Fifty Names for Jesus

May 30, 2015

As always, skim down and stop when your interest is caught!  Too lengthy for a “blog”  this is rather more a journal, and I post once a month only, so end up squishing too much together!  If you are wanting just a quick look over some images, it’s easy to scroll down.  The wonders of mobile phones!

I have sown various seeds in the garden, and the snails are eating the little shoots as they shoot!

But I like snails…

I don’t like slug pellets and I don’t use them.

Hopefully something will survive!


Well, it’s not quite the sunflower stage of the year, but oh how generous is the bloom and how strong the stalk of the sunflower, and how it lifts my spirit to even think of a sunflower. I love the motif of a sunflower, and use it in a lot of my painting and drawing.

Here are some of my sunflower explorations:


sunflower digital image by jenny meehan jamartlondon  colourful flowerhead

sunflower digital image by jenny meehan jamartlondon colourful flowerhead



sunflower digital image by jenny meehan jamartlondon  colourful flowerhead yellow  art to license uk

sunflower digital image by jenny meehan jamartlondon colourful flowerhead


art to license uk sunflower digital image by jenny meehan jamartlondon  colourful flowerhead

sunflower digital image by jenny meehan jamartlondon colourful flowerhead



The Sunflower image below is one I have used for several experiments, including using the sunflower for a surface pattern design.  Nothing very clever, but sometimes the simple things can be most effective, and it is rather exciting to see more of something that you like splattered all over an item of some kind!  I love creating patterns with various adaptations of my paintings and photographs.  There’s something very satisfying about bringing a strong pattern into play…While my painting with it’s rich colours and textures, the interplay between the two, and the subtle nuances of light and surface, which take me into the realm of the unknown and the unpredictable, there is something very reassuring to be found in a repetitive pattern! It’s a completely different experience, but very enjoyable.  I am hoping that in time, more of my art work will be licensed, because I like to see it used.


sunflower digital image by jenny meehan jamartlondon  colourful flowerhead

sunflower digital image by jenny meehan jamartlondon colourful flowerhead



I have posted some products with this “Sunflower” Design on Redbubble, here is one, so take a peek:

Looking at this page, I think if you go to the portfolio link, you will then arrive at my main Jenny Meehan Redbubble Page and if you click on the Sunflower image you will see all the other products which can be purchased via Redbubble with this Sunflower design on them!

The sunflower as a symbol has often been used to represent the unwavering faith that guides a soul to higher spiritual attainment, though what the sunflower symbolises is different depending on which culture you are looking at.  However, I rather like the faith version!  Sunflowers have been in existence since ancient times .A carbon dating was done to some clay found in  North America, which seemed to have some kind of seeds in it, and the dating showed both that the seeds were sunflower seeds, and also that they dated back to a period of time approximately  3,000 years ago.

The shape of the sunflower—the large disk in the centre and the ray-like petals emanating from it—resembles the sun. The florets in the centre of the sunflower,  that later become seeds, are arranged in a complex pattern of left and right spirals and are placed according to the Fibonocci mathematical formula.  The resulting pattern is not only beautiful, but it is practical too, being the most compact way that the florets can be fitted. It is just one of the many marvellous details in nature that point to the goodness and wisdom of God.  Though you cannot see the seed pattern in this design, I hope that the bright, fresh, boldness of the design will strike you with its flash of uncompromising yellow.

The  flowering time for sunflowers is from around May to October,  so some of them do flower much earlier than I have in my mind…They always make me think of the late Summer.  Another name for sunflower is Helianthus, and in the Greek, the meaning of “helios” is sun and “anthos” means flower.  The way that the Sunflower faces the direction of the sun is something that a lot of flowers do, but I guess because it is rather a big flower, we notice this fact about it more vividly.

I have a drawing here, which I have called “Sunflower and Rose Bowl”

sunflower and rose bowl drawing jenny meehan graphite on cartridge paper

sunflower and rose bowl drawing jenny meehan


This drawing was one of the results of a spontaneous quick drawing session.  I armed myself with a large pile of paper and drew quickly and without any preconceived ideas about subject matter.  I was interested to see what would come from my subconscious.  What did come were several landscapes, loose and flowing, which I will share another time.  But “Sunflower and Rose Bowl” was the one which interested me most.   There are rays of light indicated as coming from the left of the drawing.  The Sunflower springs up from a distant point far below and it’s centre echoes some random, rather creative,  patterns at the top right of the drawing.  Below the Sunflower is a bowl which contains just one empty and thin stalk, and that alone.  To my thinking the drawing shows a contrast between life, and the life force, like powerful light pushing upwards and radiating outwards, and, in contrast, the grid like pattern of the wires on the restrictive rose bowl, holding that one thin and flowerless stalk,which  though more dimensional, is more static and less promising.  I wondered at one point if the sunflower was foolishly looking at the rose bowl and wishing to be contained, but finding itself too big and not in fitting with the rose bowl.  Why is it looking there?  Is the ordered pattern of the grid an alternative to the free flowing patterns within its own seed head? Is there a wish for order, in the chaos of creativity?  Possible.  Certainly, there is a need for containment, for my self, which I do feel quite acutely at times.  So it could be the wishful thinking of a sun loving flower!

 Nice Quote from William Blake, which is rather relating to the Sunflower and Rose Bowl

“Shall painting be confined to the sordid drudgery of facsimile representations of merely mortal and perishing substances and not be, as poetry and music are, elevated to its own proper sphere of invention and visionary conception? No, it shall not be so! Painting, as well as poetry and music, exists and exults in immortal thoughts.” William Blake

Yes, indeed, and yet, as high as it goes, like the Sunflower, still looking down to the sordid drudgery!  (I personally feel that in the routine and everyday, much rooting and grounding takes place, needful for even the most aspiring Sunflowers!)


Fifty Names for Jesus

This is based on an exercise that my spiritual guide on a recent (February 2015)  retreat gave me.   It comes under the heading of “A Thousand Names for God”, but that is rather a lot.  So, bearing in mind “Fifty Shades of Grey”…But, I hasten to add, having nothing to do with it!, here is my “Fifty Names for Jesus”  (there ended up more than fifty in the end)

Passion flower,
Silver Snail Trail,
Sunlight Falling, Moonlight rising,
Sound of footsteps…Coming…

Breeze of moving.

Wonder in a child’s eyes,
rustle of leaves and falling snow.
Smile of God,
Laughter of God,
Tears of God,
Sorrow of God.

Stray Note.

Sound in Silence, Silence in Sound.

Generous hearted.

Concerned one,
Compassionate one,
Flamboyant one,
Sense of humour one,
Contented one.
Holy One, Holy Two, Holy Three…

Further than far, nearer than near.

Companion Jesus,
Leader Jesus,
Surgeon Jesus.
Maybe, mother Jesus.  Maybe mother Jesus?
Therapist Jesus
Teacher Jesus,
Dancer Jesus.  Leaper, Prancer Jesus!
Pigeon Jesus and Rock Dove Jesus…(Because the same, but not in name)

Moon and Sun Jesus,

Ultimate Christmas Jumper Jesus,
Healing Jesus,
Kind Jesus.

Perceptive Jesus,
Searching Jesus,
Knowing Jesus,
Discerning Jesus.

Suffering Jesus
Bright Star Jesus.
Ultimate Vision Glasses Jesus.
Tender Jesus, Loving Jesus
Listener Jesus.
Listen Jesus.

Listen, Jesus.


It was very enjoyable to do this!



The Studio Tent

Jenny Meehan's Studio Tent for Painting

Jenny Meehan’s Studio Tent for Painting

Oh, it’s just great to have the Studio Tent!  The image up here is a bit out of date…It’s in action now, and I use it just for painting in acrylics, and drinking tea and praying in!  The sound of the birds is lovely, and the flapping sides of the tent as the wind blows is pretty relaxing too.  It’s great to have all the acrylics, pigments, glass beads and fillers, inks, and all the rest all together under one roof, even if it is a tarpaulin roof!  Though not a mobile studio, as Emily Carr’s “Elephant” caravan was, I know I am going to get some interesting painting done within it’s confines!  I will post a more up to date image soon.  One side of it has become a palette of sorts. Well, not for mixing, but just some examples of the contents of some of the containers, so jolly useful to have up there on the wall.

The kitchen/studio is better for oil painting because I cannot store all my paints in one place as I have too many, so I will keep the kitchen table for painting oils I think.  Flitting back to Emily Carr, what a wonderful exhibition at the Dulwich Picture Gallery that was earlier on this year, and what an interesting lady! I found this:

She experienced everything with uncommon intensity, a factor which fuelled her frenzied periods of enormous output, yet contributed to her self-doubt which led to a lengthy and marked slowdown–some would call it a regenerative hiatus–in her painting. Nevertheless, she pulled herself up out of depression, came to ignore public disregard, surrounded herself with pets, sang hymns to her half-finished paintings out in the forest, and, at fifty-seven, won her way to her most productive and original period of painting, producing the works for which she is most known. And always, always, she was seeking.

Carr looked for answers to questions of life, soul and God from many sources–the Bible, despite her early intolerance of scripture readings being forced upon her in a pious household; the essays of Ralph Waldo Emerson, particularly striving to emulate his thoughts in “Self Reliance;” the poetry of Walt Whitman in Leaves of Grass, which encouraged her to see a universal God in all life; works of Theosophy and Buddhism, as introduced to her by the painter Lawren Harris of the Group of Seven, though she ultimately rejected them as too abstract in not incorporating God and Christ; Science and Health with Key to the Scriptures, the textbook of Christian Science, by Mary Baker Eddy; and the teachings of Raja Singh. All of these sources, together with what she observed from Native cultures, combined to help her define her own personal spiritual foundation which served as the basis for her mature work, and as the source of her strength.”

I THINK this quote is the writing of Susan Vreeland, but I am not quite sure, as it appears on the net on several blogs, but I am doing my best here to credit it.   Here is the site link:  and see here:  This is just a small snippet of some very interesting reading, and it is well worth a look at the rest of what Susan Vreeland has written about Emily Carr.

I am rather encouraged that it was at fifty-seven Emily Carr experienced her most productive and original period of painting!  I have time!!!  And, yes, we must always be seeking.. Seeing and seeking!   I do think that to have a personal spiritual foundation IS indeed very helpful, and certainly a source of strength.  Many creative s and artists find this, and benefit from the continual refreshment and focus that a spiritual direction offers them. Well, one thing is for sure, all the encouragement you can get is needed in order to carry on.


Advance Notice:

This year you can meet me and some of my fellow artists from Kingston Artists’ Open Studios… Studio KAOS 2, at 14, Liverpool Road, Kingston Upon Thames Surrey KT2 7SZ on the following weekends: Saturday 6th and Sunday 7th June and Saturday 13th and Sunday 14th June from 11am until 5pm. This is within walking distance of Kingston Town Centre, and also near Richmond Park. Come along! If you have time, follow the whole Kingston Artists’ Open Studios trail.

Kingston Artists’ Open Studios is a voluntary group of artists, and there are many studios open in and around Kingston Upon Thames… A whole trail! The Open Studios event is part of the bigger Surrey Artists Open Studios network event.

I cannot decide what to bring along to this.  I was going to bring some drawings, but I think I might just stick with some paintings and some prints.  I haven’t done the Surrey Artists’ Open Studios before, so I am looking forward to taking part.  You need to join Surrey Artists Open Studios first, and then pay more to take part in the event itself, so I certainly hope I do sell some things in order to recoup the costs!  I will probably bring along just acrylic paintings, as my oil painting style is quite different to the work I produce when using acrylics and it will all be placed pretty close together.  And some digital prints.  Take a look at my website for a taster: 

Silence in the City 

Here is some information from the Silence in the City website:

About Silence in the City
This series of talks on silent prayer and the Christian contemplative life has been running since 2007 in London’s Westminster Cathedral Hall. We invite a range of speakers, each of whom is committed to the contemplative life; each meeting includes one or more talks, and at least one period devoted to silent prayer.

The speakers are invited to concentrate on the value of silence and the possibilities of silent prayer, but they are also encouraged to discuss any or all of the other monastic values of solitude, simplicity and contemplative service. The series is ecumenical in nature; we may in due course include representatives of other faiths.

Silence in the City is organised by lay members of the World Community for Christian Meditation and Contemplative Outreach. Our inspiration is the practice of silent prayer itself, and while we hope that this series of talks will continue, its real success will be measured by individuals’ discovery of a method of silent prayer that is right for them.

See the website here:

I’m looking forward to two forthcoming events:

Wednesday, 17 June 2015 (10a.m.- 4 p.m.)

James Finley PhD: Transforming Trauma: Exploring the Healing Power of Spirituality (A one day healing retreat)

A one day retreat devoted to exploring the healing power of spirituality. The day’s reflections will focus on seven traumas or wounds to which we are all subject as human beings and then go to explore methods of meditation and other steps we can take to help ourselves and others heal from each of these seven wounds. The emphasis will be on the lifelong process of learning to be a healing presence in the midst of the world. Time will be given for brief periods of silent group meditation and discussion of the themes presented. Those in ministry, in the healing professions, trauma survivors and all who are interested in exploring healing power of spirituality in their own life and in today’s world will benefit from this day of prayerful reflection.

The Seven Steps of Spiritual Healing Explored in the Retreat Are:

Be grounded in your experience of who you are as a human being in relationship with others. Take responsibility for the healing that needs to occur there.
Have faith in the subtle flashes of spiritual awakening that occur each day. Trust these moments reveal that although you are ego, you are not just ego. You are a spiritual being created in the image and likeness of God who is spirit.
Realize that the root of suffering is estrangement from spiritual experience. The root of happiness is spiritual experience.
Follow the mystics on the path of prayer and meditation that heals the root of suffering in its origin.
Follow the path of the saints in compassionate love that heals the suffering that has found its way into our minds and hearts (facing and working through bodily and psychological suffering in a spiritually grounded way).
Learn to live in the axial moment that transcends suffering in the midst of suffering, that transcends death in the midst of death.
Devote yourself in prayer, meditation and compassionate love to the lifelong process of learning to be a healing presence in the midst of the world. Be resolved to continue living in this way until the last traces of suffering dissolve in love and only love is left.
Venue: Westminster Cathedral Hall, Ambrosden Avenue, London SW1P 0QJ.

Refreshments provided. Suggested donation £20.

Text from the Silence in the City website.

And also, I will be attending:

Wednesday 1 July 2015 (10a.m.-4 p.m.)

Rev Dr Cynthia Bourgeault: Harnessing the Power of Love – Unveiling the New Breed of Trinity (one day seminar)

Venue: Westminster Cathedral Hall, Ambrosden Avenue, London SW1P 0QJ.

Refreshments provided. Suggested donation £20.

Rethinkyourmind 2015

It was lovely last year to have “Well Spring” chosen to be included in the Rethinkyourmind Yellow Book.  Anything positive related to mental health matters a great deal to me.  My mother was seriously mentally ill for the majority of her life, and my sister also.  Though pretty psychologically resilient myself, I do know what it is like to experience  anxiety and depression,  and also what it means to engage in the processes of recovery from  trauma.  It’s hard work; long, often painful, and very challenging.  Without my engagement in psychotherapy, I know that I wouldn’t have  been able to move forward personally myself, at all.  So I am eternally grateful for the place I am in now, and feel passionately that projects like Rethinkyourmind have lasting value and influence, and do make a significant difference to many people.

This year I entered a couple of photographic images in, and was delighted to once more find my art work selected!  The selected photograph was  “I Feel Better When Walking by Trees and Water”  (this also has  it’s previous title which is “High Water Thames”).

Here it is!

jenny meehan copyright DACS all rights reserved highwater, i feel better when walking near trees and water

highwater, i feel better when walking near trees and water


A lot of my artwork has more than one title…It is not a matter of changing the title, I find, but of having further thinking time on the work and realising more about the motivations I had,  in slightly more depth.  Normally I find this happens quite naturally over time.  I have always been quite conscious of the correspondence between the patterns of nerves in the brain and the patterns of branches of trees, and when contemplating the scene before taking the photograph, the reflection of the branches in the water spoke an additional  sense of connection (with the water, the life-source) to me which I liked very much, along with the patterning of the branches.  I have discovered through reading an extract from  “Fractal Brains: Fractal Thoughts by David Pincus Ph.D. lots of fascinating things about fractals!  The brain has a fractal organization, as indeed do many natural systems.  A fractal is a branchlike structure, and when you think about natural structures like trees,  rivers, snow-flakes,  the circulatory system, and such like, an awareness of the beauty of fractal organisation is certainly highlighted.  Interestingly, researchers in psychology have been finding many examples of fractal patterns, for example in visual search and speech patterns. They have even found that interpersonal relationships are organised as fractals and that the self-concept is a fractal, with complexity being associated with health.  I found this all wonderful reading:

“Essentially, fractal systems have many opportunities for growth, change and re-organization. Yet they also are very robust. They maintain their coherence; they hold together well, even under tough circumstances. They are balanced in this respect, between order and chaos. They are simple, yet also very complex. This balance is often referred to as “criticality,” thus the title of the article: “Broadband Criticality.” And the term “self-organized” is often added because systems tend to become fractal on their own, simply by putting a lot of system components together and allowing them to exchange information. Think of a party. All you need to do is come up with enough people at the same place and time and they will start to form complex patterns of connection with one another.

Self-organizing critical systems are also very good at connecting, both internally and also to other surrounding systems. The branches of a tree are connected in a very lovely way. If you shake one branch, you’ll see broad shaking across the tree. Fractal structures hang together nicely. Yet they branches may be trimmed without affecting the overall structure. Indeed, if you trim them far enough out (above the growth bud, “post-traumatic growth” or “whatever doesn’t kill you makes you stronger”) they will often grow even stronger, with more complex connections in the outer branches. Finally, branchlike patterns easily connect to other systems – a literal web of life. A tree with many fractal branches (and also roots) can better connect to the sun (and soil) to gather and exchange life sustaining nutrients.”

This is a quote from Fractal Brains: Fractal Thoughts
Our Brains are fractal, with far reaching branches; Post published by David Pincus Ph.D. on Sep 05, 2009 in The Chaotic Life

Oh wow, well, I hope that my “post-traumatic growth” serves me well…according this the above I may grow even stronger, with more complex connections in my outer branches!!!!

This posting is very photography orientated!  I am painting, but it is all behind the scenes for now, and a lot of ground laying activity is going on which I don’t intend to post on the internet for some time!  I am a very prolific artist, and quite frankly I cannot keep up with bringing an account of what I am doing all the time as well as doing it.  At the moment I am doing a lot of organising, taking images of paintings for the archive, tidying up the studio tent, preparing work for this years Surrey Artists’ Open Studios Event, and preparing some more canvases for future paintings.  Also, very importantly, as ever constantly reviewing my photography, painting and drawing to see how it can inform me right now.  This is probably the most important task.  I’ve stopped fretting about representation (finally) and have jumped into the realm of colour, texture and form most fully, without angst.  It seems right to loose myself in these eternal layers of colour and texture if that is the way things are going.  I enjoy the occasional bit of drawing here and there.  It won’t disappear!


Copyright and Licensing Digital Images Information – Jenny Meehan 

Copyright in all images by Jenny Meehan is held by the artist.
Permission must be sought in advance for the reproduction, copying or any other use of any images by Jenny Meehan. Individuals or businesses seeking licenses or permission to use, copy or reproduce any image by Jenny Meehan should, in the first instance, contact Jenny Meehan.
Any persons discovered to be reproducing, copying or using images by Jenny Meehan without prior consent, authorisation or permission will be put on notice that Jenny Meehan is the copyright owner and asked to immediately cease and desist the infringing activity. If a satisfactory response and / or compliance is not forthcoming promptly, the matter will be pursued. For clarification of the laws of copyright, please contact the Design and Artists Copyright Society (DACS).

Copyright for all visual art by Jenny Meehan is managed by the Design and Artists Copyright Society (DACS) in the UK. If you wish to licence a work of art by Jenny Meehan, please contact Jenny Meehan in the first instance to clarify your requirements. There is a contact form on my website 

Licensing an image is quick and easy for both parties and is organised through the Design and Artist Copyright Society. (Note, my images are not shown on the “Art image” selection on the Design and Artist Copyright “Art Image” page. This does NOT mean you cannot apply for a license to use an image of my work from DACS… They simply have a very limited sample selection of work in their “Artimage” page!)

Also, please of course feel free to contact me if you are looking for a particular type of artwork image, as I have a large archive of images myself. I will also be able to let you know the maximum size the digital image is available at. If you then wish to license the artwork image, I then refer you to the Design and Artist Copyright Society to arrange the licensing agreement according to your requirements.

Rich, interesting, lyrical abstraction, full of texture, colour, and variations, emotionally expressive and poetically resonant, my expressive paintings are ideal for book cover design and many other design purposes.  Licenses for digital images suitable for cover-art for books are really easy and quick to organise through DACS.  My artwork is unique and having developed my own direction over the last few years it’s ripe to use. I am relatively prolific, and my main current work centres around painting with a lot of  experimentation with layers of colour and texture, though I have a lot of digital photographic (tending towards pictorialism) imagery too.  


If you need any further clarification, the DACS website is clear and very helpful indeed, and they would be happy to help you.

Design and Artist Copyright Society
33 Old Bethnal Green Road
London E2 6AA
Telephone: +44 (0) 20 7336 8811
Fax: +44 (0) 20 7336 8822
Offices are open 0930 – 1700 Monday through Friday.

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