too, so you can enjoy a drink while you look at the exhibition.

Contact Jenny Meehan at j.meehan@tesco.net for more information. Or see  www.jamartlondon.com and

www.kingstonartistsopenstudios.co.uk

Visiting Information:

The Leatherhead Theatre
7, Church Street
LEATHERHEAD
Surrey
KT22 8DN

Tel: 01372 365141
Fax:     01372 365195

Accessible location – 5 mins from M25, Junction 9

5 minutes walk from Leatherhead British Rail Station.
Town centre location, close to local shops and restaurants.

Three car parks within a few minutes walk (free after 6pm)

Parking is free on Sundays at the Swan Centre

Access to the exhibition is from Tuesday to Saturday inclusive.  The theatre is not open to the general public on Sundays or Mondays.

Spring Harvest

Looking forward to some refreshment of the spiritual variety this year at Spring Harvest, and I will be hearing from Dr Paula Gooder and Nick Herbert (worship leader and songwriter, part of the Worship Central team)  on the four days we are set to be there.  Text from the Spring Harvest website:  “Dr Paula Gooder is a writer and lecturer in biblical studies. Her research areas are the writings of Paul the apostle (with a particular focus on 2 Corinthians). She is canon theologian of Birmingham and Guildford Cathedrals, vice president of the Bible Society and visiting lecturer at King’s College, London”    It’s about time I invested some time in studying the Bible, so I look forward to attending at least a couple of studies when we are there.  And the worship is always great.  The sea is great too.  I could look at that for ages, as long as it is not too cold, wet or windy.  I hope the weather is better then!

Braque’s Wonderful Work

I am spending as much time as possible right now looking at some examples of Georges Braque’s paintings, something which is inspiring and motivates me to painting very much indeed.  As I toy with including more objects in my work, he is a good painter to look at, as he grasps both abstraction and objects together in an interesting way.

http://painters-table.com/blog/braque-phillips-collection#.Uu0vQvl_thY

I’m thinking of painting some of my own imaginary round table paintings… Kind of thinking along the line of a table being prepared in front of me, like the Psalm…

But with realised in wonderful paint, which does bring me joy!

Will post up when done.

Beautiful Stained Glass Windows at Winchelsea Church…

It is a while back, but finally got around to posting  these…

Stunned by the beauty.  Wonderful colours and design.  Will visit again.

winchelsea church st thomas the martyr stained glass windows

winchelsea church st thomas the martyr stained glass windows

winchelsea church st thomas the martyr stained glass windows

winchelsea church st thomas the martyr stained glass windows

Painting and Drawing Workshop – Fridays – Once a Month

I currently have a place free on the once a month Painting and Drawing Workshop I hold in my home studio space.  You would need to commit to coming along to the series of sessions each term (normally three per term), but if you would like to try out the session on a one-off basis, then this is normally possible and will enable you to work out if the group is something that you would like to join for a term.   Just contact me via my website contact form at http://www.jamartlondon.com and I can let you know more.  I also hold occasional one day or half day workshops from time to time.

Brief Introduction to the Painting and Drawing Workshop…

Takes place on a Friday, once a month.  Either am (9.30 to 12 noon) or  pm (12.45 to 3.15)

It is a small group (maximum four), which makes it more akin to individual tuition and give you a level of input much greater than most adult education art courses normally offer you.

Each session provides a focus activity and includes teaching points which will help support your own experimentation. I am a qualified teacher (Post Graduate Certificate in Education) and have been practising as an artist for ten years.

I  will provide a balance of input, based on  developing drawing and observation skills, as we respond to the external environment /objects which surround us,  along with learning to trust our own instincts and  grow in our individual way of seeing/interpreting/expressing  things.   So whatever your preferred approach in terms of level of abstraction/direct observation,  the sessions will  provide opportunity to develop both your painting and drawing skills.

Frequent feedback,  active engagement,  appropriate challenge for your level of ability, and the opportunity to work in a way which develops your own autonomy in the process, will enable you to achieve your own objectives throughout the sessions and ensure the experience adds tangible value to you as you make your own creative journey.

Contact me if interested, any questions welcome.

“Calm Moment” selected for the Artistsmeet Open 2014 at Artistsmeet, Rickmansworth.

The variations of “Calm Moment” are very popular, as not only has the light version “Calm Moment” been selected for the Artistsmeet Open at Artistsmeet in Rickmansworth, but the darker version which I submitted to the KAOS  (Kingston Artists’ Open Studios) Riverside Exhibition was also selected for that exhibition.    Here they are:

geometric abstract colour design art jenny meehan jamartlondon british contemporary femaile artist symbolist graphic colourist contemporary abstraction experimental jenny meehan art for sale to buy prints affordable

calm moment. A calm moment spent looking at a
piece of artwork is always a good investment!

And the darker version…

geometric abstract colour design art jenny meehan jamartlondon british contemporary femaile artist symbolist graphic colourist contemporary abstraction experimental jenny meehan art for sale to buy prints affordable, jenny meehan abstract art print

The night time version, maybe calm moment in the dark, partner of calm moment in the light!

Jenny Meehan is a painter and designer based in East Surrey/South West London.

Her website is www.jamartlondon.com.  (www.jamartlondon.com replaces the older now deceased website http://www.jennymeehan.co.uk)

Jenny Meehan BA Hons (Lit.) PGCE also offers art tuition.  Please contact Jenny at j.meehan@tesco.net or through the contact form at www.jamartlondon.com for further details.   Commissions for paintings are also undertaken at affordable prices.

 Jenny Meehan works mainly with either oils or acrylics  creating both abstract/non-objective paintings  and also semi-abstract work.  She also produces representational/figurative artwork,  mostly using digital photography/image manipulation software, painting and  drawing.  Both original fine paintings and other artwork forms (prices ranging from between £60 and £700) and affordable photo-mechanically produced prints are available to purchase.

Enquiries welcome.  I have more artwork than I can display on the internet, so let me know if you are looking for something specific in terms of style, function, or subject matter. 

Jenny Meehan exhibits around the United Kingdom and holds regular Open Studio/Studio Sale events.  To be placed on Jenny Meehan’s mailing list please email j.meehan@tesco.net requesting to be kept up to date.  Also, follow the Jenny Meehan Contemporary Artist’s Journal at WordPress and keep informed that way. 

You tube video with examples of photography, drawing and painting

by Jenny Meehan http://www.youtube.com/watch?v=TAXqzMIaF5k

Website Link for jamartlondon:  www.jamartlondon.com 

Digital photography can be viewed on http://www.photographyblog.com/gallery/showgallery.php?cat=500&ppuser=5491

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