Desiderata written in 1927 by Max Ehrmann – Past Visual Art Work – Henry Moore Quotes -Gum Arabic Preparation and Watercolour Paint -Great Quote from Frank Auerbach

March 8, 2018

After having left my February post on the late side, I am getting the March post in early!  The piecemeal nature of this journal continues its meandering way, as I do mine, making my way through the vast expanse called life!

 

Desiderata written in 1927 by Max Ehrmann

Someone pointed me in the direction of this lovely piece of writing, which I share with you.

Desiderata

Go placidly amid the noise and haste, and remember what peace there may be in silence.
As far as possible, without surrender, be on good terms with all persons.
Speak your truth quietly and clearly; and listen to others,
even to the dull and ignorant; they too have their story.

Avoid loud and aggressive persons, they are vexations to the spirit.
If you compare yourself with others, you may become vain and bitter,
for always there will be greater and lesser persons than yourself.
Enjoy your achievements as well as your plans.

Keep interested in your own career, however humble;
it is a real possession in the changing fortunes of time.
Exercise caution in your business affairs, for the world is full of trickery.
But let this not blind you to what virtue there is;
many persons strive for high ideals,
and everywhere life is full of heroism.

Be yourself. Especially do not feign affection. Neither be cynical about love;
for in the face of all aridity and disenchantment it is as perennial as the grass.
Take kindly the counsel of the years, gracefully surrendering the things of youth.
Nurture strength of spirit to shield you in sudden misfortune.
But do not distress yourself with dark imaginings.
Many fears are born of fatigue and loneliness.

Beyond a wholesome discipline, be gentle with yourself.
You are a child of the universe no less than the trees and the stars;
you have a right to be here. And whether or not it is clear to you,
no doubt the universe is unfolding as it should.

Therefore be at peace with God, whatever you conceive Him to be.
And whatever your labors and aspirations, in the noisy confusion of life,
keep peace with your soul. With all its sham, drudgery and broken dreams,
it is still a beautiful world. Be cheerful. Strive to be happy.

 

This has been quoted from the following website:  https://www.poemhunter.com/max-ehrmann-2/

Desiderata was written in 1927 by Max Ehrmann, a poet and lawyer from Terre Haute, Indiana. The word desiderata means “things that are desired.” Ehrmann said he wrote it for himself, “because it counsels those virtues I felt most in need of.”

There are also many audio versions of Desiderata by Max Ehrmann, for example the following:

 

 

 

This journal; this “meandering discourse”, serves to educate you on what happens alongside my painting and visual artwork. Though I don’t often make direct references to all that inspires me, confronts me, meets me, greets me and generally impacts my life, and therefore my work,  (which is just as well to be honest, because the important meaning in your relationship with my painting is based upon your own life and experience, not mine), however, my painting is one facet of the whole, not the whole, and folk often like to know about the creator behind the art.  Sharing what inspires me, may add a dimension to someones experience of my work, and this is something which can add some depth.  Many artists are also writers, and/or musicians.  It’s good to have different forms to hand.  I think writing for me has relieved me of some pressures, and given me a place to explore concepts through a medium I find best suited to it.  With painting I am relieved of any need to say or sound anything other than the materials I work with, the rhythms of painting are poetic and resonate emotionally, free of any need to be or say anything other than they are.  And that feels good and liberating to me.  So I write regularly and this is helpful.  It is a very useful tool to have, among the paintbrushes, rollers, and collection of materials.  And now I have started to learn hand drumming, which is probably the best new activity I have started for years.  This links in with my painting; the connection being rhythms and resonance, and presence and space and all those things which words don’t quite manage to express!

I learnt one of the rhythms from Sinte last night!

 Kingston Artists’ Open Studios 2018

Getting ready for this year’s Kingston, Surrey Artist’s Open Studios.

Kingston Artists’ Open Studios (OS18) will be taking place on 9/10th and 16/17th June 2018 from 11am to 5pm each day. I will be enjoying the kind hospitality of one of my KAOS artist companions just a short walk from Kingston Town centre, not far from the Kingston Gate of Richmond Park.

It would make a lovely day out to follow a few of the trails in and out of artist’s homes and studio spaces, so do come along!

For more details, please contact me via the contact page on jamartlondon.com. I will put you on my mailing list and send further information as soon as available!

Hope to see you! Jenny Meehan

 

Bits and Bobs

I post past work up from time and time.  I find it helpful to look back fairly often and ask new questions about what I was doing and why.  It also reminds me of what matters to me, and how certain strands have developed over the years.  It’s essential in order to come up with new directions, because in looking back you actually see things anew and recognise the elements of your work which you still like and which interest you.  Like old friends, who know you well, they often offer important insights!  Here is some past work:

 

“Round and Round Inside My Head” Monoprint  by Jenny Meehan

Oil based ink, graphite, and oil pastel on paper.

jenny meehan jamartlondon art work uk licensable images

jenny meehan jamartlondon art work uk licensable images

I don’t use linear elements in my work so much now, or when I do they are hidden lines formed not from direct application of a media but from edges and the meetings of other forms.  I have recently started using tearings and collage a bit more and this is bringing line into my vocabulary once more.  I have been once again inspired by Francis Davidson, whose work I saw again at the end of last year, and this exhibition was helpful to me.  I likes the strips very much and this has given me a few thoughts about future direction which are very timely.  I don’t tend to talk about my thoughts for the future in any detail as they need incubation time, and it is easy to diffuse things before they have properly had a chance to grow.

I think of Henry Moore saying ” It is a mistake for a sculptor or a painter to speak or write very often about his job. It releases tension needed for his work. (Henry Moore). I heard or read that quote years ago and it has stuck with me.  I completely “get” this.   I love writing and have decided to keep the sharing of my work to this Journal, rather than use Instagram.  I did start using Instagram, but felt this “dissolve” immediately.  As far as I understand it is thought best for artists to share their work in progress. Because this is interesting.  People are interested in  how artists make their work.  However this feels like a violation to me.  This is probably due to the way I personally work, because I work in such a piecemeal, gradual, and extended process, with work coming out and being put away, over a period of years. Privacy is part of the process.  It’s not that I don’t share work in progress at all, because I do.  But I don’t want the pressure of feeling I need to supply a stream of my work to other people before it has found itself and feels some degree of its own resolution.

If my work was different, I don’t think this would be an issue.  For example, if I was sketching and making work which went from start to finish in one fell swoop, I don’t think I would feel the same way about using Instagram.  Slightly conversely, this journal gives me a chance to share about my work but in a way which is limited, quiet, and doesn’t have the effect of diluting any of the energy.  I don’t talk about my work very much at all to other people, only quite rarely.  I find it interesting being a visual artist in this current age, where so much is public that would not have been public in years gone by.  It gives me some pleasure that my writing is here for people to read if they are interested, but I see this Journal as being as much a tool for my own development as it may be for “the public” eye.   It is the only organised writing I have, because the rest floats around all over the place, in small notebooks and pieces of paper!   The organisation of it, in the  liquid “stream of consciousness form, may be it’s prime virtue! Kind of not chaos and not order, but between the two!

Below is  “Baptism/Into the Ocean” Painting by jenny meehan

 

 

jenny meehan jamartlondon art work uk licensable images

jenny meehan jamartlondon art work uk licensable images

It looks equally good rotated to the left and displayed as portrait…  This is available for sale so contact me via my website contact page at jamartlondon.com if interested.  http://www.jamartlondon.com/

It’s got a lot of energy!

“Pillar and Moon”  below is also available.  http://www.jamartlondon.com/

 

 

jenny meehan jamartlondon art work uk licensable images

jenny meehan jamartlondon art work uk licensable images

 

This digital photographic work below evolved from a photograph taken in Oxshott Woods, one of my favourite places.  I went there each Sunday as a child and continue to make regular walks through the woods!

 

 

jenny meehan jamartlondon art work uk licensable images

jenny meehan jamartlondon art work uk licensable images

 

Henry Moore Quotes

I quoted Henry Moore earlier and found several quotes from him I would like to take note of:

The important thing is somehow to begin. (Henry Moore)

If an artist tries consciously to do something to others, it is to stretch their eyes, their thoughts, to something they would not see or feel if the artist had not done it. To do this, he has to stretch his own first. (Henry Moore)

To be an artist is to believe in life. (Henry Moore)

Art is a continuous activity with no separation between past and present. (Henry Moore)

 

Jenny Meehan on Redbubble.com

Redbubble is a great “print on demand” website and I have some of my images there.  The world is full of fabulous artists and Redbubble is a good place for buying merchandise which is original, exciting and contemporary.  The artists on Redbubble get a royalty payment from any items that you purchase there, so it is one way to support the creative community and help artists gain a little bit of income from their work.  Do take a look!

https://www.redbubble.com/people/jennyjimjams?asc=u

I haven’t put much up new, but did add this a few months ago:

https://www.redbubble.com/people/jennyjimjams/works/29863227-dyno-blue-wall-tapestry-design-by-jenny-meehan?asc=u&ref=recent-owner

It’s called “Dyno Blue”.  Quick burst of activity on the computer, and there it is!  The wonders of technology!

dyno blue tapestry design jenny meehan© Jenny Meehan. All Rights Reserved, DACS

dyno blue tapestry design jenny meehan © Jenny Meehan. All Rights Reserved, DACS

 

Gum Arabic Preparation

I was recently looking over some experimental paintings I had made with  home made watercolour paints.  The paints still look great in their pots.  I made mine to keep in liquid form and put more clove oil in them.  They are keeping very well.  I really enjoyed making them and it much easier to be lavish and generous when using materials which are more affordable.  All the pigments used were mineral, earth, iron oxides or mixes, and and NO FILLER at all!  It is great to have better control possible through being the master or mistress of your own fillers!!!!

I didn’t use honey, (I don’t think, or I may have just put a bit in, cannot remember!!!) but as said, I wasn’t trying to make blocks, and kept it liquid!  Here is the recipe I used but I used my slow cooker.

Gum Arabic Preparation
Ingredients
• 300 grams (10.5 oz) Gum Arabic powder
• 3 drops Clove Oil (optional)
• 1 liter (2.1 pints) of boiled water
The ratio is 1 part gum to 2 parts water. Boil water and pour over the powdered gum, stirring to make sure there are no lumps. Allow the mixture to soak 24-48 hours for full absorption.
Add drops of Clove Oil to extend shelflife. Prepared Gum Arabic must be stored in the refrigerator to deter mold growth. It may be advisable to make small batches so the solution will be fresh rather than storing larger quantities for an extended period of time.
Watercolor Preperation
• Prepared Gum solution (Arabic or Tragacanth)
• Honey (Acacia is preferable) in a 10% proportion to the weight of Gum solution used
• Pigments
Mix all the ingredients and crush them on a glass plate using a spatula to obtain a paste with a thick, creamy consistency. It is recommended that you finish the mixture by crushing it with a glass muller (available at art supply stores). Transfer your paints to saucers for painting. When creating your initial gum, you may wish to addGlycerin as a plasticizer to prevent cracking and brittleness. The ratio would be 1 part Glycerin or less by volume to 5 parts of your prepared gum solution. Add the Glycerin after gum has been completely dissolved but while still warm.

I still have my gum arabic solution in the fridge, over a year later, and it still looks fine.  I use it in my hair at the moment, because I have made myself a single braid, and need to dip the end of it into the solution to make it easier to thread a bead through it!!!  I didn’t bother with grinding pigments….  I like using them a bit coarser, I prefer the way the light bounces off them.  If I was painting miniatures or tiny detailed paintings I guess I would want them finer but why use them finer unless you need to?

Studio Tent

 

 

jenny meehan jamartlondon lyrical abstract expressionistic paintings in progress

jenny meehan jamartlondon lyrical abstract expressionistic paintings in progress

The image above was taken in the Summer.  It’s still too cold in the studio tent at the moment, but I have started pottering around in there!

Below a few images of work.  These two “Yoga Inhale” and Yoga Exhale” paintings both sold.  I take lots of photographic images of my work, cropping and at different angles and orientations, as it is a helpful way of looking at what I have done.  Details also get forgotten.  Particularly if I don’t have the painting any more.  I use previous paintings for reference points all the time.

jenny meehan jamartlondon lyrical abstract expressionistic paintings in progress

jenny meehan jamartlondon lyrical abstract expressionistic paintings in progress

jenny meehan jamartlondon lyrical abstract expressionistic paintings in progress

jenny meehan jamartlondon lyrical abstract expressionistic paintings in progress

jenny meehan jamartlondon lyrical abstract expressionistic paintings in progress

jenny meehan jamartlondon lyrical abstract expressionistic paintings in progress

jenny meehan jamartlondon lyrical abstract expressionistic paintings in progress

jenny meehan jamartlondon lyrical abstract expressionistic paintings in progress

jenny meehan jamartlondon lyrical abstract expressionistic paintings in progress

jenny meehan jamartlondon lyrical abstract expressionistic paintings in progress

jenny meehan jamartlondon lyrical abstract expressionistic paintings in progress

jenny meehan jamartlondon lyrical abstract expressionistic paintings in progress

jenny meehan jamartlondon lyrical abstract expressionistic paintings in progress

jenny meehan jamartlondon lyrical abstract expressionistic paintings in progress

jenny meehan jamartlondon lyrical abstract expressionistic paintings in progress

jenny meehan jamartlondon lyrical abstract expressionistic paintings in progress

jenny meehan jamartlondon lyrical abstract expressionistic paintings in progress

jenny meehan jamartlondon lyrical abstract expressionistic paintings in progress

jenny meehan jamartlondon lyrical abstract expressionistic paintings in progress

jenny meehan jamartlondon lyrical abstract expressionistic paintings in progress

jenny meehan jamartlondon lyrical abstract expressionistic paintings in progress

jenny meehan jamartlondon lyrical abstract expressionistic paintings in progress

jenny meehan jamartlondon lyrical abstract expressionistic paintings in progress

jenny meehan jamartlondon lyrical abstract expressionistic paintings in progress

jenny meehan jamartlondon lyrical abstract expressionistic paintings in progress

jenny meehan jamartlondon lyrical abstract expressionistic paintings in progress

jenny meehan jamartlondon lyrical abstract expressionistic paintings in progress

jenny meehan jamartlondon lyrical abstract expressionistic paintings in progress

jenny meehan jamartlondon lyrical abstract expressionistic paintings in progress

jenny meehan jamartlondon lyrical abstract expressionistic paintings in progress

jenny meehan jamartlondon lyrical abstract expressionistic paintings in progress

jenny meehan jamartlondon lyrical abstract expressionistic paintings in progress

jenny meehan jamartlondon abstract expressionist lyrical textural colorist paintings licensable images

jenny meehan jamartlondon lyrical abstract expressionistic paintings in progress

New Knee Anniversary!

One year today, I had my knee replacement!  Now I have hit the one year mark I am stopping my piece of writing, which inhibits another page on this blog. https://jennymeehan.wordpress.com/the-very-patient-knee-replacement-story-by-jenny-meehan/

Not going to write much here about the knee, more than mention it.  The project is over!  My life goes on, and it’s a lot better than it was just over a year ago!

IMG_7305knee replacement in bed

Great Quote from Frank Auerbach

I enjoyed reading this interesting article:

https://www.theguardian.com/artanddesign/2015/may/16/frank-auerbach-when-paint-fantastic-time-lots-girls?CMP=share_btn_fb

My favourite part:

He says the obligation to take account of the art that has gone before carries two demands: “first that you attempt to do something of a comparable scale and standard, which is impossible; second that you try and do something that has never been done before, that is also impossible. So in the face of this you can either just chuck it in, or you can spend all your energy and time and hopes in trying to cope with it. You will fail. But as Beckett very kindly said for all of us, ‘try again, fail better’, and painting just took me over.”

That’s it for this month!

PS

If you would like to donate money to help support my creative practice I can accept donations quickly and easily through the Paypal.me process. Simply put the following in your browser:
paypal.me/jennymeehan and follow the prompts. Please consider supporting my work in this way if it strikes a chord with you and you are able to do so.  If you do this, there isn’t a system for me to contact you and thank you, so you will need to believe you have my heart felt thanks!

Another way you could support my participation in the visual arts could be by praying for me, if that’s part of your daily life. I also put some of my visual art work on the “print on demand” website redbubble.com. People buying merchandise with my designs on through redbubble.com results in my gaining a royalty for the use of the image concerned.

Signing up as a follower on this WordPress blog also helps, as does sharing the posts when you receive them.  Anything you can do to help me is much appreciated!  Time and money is limited for me, and it’s a challenge being a mother-artist in terms of promotion and increasing awareness of what I do.  I put my energy into producing my artwork.  For the rest, I need any help I can get!

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