The joy of TKR?  Really? Are you sure?

Um, normally one associates the word “Joy” with something like the joy of sex, or the joy of birth or the joy of life, and NOT the joy of a knee replacement.  I have used the phrase in The very patient knee replacement story by Jenny Meehan: “I loved having a knee replacement”.  Well, it is a very painful surgery, which tempers any experience, however I insist on keeping my  sentence in place, even though it is rather odd! (I am a bit odd, if the truth be know, but it’s great fun being that way!)   The reason for this is I feel people are unduly put off having elective surgery on their knees because of a fear of the pain, even though they are already enduring long term chronic pain. But surgical pain can be managed very effectively,  and if a knee replacement operation is successful, it has the potential to give someone so much liberty and happiness… it can give them their life back basically… and THIS is the joy of having a knee replacement.

It is hard to leave a life of pain behind.  Sounds silly, and there are often areas of pain still around after a knee replacement operation, as the healing process takes a good year, or even up to two, I believe.  There are complications and risks, as with any surgical procedure.  Pain and how we negotiate our way through it is an emotional and psychological, as well as a physical process.  But as I have said before, the key difference is pain which happens as the body heals itself is a lot easier to deal with than the pain of deterioration.  Well, for me this has been the case.  We are all different.  There are people who regret having it done, or who don’t feel that it has helped them in their lives.  Who are disappointed and expected more of a result.  My “result” has been beyond what I could have imagined.  It is not simply a matter of pain reduction, but of restored function.  I can WALK and STAND up properly now.  I have no regrets, not one.

It is wonderful to paint BIG paintings!  Wonderful to walk where I need to go!  Wonderful to carry what I need to carry! Wonderful to be able to embrace again the aspirations which I found torn away in the two year period before my knee replacement surgery in March this year.  I reflect a bit on work, value and time at the end of this post.  Well, this surgery has blessed me with a lot of time!  I am miles more productive already than I was before the TKR.   This is everything to me, because my work is my passion, and it’s what keeps me alive, in the truest sense of the word.

I sold a couple of paintings and I have another image being used for a book cover.  This is great because it funds the work I do and enables me to carry on doing what I do. And now my knee cannot stop me from doing my work and as work is so important to me, it’s a great relief!

I like to give my artwork to people and organisations from time to time, if I am particularly grateful and so true to form I donated a print to the South West London Orthopaedic Centre in Epsom where I had my surgery.  It was such a positive experience which helped me in so many ways.  It is very important that the whole person is treated…not just the knee and the care I received was fantastic.  It helped immensely with my recovery.  And you need a positive hospital experience with TKR, because there is no getting away from the reality of it being a hard slog for the few months afterwards!   My surgeon was Mr Dinah, with his team,  and they and all the staff,  have done a very good job!

Quote from their newsletter:

“SWLEOC would like to say a warm thank you to Jennifer Meehan who very generously donated a piece of her own artwork to the Centre.
Jennifer met with SWLEOC Medical Director Mr Philip Mitchell and Director Mary Richardson to discuss her experience as a patient at SWLEOC and her surgery which was performed by Mr Dinah. 
Afterwards, Jennifer kindly  donation a piece of art that she had created, which will now take pride of place in our Pre Theatre Department for all of our new patients to admire.”


It gives me a lot of pleasure to donate what was my personal print of ” No Problem/Moving On”.  I won’t be making another of the work the same…It’s a digital print mounted on foamboard and laminated.  Just right for a medical setting, as easy to clean!

Detail on the work:

No Problem/Moving On – Geometric Colour Abstract Print by Jenny Meehan

One of the “Signs of the Times Series” by Jenny Meehan

This artwork design conveys a positive attitude, and is the fruit of my interest in positive psychology and personal mobility challenges. A “can do” attitude in the face of resistance and difficulties is the only way to move forward. The design has something of my own experience of exercising in a gym with motion suggested through various formal elements, of varying speeds and a sense of progression.

It gives me a lot of happiness to know that people will see it when they come in for their surgery.  It’s a good image of positive movement forwards, up beat and certainly has some bounce to it.   I think they have put it in an excellent place and it can do its work now.

The world needs artists.

Thank you to the person who said that to me!

It’s a treasure!

Here is No Problem/Moving On:


Jennifer Meehan/Jenny Meehan No Problem/Moving On abstract art print by Jenny Meehan bright bold motivational art for physiotherapy experience personal mobility challenges, jenny meehan,now at SWLEOC south west london elective orthopaedic centre

No Problem/Moving On sign of the times series jenny meehan (jennifer meehan) now at SWLEOC


Now I CAN move on!  With my “new” knee!

No Problem/Moving On Jenny Meehan/Jennifer Meehan SWLEOC art donation image 2017

Jenny Meehan/Jennifer Meehan SWLEOC art donation image 2017 No Problem/Moving On

I have an “Attune” Knee!

It’s LOVELY!  Really settling in well!

If you like the image “No Problem/Moving On”  I have it on the “print on demand” site  I get a small percentage of any sales.  Work is not signed personally by me, and hasn’t been through my own fair hands, but the quality of their products is very good in my experience at least.

Once I have worked on my digital images, I don’t tend to print them out myself, or get them printed directly, as I have too many other projects to work on, plus the voluntary counselling/mentoring and the small amount of  teaching/art tuition I do.  And domestic work.  But Redbubble is a good way to make my work available to all.  If you do possess a signed digital print by me,  it’s a bit of a rarity, and ever increasingly so at the present time. I am painting MORE than ever before.  This is good.

Plenty of unsigned prints here though!

The clothing looks, erm, different, but I thought I would leave it on there anyway!  Just an art print may be a more conservative choice!


“Starting Out” by Jenny Meehan

© Jenny Meehan DACS All Rights Reserved


© Jenny Meehan DACS All Rights Reservednew starting out geometric abstract design jenny meehan

new starting out geometric abstract design jenny meehan© Jenny Meehan DACS All Rights Reserved

Very fond of the above!  Still getting a lot from it.

I have “Calm Moment” which is another of the same series of work on show at JAX Cafe in Kingston Upon Thames. (52 Old London Road, Kingston Upon Thames KT2 6QF)

Calm Moment by Jenny Meehan at JAX Cafe Kingston upon Thames

Calm Moment by Jenny Meehan at JAX Cafe Kingston upon Thames

I have more similar work, which can be purchased very easily on

Here is another example produced around the same time period:

“Drawn Together”

Southwark Arts Forum,Tower Bridge "Art at the Bridge" #7 “Building Bridges, the Female Perspective" in celebration of International Womens's Day,Drawn together by Jenny Meehan, Victorian Engine Rooms Tower Bridge Exhibition, jamartlondon, modern contemporary abstraction geometric art,

Drawn Together by Jenny Meehan

“This artwork expresses some of my female emotional experience: the emotion of two parts of my sense of self being pulled together. A feeling of balance and unity, which holds, even when the two sides are different in some respects. The suspended purple and yellow contrasting colours create stasis and tension. Yet, there is also a mirroring of the same essential structure in my composition, drawn together in a pivotal centre, which may suggest movement. This piece also resonates in relation to the Tower Bridge; an engineering achievement involving among other things, precision, balance, and design. Creative energy, both within and without, in both engineering and art.”

(Statement for the Building Bridges Tower Bridge Exhibition, for the above work)


As said earlier, the versions of geometric prints  I had printed myself are laminated and mounted on foam board, and signed by me personally, but the work is also available as open edition unsigned prints on the “print on demand site”  I like my work to be available to a wide range of people, with all budgets.  The laminated prints on foamboard would be particularly good for a bathroom or other slightly wet area.  I have one in my bathroom and it’s been there for five years and is still looking very good.   On I noticed they now do prints on metal…I imagine they may be similar in being fine in a bathroom.   Need to check them out.


“The Very Patient Knee Replacement Story by Jenny Meehan”

The recovery and  rehabilitation from my surgery which was on the 8th March continues!   I wrote a lot about it in “The Very Patient Knee Replacement Story by Jenny Meehan” which is on a separate page of this blog.  Look to the right hand side under pages and you can follow the link to it there if knee replacement surgery and patients experience of it is of interest to you! As well as the full version, which had colour coded text to help selective reading, “The Very Patient Knee Replacement Story by Jenny Meehan” is now in an abridged form.  You can get to it by following this link, and the link is also on the side bar of this blog under “Pages”.  It is still pretty long, so skimming may be a good idea!

Just have to post this again!  I love it!  Such a good memory!

very happy with my new knee in bright red Asda nightdress

very happy with my new knee in bright red Asda nightdress


Just loving the new knee.  Can paint for hours.  Stand for hours.  No longer limp at all. Can carry my art work places and use public transport with ease.  Can walk fast in a London crowd.  Can plan to go places, without fear of being stranded. Can keep up with friends.  It’s all just great, at just coming up to five months post op.    Very minor pain, when over doing things.  Well worth the effort, is the verdict on it for me.


Working on some new paintings…

Now I CAN!

Very early sneak preview of some in progress.

Bear in mind I work in a very piecemeal way.

These may not be ready for a few years.

Little and often.  Just like TKR post op exercises!

I have around 20 paintings “on the go” right now.

I often just put a couple of colours and marks down at a time.

They need a lot of thought.  A lot of patience.  They are ready when they are ready.

Some come together quite quickly.

Others take years.

I thought I was going to be stuck with working on tiny little paintings for the rest of my life.

Nearly got used to the idea.

Thankfully not.

I need to walk around a lot when painting.  I need to view the work at a distance, and this involves a lot of walking back and forth.

Plus all the hunting around for what I need!

Great to be in action again!


These will develop significantly over time.  That’s the good thing about acrylic paints. Quick drying.  Layers.

Miss using oil paint, but studio is not big enough…Need a lot of drying space for those!


Can  You Put A Price On Art?

I have been thinking about the question “Can you put a price on Art?” recently.  And the simple answer is “No”. Even though artists have to put a price on their art work if they offer it up for sale, and they may use various factors to determine the price, for example, how established they are, where it is being shown, how much time and materials it took to make, and the general ball park figure that they normally sell work at. The figure they choose does not reflect the value of the art work, but serves more as an entry point, to another person, in respect of if they are able to access it.  If they love it, the range of what they can afford will adjust accordingly, to a point.  Hence the importance of artists being consistent in their pricing of work.  It is simply a matter of integrity.

For the artist there are additional considerations, like how much commission the organisation they are showing with takes, how much their expenses were all around, and how much they had to pay to take part in the exhibition in the first place, etc, etc.  These need to be born in mind, and do make some variations in what the price label finally is.  The majority of artists, as I have said before, find that they might sell work very occasionally, and the whole matter is rather an added bonus rather than something that they actually depend on happening, particularly if their focus is not commercial, as is the case with myself, but is more a matter of progress and being able to progress one’s work.

It is also true that, along with that progress, there is a desire that people should be able to possess my work, and that does not mean a certain class or type of person, but simply any person who sees, loves, wants and relates to the art work in some way. This does not mean I am going to give it away, (though sometimes I do) or that I do not value it myself, because of course I do.  When I put an affordable price on a piece of work, it does not represent the value of it to me, because I do not personally gauge the value of it in monetary terms.  But I price my work in a way which I hope will make it accessible, as far as possible, without discounting my own time and effort, which matters very much to me.

This approach is also why I have no problems with my work being reproduced and used, as long as the appropriate legalities are in place.  It is not, in my opinion, only for the famous and well known fine artists, to enjoy the multiple reproductions and use of their imagery, while the less well known fear publication and reproduction of various kinds because they feel somehow that it makes their work less “fine art” and somehow more common!  To make art accessible is not to undervalue it, but simple to share it around a little more liberally and let it do it’s own work without hiding it away or keeping it to yourself.  Copyright violations are another matter…Artists of all kinds should always get appropriate recompense for their work, unless they choose to do otherwise, because it is their work and as work it is investment.  This applies regardless of the way the artist sustains their practice.

While there is plenty of information about on how artists should choose to price their art, and there are also wider economic considerations, such as in the article below:

Putting a price on the value of art
By Jane O’Brien
BBC News, Washington
18 February 2013

This was a good read!


I tend to bring myself back to the fact that the value of many things in life cannot be measured.   It is not over spiritual and unrealistic to hold this important fact in mind, and the presence of it, and an awareness of it, is very important for any person involved in any type of work which, for whatever reason, does not equate, in their realm of doing and practising it, with money.  The work of a person parenting, housekeeping and domestic managing, plus all that is involved in caring for others and nurturing growth, is something which does have a monetary value if the tasks are all broken up and done is one particular setting, but in another setting, any currency that would apply is suddenly not there.  There are also those involved in paid work which has a monetary value applied to it far beyond and out of proportion to the work in hand, and others whose work is paid and yet is completely underpaid, bearing in mind the nature of their work, it’s value in society and what they actually do.

So money is a very random and inaccurate way of telling what things are worth.  It is a consideration, and may become a more important and crucial matter for an artist at a certain stage in their development if that development starts impacting the so called “art world” at some point.   The following is a helpful read, if that is the case:

THE BLOG Putting a Price on (Your) Art Takes Some Thought
11/17/2011 04:36 pm ET | Updated Jan 17, 20 written by Daniel Grant

I do not believe that it helps an artist to focus in this direction though.  People who love with passion their work are able to see it’s value completely apart from any measure of value put on it from external sources.

This is excellent, and quoted from  “10 Reasons Why Following Your Passion Is More Important Than Money” by

Siobhan Harmer

“Money is a very powerful thing, it builds empires and breaks down kingdoms, it allows for dreams to come true and it takes others away, it makes some people happy and others completely miserable. Today the pursuit of money is almost directly linked to the pursuit of happiness, many will argue that money = happiness.

However, this is inherently problematic as this mindset leads many people to stray down a path that doesn’t best suit them. When people choose their careers, they are sometimes blinded by money and so choose to follow the paper trail. Although money is great and can buy us all the things that will temporarily make us happy, no amount of money can buy time. Time is our most valuable asset and it is something, that while on this earth, we should spend most wisely. You shouldn’t feel like you’re mindlessly wasting your life away.”

“10 Reasons Why Following Your Passion Is More Important Than Money” by  Siobhan Harmer

Read the rest of the article, it’s excellent.  My favourite line:

“Time is our most valuable asset and it is something, that while on this earth, we should spend most wisely.”

It is obvious really.

This article, “More than job satisfaction – Psychologists are discovering what makes work meaningful – and how to create value in any job by Kirsten Weir”  was a good read too:

Something that’s meaningful for one person may be inconsequential for another, however. What makes work worthwhile to you probably depends on your culture, your socioeconomic status and how you were taught to see the world, according to Pratt. An academic might find value in scholarship, for instance. “But a firefighter might look at an academic and ask, ‘Are you helping people on a daily basis? If not, it’s not worthwhile work at all.'”
People assign significance to their work in a variety of ways, as Pratt and doctoral students Douglas Lepisto and Camille Pradies describe in a chapter in the 2013 book “Purpose and Meaning in the Workplace.” Some may derive meaning not from the job itself, but from the fact that it allows them to provide for their families and pursue non-work activities that they enjoy. Others may find meaning in being able to advance themselves and be the best they can be. People with a craftsmanship orientation take pride in performing the job well. Those with a service orientation find purpose in the ideology or belief system behind their work. Still others extract meaning from the sense of kinship they experience with co-workers.
Craftsmanship, service and kinship orientations are especially likely to be meaningful, as they all point to something beyond the individual, says Pratt.”

More than job satisfaction
Psychologists are discovering what makes work meaningful — and how to create value in any job.
By Kirsten Weir
December 2013, Vol 44, No. 11
Print version: page 39

Nice quote from the above:

“Meaning doesn’t take money,” she says. “At any rank, people can make different meanings of their work, and also of themselves at work.”  – Jane E. Dutton, PhD, a professor of business administration and psychology at the Ross School of Business at the University of Michigan.

So throw that status away!  Because it may well be measured in monetary terms… And that is not very reliable at all! If others do it, so be it.  But make sure you don’t do it yourself.  Because we all mean an awful lot.

On a very practical note, I tend to price my original artwork at between £200 and £500…  It is not for me to assess the value of it, but I guess that is the monetary range I personally feel appropriate.  As my work is well developed and strong, I have been focused on it for the last ten years, and I assess what I ask for it based on that, as well as the other factors mentioned at the beginning of this post.  I don’t work on a profit making basis, but I need to develop and continue what I do, and this enables me to do so.  I don’t think about my work in terms of the “market”  or even with thoughts of what I might potentially get from it.  I am simply not orientated that way.  When I paint, I paint to paint and that is all that is involved.  I do not paint to sell and I do not paint thinking one little bit about even selling the work.   I paint to paint and that is it.  And when the work is done, it will live with me for often many years, for it still has a lot to say, and I do not mind learning from it one little bit.

What I want is to be able to die knowing that my work is not where I personally left it!  But in other places living it’s new life with a new owner.  That is far more important. Consequently, I probably under price my work.  But there comes a point at which you know for sure a painting is ready for a new home.  If the new owner comes and recognises the fact, then both collector and artist are very happy, and go away pleased, having both their lives enriched.

Our time does end.  At some point!  There is nothing morbid about that. And I do not want to leave a pile of paintings behind me that haven’t really been able to enter into anyone’s heart but my own.

Time is our most valuable asset and it is something, that while on this earth, we should spend most wisely. You shouldn’t feel like you’re mindlessly wasting your life away.


And something completely different…

Bruce The Great Poem, by Jenny Meehan

I wrote this poem as one of my efforts when attending a local poetry writing group.

Unfortunately due to needing to allocate the time elsewhere, I had to stop attending the group.  But I hope to rejoin again at a later date.

I am Bruce; Bruce the Great

I do not fear the purr, and whirring rotation of blades;
The black box behind me,
a dark and solid mass, suckered to the side
of the invisible container…
which I refuse to acknowledge.

I am Bruce, Bruce the Great…
Amid the mass of bubbles, I fly
high above the rocks;
No wind will blow
me off direction.

What moves before my face
speaks an echo…
It too, testifies of the extent of my domain.
You may fix me in your eyes,
open your orifice, and flash your fins
to the beats of time. Maybe,
dissolving thoughts of moving ahead
into aqueous meditations?
I wait; My pause is ever before me,
but I will not turn.

I am beautiful !
Reflective and fiery orange,
un-cooled by water, which is my elemental matter
of flecked and opalescent wonder!
Did you not see the extent of my tail?
Did you come to listen to the oracle of my mind?
Surely not to invade?
Do you see in the darkness of my mouth
the end of your existence?

The edge of my world is not something I like to admit.
I do not speak of this, but hollow out bubbles of air.
Send them up;
Prayer, to the fish that fly.
I hear them, even though I have no ears,
rotating my eyes upward
and twisting my dorsal fin.
My body placed in perfect alignment.

It is in this yogic moment…
when you caught me
and recorded my existence, forever.
Against the flowing, green, weeds
and the purr and the whirring
rotation of the blades; that black box behind me,
a dark, solid, mass.
But no darker than the tunnel
I breath into you.

Go no further!
I am Bruce; Bruce the Great

Jenny Meehan 2016


I wrote the poem in response to a photograph of the group facilitators gold fish. Her pet fish was called Bruce, and the poem is what came to mind.   I keep tropical fish and love watching them.  So my own fish also helped the process.


Enjoying the Sunshine!

Just loving the weather we had in June, and now also.  Great for drying paint.  I am experimenting with painting on some large A1 greyboard.  It’s nice to have a bit more room to move the paint around!  I am also working on smaller paintings, and experimenting more with perceived texture as well as actual texture.   I have many pieces of card with paint on, both very small and large.  And there is a lot of looking going on.  At past work as well as present.   I have been blessed to meet some lovely people so far this year, and I am enjoying the fruits of the patience I have come to appreciate more.  The knee replacement surgery has had unexpected benefits.



Jenny Meehan (Jennifer Meehan)

Jenny Meehan is an artist and designer based in Chessington Surrey, Greater London/South West London/Surrey

(text from website

Jenny takes a process led approach and while the art she creates is informed by her research activities, her outlook on life, and personal experiences, it is the formal qualities and what she perceives as the presence or poetry of the work itself which she is most concerned with. Her visual art is intimately connected with her writing and poetry, and the relationship between these two strands of her creativity is a lively and interesting one.

Jenny is particularly interested in the relationships between creativity, spirituality and mental health and wellbeing and uses both Christian contemplative practices and participation in regular psychoanalysis to inform the direction and development of her artistic practice. While specialising in abstract painting and interested in lyrical abstraction and abstract expressionism, she also enjoys working with digital imagery and graphic art. Her visual art relates intimately to her spirituality, writing, and poetry, and she explores this dimension of her work and experience through an artist’s blog on WordPress: Jenny Meehan Artist’s Journal – The Artist’s Meandering Discourse.




%d bloggers like this: