Interesting Television Programme

I have watched the “Basquiat – Rags to Riches” programme recently. Several times.

Here is the text about the programme:

The recent Sotheby’s auction of a Jean-Michel Basquiat Skull painting for over a hundred million dollars has catapulted this Brooklyn-born artist into the top tier of the international art market, joining the ranks of Picasso, de Kooning and Francis Bacon. This film tells Jean-Michel’s story through exclusive interviews with his two sisters Lisane and Jeanine, who have never before agreed to be interviewed for a TV documentary. With striking candour, Basquiat’s art dealers – including Larry Gagosian, Mary Boone and Bruno Bischofberger – as well as his most intimate friends, lovers and fellow artists, expose the cash, the drugs and the pernicious racism which Basquiat confronted on a daily basis. As historical tableaux, visual diaries of defiance or surfaces covered with hidden meanings, Basquiat’s art remains the beating heart of this story”

What an interesting programme and it’s opened my eyes up.  Not sure quite what the results will be, but feeling very inspired.  

The exhibition looks good too, must get to see it!  I have booked to see it in November.  This is very exciting!

Here is some information on the exhibition:

The first large-scale exhibition in the UK of the work of American artist Jean-Michel Basquiat (1960—1988).

Discover the work of Jean-Michel Basquiat, the pioneering prodigy of the 1980s downtown New York art scene. This unprecedented exhibition brings together an outstanding selection of more than 100 works from international museums and private collections. Engage in the explosive creativity of Basquiat who worked with Andy Warhol, Keith Haring and Blondie, among others. Featuring rare film, photography and archive material, the show captures the spirit of this self-taught artist, poet, DJ and musician whose influence, since his death at 27 in 1988, has been enormous.”

Chester Open Art Exhibition 2017

One of my prints is still on display and has just been sold!  It was made available for sale as part of the Chester Open Art Exhibition 2017.  I have suddenly realised I don’t think I posted this up as a news item on this blog!  Better late than never!

How the months fly by!

© Jenny Meehan DACS All Rights Reserved leap of faith (jennifer meehan) jenny meehan geometrical abstrace design artwork fine art print to buy

leap of faith jenny meehan (jennifer meehan) geometrical abstract design artwork fine art print to buy © Jenny Meehan DACS All Rights Reserved

Information about the venue…

Joseph Benjamin is a Chester restaurant owned and run by brothers Ben and Joe Wright. The idea behind the restaurant is simple – top quality food and drink in a comfortable and relaxed environment, prepared with honesty and integrity and served with care and attention.

Joseph Benjamin opens at 9am for coffee and breakfast. Lunch is served from noon till 3pm and then, on a Thursday, Friday and Saturday, dinner is served from 6pm.

David Gill, Jenny Meehan, James March, Michele Landel, Susan Welsby, Liz Fitzgerald-Taylor, Ian Hill Smith are the artists with work on display.

The work looks very nice indeed!  I did have a nice image of it in situ but cannot locate it right now, however will post when I have found it!

Becoming – Painting and Poem by Jenny Meehan

light and colour.
The poetic space
coming together.
In one, long, moment
I will take you there,
and you will see
beauty in brokenness. ”

Jenny Meehan

© Jenny Meehan  All Rights Reserved


catastrophe becoming painting, abstract expressionist lyrical romantic painting, jenny meehan © Jenny Meehan DACS All Rights Reserved

catastrophe becoming painting by jenny meehan submitted to british collectable abstract paintings


I have submitted the above work for an excellent project by author Henry Martin.  Who knows if anything will come of it or not, but I actually feel so glad that such a project is being done that I am delighted to submit whatever the outcome may be.  And thankfully no charge involved to submit.   That’s always a blessing.  Here is some of the call out text:

To celebrate the launch of the biography Agnes Martin: Pioneer, Painter, Icon (published March 2018) author Henry Martin will promote 100 women artists on the blog from November 2017–March 2018.

Painters, sculptors, textile artists, illustrators, graphic designers, ceramicists; artists of all practices are invited to send their work for consideration. Selected artists will be featured alongside invited artists including:

Ying Ang, Elinor Carucci, Eleanor Crow, Suzanne Dean, Milena Dragicevic, Joy Gerrard, Jenny Grigg, Anne Jordan, Polly Morgan, Adrian Piper, Aidan Salakhova, Karen Schiff, Heidi Specker, Clare Twomey, Jo Walker, and Bettina von Zwehl.

Henry Martin says, “100Days100Women is a corrective measure I can take as a biographer and art writer, to not only educate myself on contemporary art practice by women artists known and unknown to me, but also to fight against historical precedent in the disappearance of art by women in art history books, the marketplace, and human consciousness.”

The feminist writer Jill Johnston once said of Agnes Martin: ‘During every terrible decade it’s a pleasure finding a great woman.’ I believe that we live in such a terrible decade, but we are lucky that there are many great women still to find and champion.

Submissions can be made on, and followed on Facebook at @100Days100Women. “


I look forward to seeing the project unfolding.


Before Knee Replacement…

Do you know, I STILL look back sometimes to what life was like before my knee replacement.  With a sigh of relief it is over.  Now over seven months post op I can now RUSH around.  That’s new.  Good exercise, walking fast.  Fantastic to be able to make plans to see exhibitions in London with no doubts that I will be able to get where I need to go!  While the weeks and months after TKR are a huge challenge, I still hold to the precept that the time period of a year (at least) before was far worse. Because of going nowhere, and not even going nowhere fast.  Going nowhere SLOW.  And sometimes going nowhere at all!  The lack of mobility was killing me.

Had a bit of a dark phase before my TKR..Paintings at the end of 2016 went very dark…

Dark Night Painting by Jenny Meehan

This painting which I did put up on is still standing its ground.

dark night of the soul painting, abstract expressionist painting by jenny meehan, british 21st century female woman painter artist, lyrical abstraction,woman artists contemporary collectable, black white painting,jenny meehan jamartlondon,

dark night of the soul abstract painting jenny meehan jamartlondon

Dark Night Painting by Jenny Meehan. Available for sale, Please contact Jenny Meehan via the contact form on my website if interested in adding this work to your art collection!

I am standing around a lot too…  Kind of useful for painting!  Climbing up ladders and all sorts!  Back in action!

Female Abstract Expressionists

Terminology is crude, but I guess I would fit into that bracket.  I like to call my work “Romantic, Expressionistic, Abstract, Lyrical” painting.  But too many words for everyday use!

On the abstract expressionist theme, I have now taken some time to look into some female artists whose style can be defined as being in the abstract expressionist camp.  Abstract expressionism can reek of male dominance in my imagination… and there is possible a reason for this, as many female abstract expressionists seem to have dissolved more into the wings of the art theatre…

But women all over the world are completely immersed in the wonders of expression through non-objective painting…  And always have done…and always will!

Perle Fine is one painter I have looked at recently…

Quote Marika Herskovic:

“Perle Fine belonged to the early generation of New York School Abstract Expressionist Artists whose artistic innovation by the 1950s had been recognized across the Atlantic including Paris. New York School Abstract Expressionism represented by Jackson Pollock, Willem de Kooning, Franz Kline and others.”

Few nice quotes by Perle Fine:


“Feeling is what we are involved with” and

“I don’t paint to sell and I don’t paint not to sell”

I will keep that in mind!

From the transcript, quote I find most interesting right now:

“PERLE FINE: Yes. Well, after leaving the Hofmann School—well, of course this was happening all the time I was at the Hofmann School—I realized that there was no such thing as semi-abstract painting; that one couldn’t be semi-abstract any more than you could—well, it’s like saying I feel a little bit strongly about something, you see. Because for a thing to be abstract meant to me that you had to feel strongly enough about it to turn your back on realism and do everything necessary in an abstract way to put across a feeling which meant being totally abstract or non-objective.”

And very interesting reading on her process.


Perle Fine was married to the photographer and art director Maurice Berezov.  Despite her innovative exploration of Abstract Expressionism, which she fused with an interest in the pure forms of Neo-Plasticism, Fine was not included in the Whitney’s 1978 show “Abstract Expressionism: The Formative Years,” which she contested in two letters to the museum.  She later became a renowned professor at Hofstra University.

A quote from Perle Fine I find inspiring:   “I never thought of myself as a student or teacher, but as a painter. When I paint something I am very much aware of the future. If I feel something will not stand up 40 years from now, I am not interested.”


The “Very Patient Knee Replacement Story” goes on, and on, and on and on…!

Well back in September now I wrote my latest update. Waiting for the eight month mark for the next update, but cannot resist a little narrative here!

In September I focused a lot on post operative depression and also on how I found yoga very helpful in my rehabilitation.

I am most grateful that I discovered the practice of yoga through the Our Parks scheme, because it has made a huge difference to my health and happiness. When I started doing it a couple of years back it made me aware of how limited my mobility was, helped my limbs to keep moving and to be as flexible as was possible, and helped all my soft tissues both pre and post op. It generally re-introduced me to the joy and importance of movement, something I had lost somewhat over the years. I realised how integral movement is to my sense of self. It brought an appreciation of how an embodied contemplative practice is so very beneficial and facilitated my general orientation towards the contemplative way of life, including the practice of mindfulness, which was something I had already started to embrace.  So three hundred cheers for Our Parks!

On the subject of yoga,  a collector recently brought the two “Yoga Inhale” and “Yoga Exhale” paintings.  I am pleased they are still together.  They look great in her home.

© Jenny Meehan DACS All Rights Reservedchakra colours painting, chakra colours art, chakra movement opening, yoga inhale yoga breathing inspired abstract painting by jenny meehan

© Jenny Meehan DACS All Rights Reservedyoga inhale yoga breathing inspired abstract painting by jenny meehan


© Jenny Meehan DACS All Rights Reserved yoga chakra colours opening painting art, chakra art, chakra dance, yoga exhale yoga breathing inspired abstract painting by jenny meehan

© Jenny Meehan DACS All Rights Reservedyoga exhale yoga breathing inspired abstract painting by jenny meehan

I love it when my paintings find owners!

I have very real space issues here.  Living in a two up two down (well, three down!) house and being an artist presents some problems.  I am currently in the process of trying to organise all my work, equipment, materials and resources a little better.  Unfortunately this means that for a couple of weeks I have not done any painting at all.  I am getting irritable and cross.  However I will reap the rewards of being able to find things easier when it is done.  I now have quite a good system for locating particular paintings which is good because when art collectors are interested in buying one of my paintings, it helps a great deal if I can find it quickly!!!


Crossing Over, Letting Go and Entering the World of the Other

abstract lyrical expressionist british paintings jenny meehan

abstract lyrical expressionist british paintings jenny meehan


Crossing Over, Letting Go and Entering the World of the Other Painting by Jenny Meehan, available for sale please contact if interested. 

Available for sale, Please contact Jenny Meehan via the contact form on my website if interested in adding this work to your art collection!

The direction in my thinking on this painting above:

Deep Dialogue
Professor Leonard Swidler, in collaboration with Professor Ashok Gangadean, helped delineate the ‘Seven Stages of Deep Dialogue’ to describe the potential for dialogue leading to transformation. This narrative was intended as a meditation. This painting also: “Crossing Over, Letting Go and Entering the World of the Other”.

54x44cm external frame. Acrylic on Hardboard. Sealed with a protective layer of acrylic varnish. Light natural wood frame.

See more of this group of paintings on my website, 

Above is link direct to page.


In a bit of a fix…

A lot of my photographic art work involves images of fixings and fastenings of different kinds.  Images taken of buildings, mainly small out buildings like garages or beach huts, or garden gates or the backs of buildings seen from alleyways and rear access roads.  Most of these photographs were taken between  2007 and 2012, a period of five years which were for myself a period of certainly feeling I was falling apart, so maybe not surprisingly the orientation towards fixings was meaningful to me.   The need to hold myself together, though falling apart, is necessary for a mother who has care of others but needs to carry on functioning in life!  So the felt need was great!  In a big way, having responsibility for others can be helpful, even if tough times, as long as the strain is not too great.  Because you have to keep going.  But one needs to get help when falling apart from the inside.

It also occurs to me that the interest in fixings, which has translated itself into many of my paintings… mainly those with a structural, building type feel, like for example the “Nelson Square” painting, and it’s more recent “Nelson Square Two ” (which I am still working on, still in progress); this interest also says something maybe about my experience of having a bit of a “Fixer” relationship pattern.  I can see it more now, and am more aware of it, and it’s pitfalls.  Of which there are many!  But it is interesting as a creative… that love of putting things together, drawing together, uniting, balancing, melding things which are apart.  Articulating.  Joining. Building structure, and formation generally!  So positive and wonderful.  I spend myself and give myself through the process.  And this is rewarding.  I love it and find it fulfilling.  But to try and do this with other people is not good at all.  To try to do for others what is their own responsibility is very negative indeed.  As with many of our drives and urges, there is a positive and negative aspect.  It’s helpful to recognise both!  And so…

What is the  Fixer Relationship Type?

Note: Firstly, when categorising, it is important to realise that we are all rather piecemeal…The category is clumsy and only gives an approach to a personality…It is not there to confine or restrict but just to serve as an aid in thinking, and that alone.  The reality of each one of us is that we are far too complex to fall into any one category!!!

It sounds good, being a “fixer” but most people who tend this way learn their fixing behaviours in childhood, maybe by being burdened with inappropriate amounts of responsibility, in various ways, for example caring for siblings or even parents,  in “role reversal” where the child switches places with the adult.  It’s not good, but happens.  It’s hard to get out of the habit and so one tends to take it on into situations beyond childhood,  even seeking others to administer to!!!

This has an effect on the fixer’s adult relationships, as because one is looking for someone to fix, one tends to be drawn to those who maybe are not so able to participate in an equal relationship…The fixer may end up propping up the relationship more than is healthy and may get none or few of their own needs met.   This can also be limiting for the fixer, who may tend to believe that they will only be loved for what they do and not for the person they are.  Those who, in childhood, should have loved and taken care for them unconditionally, were not able to do that, and so the child was overburdened and understood that only if they do what their parents need them to do, may they have their own needs met.

So now, if you are a Fixer type, when you’d like to have a give and take relationship with another adult who is your equal, it is hard often to know how to let that happen. It can be scary to risk letting another person learn to love you for you, without you doing anything to bind that person to you for the care taking or other things you can do for them. Instead of rescuing someone or protecting them from themselves, you let them grow into their own personal sense of responsibility and you do the same for yourself in a way which has clear boundaries and which respects both yourself and the other person. The dynamic of you trying to fix things all the time can then stop, and if they are in discomfort or upset, you can feel their suffering, empathise, be compassionate,  but you don’t take responsibility for it.   Healthy boundaries are really worth developing!  You may choose to help in some way, but it won’t be because you are trying to earn their love.  And it is much easier to say “No” when you need to.

So from “fixing” to “mending”… A related activity, for sure… Beautiful mending, in the drawing together of different elements on a piece of board, using paint and card.  This is a healthy form of fixing activity!

“Mending” Painting by Jenny Meehan.  Available for sale.  Please contact if interested! 

lyrical abstraction contemporary artist british, female artist jenny meehan london based, lyrical abstraction process led painting,collectable abstract paintings for collectors, jenny meehan jamartlondon uk, art historical relevant significant art british,exploratory innovative paintings, british women artists current today,affordable original paintings to buy uk, collectable paintings original british contemporary a

abstract lyrical expressionist british paintings jenny meehan

This original painting is available for sale, Please contact Jenny Meehan via the contact form on my website if interested in adding this work to your art collection!

I think I may have only posted this painting up recently, but never mind.  It’s good to look at it again, while mulling over the interest in fixings!!!


Poem to accompany “Mending” Painting – Jenny Meehan 2016


I scream out to be fixed

because I have fallen apart

And everywhere I see fixings fixed on

panels and walls and buildings

And I, flat faced and dropping into my feet

Cannot stand the sight which draws me forwards

Because it testifies to the problem I face

Surrounding me, encapsulating me

with  horror struck security

But there is no comfort

Because nobody knows anything deeper than

my own panels

paint stained panels


by rain


and out.


© Jenny Meehan

Best FIXING experience of 2017 – Total Knee Replacement!

Well, my best fixing experience recently has been my TKR (Total Knee Replacement) surgery of March 2017.  It may have been painful but definitely worth it.  I need to be on my feet a lot.  Now I can be.  Surgery is a wonderful thing.  Mind you, I have been splitting my sides watching the BBC series “Quacks” of late.  It has me falling over with laughter. (The only falling over I am now doing!)  I don’t think I would want a surgeon let loose on my knee in Victorian times.  Thankfully, wonderful developments in modern medicine, healthcare, surgery and hospitals make something like knee replacement possible.

It is odd how my interest in trauma and recovery, which started orientated around the psychological and emotional type of trauma, took a leap into the physical realm with the TKR.  Surgery is traumatic for the body, and the body is connected to the mind and emotions.  I always dislike people referring to knee replacement surgery as “brutal” because while it is major, I don’t associate it with brutality.  (Maybe in Victorian times this would be apt!)  There is nothing cruel about surgery…it’s not violence.  Having experienced physical violence as a child and teenager, it becomes very important to recognise the difference. If one gets the two mixed up in the brain, it does not help healing or recovery one little bit. I was quite surprised in the bulk of my TKR recovery (ie first four months) how positive (mostly) I felt.  Yes, the body is traumatised and the surgery invasive.  But it is completely different when you willingly place yourself in a situation which is designed and intended to to heal and help someone.  It still isn’t easy.  But it is no way brutal.  I was so much wanting and needing the surgery, that I guess I was “up for it” in terms of my mindset.  Dealing with it is hard. Yet for me personally, the experience was much better than the longer term disintegration of my life which was falling apart due to the effect of long term pain and increasing physical disability.

It’s not gentle though!  Rather like being a bit of woodwork with all those saws and drills!

So worth it now though.  So worth it.


Yoga and Christianity Thoughts

Shared by Christians Practicing Yoga on Facebook.

Here’s a good summary of some important scholarly work on the history of modern postural yoga. It serves as a corrective to the idealized and frankly ahistorical versions taught in many yoga classes and teacher trainings.


I found the above an interesting read.   My own perspective of healing in relation to my own experience of practising yoga is that through my own practice I open myself up to the Holy Spirit and experience the benefits of Mindfulness with attention to my body which I find extremely helpful.  I am being kind and attentive to my body, valuing it, as a temple of the Holy Spirit.   Being introduced to Yoga a couple of years back  has been something I am very grateful for, and something which I have received a lot of blessing through.   Through the frustrations of my experience with osteoarthritis, I have found that what I CAN do, through the practice of Yoga has been a huge encouragement and helped me to continue to direct compassion and faith towards my humble frame.  The release of stress, the practice of being kind and attentive to myself, the continued choice, in the end, to love my body and work with it, accepting it and being grateful for it (even with the painful and often not working very well knee!) has brought a real sense of faith embodied which has been inspiring me to continue and to embrace the blessing of doing it.    It has been and is something completely incorporated into my devotional and prayer life…  It has helped me attend to myself and to my maker in a disciplined and very liberating way.

I have never felt any sense to conform to any beliefs that I do not hold or do not feel comfortable with.   Where I felt disagreement, maybe in some verbalised meditation,  I simple change direction and articulation of my thought, for example, rather than saying  “I am not my body”   I say (internally!) “I am not just my body”  because I personally don’t aim for separation of my parts, however, I do recognise the value in a consciousness that can view things from another perspective. (Apologies,  I am not in the know about the meaning of that phrase… It may be just poetic anyway and probably has many different interpretations/philosophies in hand…For others it may be essential to their experience of Yoga practice, but it is not for mine).

But I wander off.. I found the article a good read, and it gave me a little bit of an overview which I am sure is helpful to be aware of.  Particularly with respect to some of the scare mongering narratives which seem to circulate around discussions about Yoga in relation to Christianity.    I found this part of particular relevance to my own experience:

“…part of White’s research is to restore the understanding of historic yoga as a counterbalance to the modern New Age spirituality and self-help commercialism that now dominates the practice.
For example, in his 2014 book on the Yoga Sūtras, part of the Princeton University Press Lives of Great Religious Books series, he explicates Patanjali’s four-word definition of yoga (lacking any verbs, mind you) that has become the foundation of modern meditational practice: yoga-citta-vritti-nirodha.

While “citta” has a wide range of meanings in early Sanskrit, the most adequate nontechnical translation of the term is “thought”. As for “vritti,” it means “turning,” and is related to the –vert in the English words introvert (“turned inward”) and extrovert (“turned outward”) as well as invert, subvert, pervert, revert, and so forth. Nirodha is a term meaning “stoppage” or “restraint” in Sanskrit. A simple translation of yoga-citta-vritti-nirodha should then read something like “Yoga is the stoppage of the turnings of thought.”

White offers 22 different translations of this phrase from sources ranging from handbooks on modern yoga to the work of other scholars. Here are five:

Yoga is to still the patternings of consciousness.

Yoga is the ability to direct the mind exclusively toward an object and sustain that direction without any distractions.

Yoga happens when there is stilling (in the sense of continual and vigilant watchfulness) of the movement of thought—without expression or suppression—in the indivisible intelligence in which there is no movement.

Yoga is the control of thought-waves in the mind.

Yoga is the icy silence of post-disintegration.

That’s a whole lot of interpretation of four nouns lacking a verb.”

The above is quoted from the article on and was written by William Gibson

On Evil Yogis and the Icy Silence of Yoga’s Post-Disintegration”  published 12th October 2015.  You can read the whole thing here:


In relation to my lack of mobility (now thankfully past!) I credit the practice of yoga as playing a key part in my journey to movement!  It was fantastic both before and after my knee replacement surgery, and obviously gentle and adapted, sensitive yoga, which focuses on body awareness and mindful appreciation of the body and movement, is a very helpful thing to do.  Relaxation is very important for a good recovery, and so some odd reason, quite difficult after knee replacement surgery.  So with the full lung breathing and directing breath towards areas of tension in the body…Well, it all helps!

A Few Photographs…

A few photographs… To fill the time which does not need to be filled!

Some of the things which strike me I capture in a photograph…It serves as a reminder for the times when I stopped to look a little longer.  Taking photographs can be a nice form of meditation…You cut out all the other things which call to be seen and focus in on the one which appeals to you the most.  Then, isolated, compose it carefully as you dwell on it even longer.  The best part of taking a photograph is the moment something strikes… It’s worth staying a while after taking the image to look at what you have seen a bit longer.  Drawing demands more of your time, and for that reason, photography comes in handy if you cannot stop for long…


jenny meehan jamartlondon photography monochrome

jenny meehan jamartlondon photography monochrome

This was taken in the New Forest on one family holiday.   I do love the weather beaten look!  The New Forest is somewhere I have visited many times.  It was particularly good this year as I could walk freely around in it!


jenny meehan jamartlondon photography monochrome

jenny meehan jamartlondon photography monochrome

A quiet moment spent in West Dean Gardens…It’s fun to get right down to ground level as this often makes for a more interesting composition.  Though my painting is abstract, it is observation of the beauty in nature which I would credit with informing it most.  You don’t need to recognise objects in an art work to appreciate the colour, form, movement, light and space.  I spend a lot of time looking at natural forms.

jenny meehan jamartlondon photography monochrome

jenny meehan jamartlondon photography monochrome

Here is the same place photographed from a greater distance with a less dynamic composition!  The tree in the middle makes the whole image very still, and it’s rather boring.  Getting up closer is something which often brings improvement, and trying out unusual angles and composition often yields better results.  However, there is also a rather nice restful feeling. Almost a reflection suggested and the horizontal line and equilibrium has its own appeal.


jenny meehan jamartlondon photography monochrome

jenny meehan jamartlondon photography monochrome

jenny meehan jamartlondon photography monochrome

jenny meehan jamartlondon photography monochrome

jenny dohan jamartlondon photography

jenny meehan jamartlondon photography monochrome

Just a few more.  We live in a world so saturated with images that the appeal of printing and presenting my photography has kind of got lost for me.  I sometimes produce work using my photography or photographic elements/collage.  It is useful at times.  I am not taking anywhere as many photographs as I used to.  Apart from the occasional spate of picture taking or working with past images. And of course the recording and archiving of my current paintings.  Images of paintings in progress can also be useful.




“Tree by Water”  Monoprint

tree by water monoprint 2017

© Jenny Meehan DACS All Rights Reserved tree by water monoprint 2017

I entered this into “One-Off” – The Masters Monoprint Exhibition at The Bankside Gallery

(Thames Riverside
48 Hopton Street
London SE1 9JH

Tel. 020 7928 7521

Details here:



‘The Masters’ is a series of annual exhibitions established by the Royal Society of Painter-Printmakers focusing on a particular branch of printmaking each year. This year’s exhibition will be curated by Morgan Doyle RE and will showcase works using monoprint in a variety of forms.”

But sadly it was not accepted.  Ah well, not room for everything!

I will  pop along to take a look though, I am sure it will be brilliant!

Painting – Being a Mother-Artist, Yet necessity is the mother of invention!  Plato in book 2 of The Republic wrote “Then, I said, let us begin and create in idea a State; and yet the true creator is necessity, who is the mother of our invention.”

Necessity is the mother of invention is my favourite phrase at the moment!

This time of year is mostly a time for reviewing and reflecting over past work.  This is partly because my studio tent is a complete mess, it is colder, the garden is wetter,(so not so good for painting in!) and I have had to bring my plants into the studio tent, so it is now functioning more as a green house!

This is so important.  It’s not about production.  Rotting leaves bring richness to the soil.  Sometimes you just leave things.  There is always plenty to do.  Looking backwards is part of moving forwards. It’s preparing the ground.

Looking at these two paintings below, reminds me of my recent movement from actual texture to perceived texture in my paintings.  And with the Matisse exhibition at the Royal Academy I visited recently having reminded me of pattern, I wonder if I may bring that in more?  The idea has been lurking around for a while but it hasn’t happened yet.  As I work on so many things in such a piecemeal fashion,  I find it a great asset that there are so many periods of time elapsing as part of the process of painting each painting.  So much opportunity to float ideas around, and yet not have them land all at once in the work which is happening.

It’s funny that what used to frustrate me, ie the necessary responsibilities of being a mother and homemaker, has turned out unexpectedly to help me in my work.  Now the children are a bit older, it is much easier to get my painting done.  Sometimes it is still annoying that I cannot spend more time painting.  But all the other stuff doesn’t seem to stop me.  I have learnt to prioritise things better.  It is a restriction.. because being an artist is not just about producing the work… there are so many other aspects.  So I am restricted by being a Mother-Artist, in some ways.   But I guess even if I was not, there would be other restrictions.  So it is best not to dwell on them.  In the end, being able to paint is a most fantastic freedom.   I will always be glad of it.  I am always exceptionally grateful for being able to do it. This is the main thing.


unerring want of running water painting jenny meehan© Jenny Meehan DACS All Rights Reserved

unerring want of running water  ONE painting jenny meehan© Jenny Meehan DACS All Rights Reserved


unerring want of running water painting jenny meehan© Jenny Meehan DACS All Rights Reserved

unerring want of running water TWO painting jenny meehan

These two above, past paintings, 2016. Both were sold to the same art collector who wanted them both.  I am always pleased when my paintings find their new home.  Unerring Want (of) Running Water 2  was exhibited as part of the exhibition at Kingston Museum in 2016.  Details:

“Kingston Art 2016: Anagrams Opens Friday 29 April at Kingston Museum
29th April to 2nd July 2016
Opening on Friday 29 April at Kingston Museum, Anagrams is an exhibition which showcases the winning entries to a competition where artists from Kingston upon Thames’ local artists’ groups, ASC Kingston (Artists Studio Company Kingston), Hawks Road, Fusion Art and KAOS (Kingston Artists Open Studios), have entered new work under the theme Anagrams.

This is an exhibition of transformational art, where the art work and the artist’s explanations of how they have approached the theme give the viewer a fascinating insight into each artist’s way of seeing and working. Many different techniques are showcased from painting, drawing and photography to mosaic, installation and much more.”


me in front of anagrams kingston museum banner surrey art event

me in front of anagrams kingston museum banner

Nice to have my painting blown up!

I have always liked my work to be useful in many ways, so a section of the painting being used for the poster was a bonus!  I have lost weight since then, so I am shrunk down!

At present, on the practical front, I am painting edges,  and very small parts of very many paintings, making frames, looking, thinking, writing, tidying up mess and enjoying the bit of teaching I do very much indeed.  (Information on this below).

 Drop in Drawing and Painting Workshop

Here is the information I send out to interested people:

“As a trained teacher and experienced artist I am in a good position to mentor people and  can assist you in developing your own creative direction. Individual attention not possible in larger teaching situations make this a golden opportunity for personal creative development. It is friendly and supportive group, and offers you sensitive feedback, engaging activity, elements of challenge, and most importantly the emphasis is on you developing your own personal direction with your art working.

The Drop in Drawing and Painting sessions are organised so you are able to come along on a “one-off” basis. Please let me know at least a couple of weeks before, so I know about numbers, if possible.  There are a maximum of 3 places available.  There is a choice of both Wednesday or Friday across the course of the terms, which I have weighted in favour of people on the mailing lists stated availability. Please contact me via the contact form on my website if you wish to find out more.

You do need to bring your own materials and equipment. If you need some advice about what to bring, just email me and I can give you some guidance. I normally have a few additional resources available, if need be, ie, pencils and paper, chalk pastels and poster paint. Sometimes it’s not always possible to know what direction you might take and I am happy to supply the unexpected material needs if they occur!

The forthcoming Drop-In Drawing and Painting sessions are as follows:

For 2017:
Wednesday 20th September 1 – 3pm
Friday 20th October 1 – 3pm
Wednesday 15th November 1 – 3pm
For 2018:
Wednesday 17th January 1 – 3pm
Friday 23rd February 1 – 3pm
Wednesday 25th April 1 – 3pm

After that I will be busy preparing for the Kingston Artists’ Open Studios 2018 and working more intensively on my own paintings!

If these dates are not convenient, it may sometimes be possible to arrange individual tuition at a cost of £20 per hour. Please contact me if you are interested and I can send you more information. My availability varies, but is restricted to week days (excluding Tuesdays) and during the hours of 9 – 3 during term times at present.

The idea of holding the Drop in sessions is that I am available to help you to develop your own projects and ideas. I will be there to add my technical and practical input, and help you by discussing your direction and the difficulties which may be encountered along the way, if you so require. As to what you actually do, this could be from drawing from the imagination, copying something from life, designing something abstract, or making a collage of text and images. Or simply experimenting and exploring what it is like to use a particular material or method of drawing.

People who come along range from absolute beginners to experienced artists, and have a range of different objectives.  Teaching input is organised around the individual, rather than delivered in a structured way, so it’s more akin to individual tuition/mentoring rather than class focused on a particular topic or course of study.  So these workshop style sessions will give you plenty of individual input and opportunities for feedback, discussion, and analysis, as you consider ways of developing your own direction.   It is informal and friendly, and provides a level of input not possible in a larger group.”

NHS Financial Pressures

I have an interest in healthcare, and as a very grateful recipient of a new knee, my appreciation of the value of the NHS has increased a lot!  I often read what the Kings Fund send out via their mailing list to me.  This was an interesting read:

My own expression, of the visual type, is here:

NHS financial crisis, elective surgery joint replacement rationing, TKR graphic art, graphic image knee joint,abstract knee replacement design,abstract artwork knee joint, © Jenny Meehan DACS All Rights Reserved

NHS financial pressures knee replacement jenny meehan © Jenny Meehan DACS All Rights Reserved

This is currently being exhibited as part of the Art of Caring exhibition which runs until the 19th October at CONFERENCE CENTRE GALLERY, ST PANCRAS HOSPITAL, 4 ST PANCRAS WAY
LONDON, NW1 OPE.  Will be taken down soon!  Free to visit.  Lots of great work on show.   I need to go and pick it up next week.  They are having a closing event too:

THE ART OF CARING is an exhibition we are very proud of in our sometimes troubled and troubling times, looked closely, the sensitivity and joy to be found in the small detail of our artists work is deeply moving. The exhibition closes on THURS 19/10/17.  We are hosting a small closing event from 5.30pm to 7.30pm along with the premiere of Anna Bowman’s short film ARTS OF CARING at 6pm in which the filmmaker explores the exhibition and what it means for a number of the contributing artists who are filmed creating works at home and in studios. Do visit if you can…it’s a fresh looking exhibition still after 2 months display so far…Opens Monday to Friday 9am to 5pm.

Well, must go now.




Jenny Meehan (Jennifer Meehan) is a painter-poet, artist-author  and Christian contemplative  based in East Surrey/South West London.   Her interest in Christ-centred spirituality and creativity are the main focus of this artist’s journal, which rambles and meanders on, maybe acting as a personal (yet open to view)  note book as much as anything else.  

Her website is  ( replaces the older now deceased website

Contact Jenny via her website:

Jenny Meehan (Jennifer Meehan) BA Hons (Lit.) PGCE  offers art tuition.  Please contact Jenny at or through the contact form at for further details.  Availability depends on other commitments.    

 Jenny  works mainly with either oils or acrylics  creating both abstract/non-objective paintings  and also semi-abstract work.  She also produces some representational/figurative artwork,  mostly using digital photography/image manipulation software, painting and  drawing.  Both original fine paintings, other artwork forms,  and affordable photo-mechanically produced prints are available to purchase.

This artist’s blog is of interest to artists, art collectors, art lovers and anyone interested in fine art.  Those interested in British 21st century female contemporary artists, women and art, religious art, spirituality and art, and psychoanalysis and art, will probably enjoy dipping into this Jenny Meehan Contemporary Artist’s Journal.

Art collectors are often interested in the processes, techniques, interests and influences of the artists whose work they collect, and sharing my thoughts and perspectives through a blog is an important dimension of my creative practice.

My main focus is directed towards process led abstract painting, and you can view some examples of this on my website  I encapsulate my painting as being romantic,expressionistic, abstract and lyrical.  Art collectors interested in lyrical abstraction, abstract expressionist, and essentially romantic art, are likely to find my paintings an interesting and exciting addition to their art collection. Art collectors can view a list of exhibitions I have taken part in on my websites exhibitions page;

Art collectors can see selected examples of my original paintings  organised by year on jamartlondon which gives you a brief overview of the development of my painting over the years:

I am a self-representing artist, whose aim is to ensure  I continue to develop my painting practice in an innovative and pioneering way, rather than attempt some kind of commercial success, and whose aim is also that my work is historically relevant, rather then celebrated in that so called and illusive “art world”.  I hope to add to the number of people who value, collect, and develop an interest in my paintings and to thereby sustain and develop my practice over many years. 

I am also keen that my  art work is appreciated and accessible to as many people as possible, and am aware that not all art lovers and art collectors can afford to buy original paintings or limited edition prints.  For that reason I grant licenses for the use of my imagery. (See and DACS information below). 

To be placed on Jenny Meehan’s  bi-annual  mailing list please contact Jenny via her website contact page:

Also, you could follow the Jenny Meehan Contemporary Artist’s Journal at WordPress and keep informed that way. 

Note About Following Jenny Meehan Contemporary Artist’s Journal 



Website Link for jamartlondon: 

A selection of non objective paintings can be viewed on pinterest:


Help me continue my practice/art working:

 Jenny Meehan art images on Redbubble and Image Licensing through the Designer and Artists Copyright Society

If you would like a way of helping me in some small way, while benefiting from my art working yourself, then scoot along to where you can buy various products with my imagery on them.  It is a good company and they produce and sell their products with my images on.  I get a small royalty payment when something is sold.  It all helps a little. Here is the link to the pages on which show prints with my imagery on them:

My prints and some merchandise which uses my artwork can also be purchased safely and easily through

Here is the link to the main Jenny Meehan portfolio page on



All content on this blog,  unless specified otherwise,  is © Jenny Meehan.  Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts of writing and links may be used, provided that full and clear credit is given to Jenny Meehan with appropriate and specific direction to the original content.  Images may not be used without permission under any circumstances. 

Copyright and Licensing Digital Images Information – Jenny Meehan

Copyright in all images by Jenny Meehan is held by the artist.
Permission must be sought in advance for the reproduction, copying or any other use of any images by Jenny Meehan.

Copyright for all visual art by Jenny Meehan is managed by the Design and Artists Copyright Society (DACS) in the UK. If you wish to licence a work of art by Jenny Meehan,  you could contact Jenny Meehan in the first instance to clarify your requirements. There is a contact form on my website  Alternatively you can contact the DACS directly;

Licensing an image is quick and easy for both parties and is organised through the Design and Artist Copyright Society. (Note, my images are not shown on the “Art image” selection on the Design and Artist Copyright “Art Image” page. This does NOT mean you cannot apply for a license to use an image of my work from DACS… They simply have a very limited sample selection of work in their “Artimage” page!)

I have extensive archives of digital imagery, and keep records of all my art work, so  if you require an image similar to something of mine you have seen on the internet, it’s worth contacting me to see if I have something suitable for licensing if need be.  Use the contact form on my website to enquire:

About Jenny Meehan (Jennifer Meehan) 

Jenny Meehan is an established artist who has been exhibiting for over ten years, mostly in the UK. Notable exhibitions include, most recently being selected for the Imagined Worlds touring exhibition of artworks inspired by the poem ‘Kubla Khan’ and inclusion in “Building Bridges, the Female Perspective” at Tower Bridge Victorian Engine Rooms in 2016. Jenny has been a keen supporter of various charity art exhibitions over the years including the National Brain Appeals ” A Letter in Mind” at Gallery@oxo, South Bank, London and the “Anatomy for Life” Exhibition for Brighton Sussex University Hospitals Trust in 2015

Selected by a wide range of judges in open submission exhibitions, her work appeals to the aesthetic and emotional discernment of many, and has been displayed in many prestigious galleries. These include the Dulwich Picture Gallery, London, in 2015, as part of their Open Exhibition, and the Pallant House Gallery, Chichester, West Sussex, as part of the Pallant House Gallery/St Wilfrid’s Hospice Open Art Exhibition in 2010.

Jenny Meehan’s work has been included in several academic projects and and publications including “Speaking Out – Women Recovering from the Trauma of Violence” by Nicole Fayard in 2014 and the ongoing “Recovery” Exhibition project – Institute Of Mental Health/City Arts, Nottingham University, also in 2014. While her romantic, lyrical, expressionistic, abstract paintings offer a contemplative space free from cares and concerns, other strands of her practice engage with subjects ranging from violence, trauma recovery, psychoanalysis, and mental health.


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