small world futures chapbook sampson low publishers

small world futures chapbook

 

I enjoyed taking part in the Small World Futures project earlier on this year.

And look here….. The delightful chap book!

HUGE thanks to Collect Connect for all their hard work!

Title:  Small World Futures – A CollectConnect Production at the #unsettledgallery

It’s published by Sampson Low Ltd, 2018

http://www.sampsonlow.com/

Chapbook 24

LB088

ISBN 978-1-910578-80-3

All rights reserved.

Text quoted from the sampson low website:

“The tradition of chapbook publishing in England is a long established one and here at Sampson Low Ltd we think it’s the perfect format for our most exciting authors and artists. Although small (A6) and relatively brief (16 printed pages) our punchy publications share their ideas with you in one delicious sitting.”   and see here:

https://www.bl.uk/romantics-and-victorians/articles/chapbooks

This wonderful chapbook is the remaining evidence for the exhibition which took place in public spaces around London Bridge.

Info: Small World Futures is a collection of 38 miniature sculptures depicting what life could look like in years to come. Each of these small artworks will be placed in public spaces (#unsettledgallery) around London Bridge. A writer will also use the worlds as inspiration.
Venue
#unsettledgallery
Starts
Thursday, February 1, 2018
Ends
Wednesday, February 28, 2018
Address
London Bridge, London
Location
London
Organiser
CollectConnect” 

I love this kind of thing…  I sometimes moan a bit about not showing my work as much as I would like because of costs involved.  Something like this gets the work out there on the street.  OK, you have to be prepared to loose it.  But that’s not a bad thing now and again.  I liked very much the writing on my work…I am pretty sure I published it here on this Journal a few posts back.

How good to now have this chapbook as a record!   Do go and buy one for yourself.

https://sampsonlow.co/chapbooks/

vibe drome by jenny meehan

vibe drome by jenny meehan

 

Kingston Artists’ Open Studios (OS18)

Kingston Artists’ Open Studios (OS18) took place on 9/10th and 16/17th June 2018 from 11am to 5pm each day.

It was a really good year, and very enjoyable.

Here are some images of my paintings in situ…

kingston artists open studios jenny meehan paintings in situ

KAOS open studios jenny meehan paintings

KAOS open studios jenny meehan paintings

KAOS open studios jenny meehan paintings

KAOS open studios jenny meehan paintings

Kingston Artists’ Open Studios is a voluntary group, and we need and appreciate all the support we can get. If you think you could help us in anyway, do contact us via the link below.  Visual art is important to the health of society, bringing pleasure, connection, and space for contemplation.  The value is not easy to measure maybe, but it is always worth investment.

Hope to see you at this even next year, maybe?  !Jenny Meehan

http://www.kingstonartistsopenstudios.co.uk/

http://www.jamartlondon.com/

 

kingston artists open studios jenny meehan

kingston artists open studios jenny meehan  image from 2017

 

Image shows paintings of Jenny Meehan and ceramics by Cressida Borrett  http://www.cressidaborrett.co.uk/

Contact me via my contact page at jamartlondon if you would like more information!

http://www.jamartlondon.com/contact/4569980742

 

Looking backwards and moving forwards…

Or moving forwards and looking backwards?  !!!

This old post from 2012…

This painting…  I liked it, and it was exhibited at The Ark Conference Centre in Basingstoke.  Titled “Sorrow for Myself”.

sorrow for myself, abstract colour markmaking painting, human figure, depression, grief,trauma, loss,psychotherapy and art,jenny meehan fine and applied art,british contemporary abstract fine painting,subconscious subject matter,emotional release,lyrical abstraction,lyrical markmaking,instinctive intuitive process led painting,

The narrative:  The weight is heavy. The sun sets. Broken fragments are carried away. Down stream.  This is sorrow.  Sorrow for myself.  Blood is shed, but it is the blood of Christ which covers. God is compassionate.

The reference:  “Yet it was our weaknesses he carried;

it was our sorrows  that weighed him down.

And we thought his troubles were a punishment from God,

a punishment for his own sins!”

We think about being sorry for ourselves as a bad thing.  But it’s not what I meant with using the term “Sorrow for myself”.   I have allowed myself  to feel sorrow for myself, and to feel the sadness which I previously did not allow very much room for in my life.  It seems to be for me a process of allowing myself to feel compassionate towards myself.   I picked up this painting last year and decided to continue to work on it.  I have now titled it “Kaleidoscope” …

Not a great image of it…  Main archive image is still in the camera, but this will do for now.

Also I am increasingly deciding to put watermarks over my images.  It’s a boring job to contact websites and get them to remove images they have no permission and/or license to use.  Very boring.

©jenny meehan kaleidoscope painting jenny meehan process led painting abstract lyrical british colourist

kaleidoscope painting jenny meehan ©jenny meehan

 

The story behind this title is as follows;   I had a  vision while at an Ignatian Retreat Day at the Mount Street Jesuit Centre a while back where I could see I was holding a kaleidoscope in my hands and lamenting the broken pieces in it.  Then Jesus, or rather, Yeshua the Messiah… (Digression!  So many people just use the words “Jesus Christ” meaninglessly, I am seriously wondering if I might be best to use Yeshua, as it’s more in the historical context and I don’t hear people using it carelessly!) Anyway, back to the point.   He placed his hand on mine and told me to lift the kaleidoscope to my eyes and point it at him.  He guided my hand to turn it and as I did so beautiful light and patterns flowed through it, and the patterns went on forever and ever and they were always changing and all completely different.   Both looking at the brokenness, which was a sorrowful process,  and looking through the kaleidoscope, which was wonderful,  are important.   It was hard to allow Yeshua to touch my hand.  Maybe I felt like a leper, as we had been meditating on Yeshua healing the leper?  Maybe?  I wonder if the turning motion was the process of repentance?  It would seem so based on my current reflections and thoughts.  A continual process.   Allowing our Creator God to turn us around?  Writing words about it seems shoddy and clumsy.  But I continue to think about it.  And to title the painting with its continued work “Kaleidoscope” is just right.

Here it is now.  I showed it at this years Kingston Artists’ Open Studios.

I sell my paintings when they have been exhibited and/or I no longer need them for study and reflection. I don’t sell more than a handful each year. It’s great when they find someone to own them.  Makes more room in my house for the new ones too!  I am increasingly not using frames as they take up a lot of room.  I am now starting to work on card and other substrates rather than stretched canvas.

 

Tiny Bones Poem by Jenny Meehan

 

Tiny Bones

I trod on fragments of bone;
Homosexual, Jew and gypsy.
Unknowingly desecrating
precious loved ones,
with my soles.

A heartless, human realisation –
I did not know, until the man told me.
When he spoke,
my world changed.
Brokenness took a new meaning.
Even the tiniest
prejudice
is a terrible thing.

I took one of the splinters –
pressed it
into my skin
and wept.

Jenny Meehan

lasting stones of memory painting by jenny meehan for holocaust memorial day kingston

lasting stones of memory painting by jenny meehan for holocaust memorial day kingston

 

 

“Surface Work”  Exhibition across Victoria Miro’s London galleries  VERY GOOD INDEED!

This was good… VERY GOOD.  When I found out about it it was straight into the diary.  Essential viewing for any female abstract artist. And other folk too, of course!  I wrote about this a little bit in my last post.  But here is more information…

Some text from the website:

“An international, cross-generational exhibition of women artists who have shaped and transformed, and continue to influence and expand, the language of abstract painting.

Information
Private View 6-8pm, Wednesday 11 April 2018

14 St George Street, London W1S 1FE
Tuesday-Saturday 10am-6pm

Taking place across Victoria Miro’s London galleries, this international, cross-generational exhibition is a celebration of women artists who have shaped and transformed, and continue to influence and expand, the language and definition of abstract painting.”

It included the following female artists:

The exhibition includes: Rita Ackermann, Etel Adnan, Gillian Ayres, Sara Barker, Lynda Benglis, Suzanne Blank Redstone,
Betty Blayton, Sandra Blow, Sarah Cain, Varda Caivano, Lygia Clark, Prunella Clough, Angela de la Cruz, Jay DeFeo,
Svenja Deininger, Lucy Dodd, Louise Fishman, Helen Frankenthaler, Mary Heilmann, Ilse D’Hollander, Loie Hollowell,
Tess Jaray, Martha Jungwirth, Bharti Kher, Lee Krasner, Yayoi Kusama, Agnes Martin, Joan Mitchell, Katy Moran, Annie
Morris, Rebecca Morris, Victoria Morton, Elizabeth Murray, Dala Nasser, Elizabeth Neel, Tomie Ohtake, Betty Parsons,
Howardena Pindell, Liubov Popova, Fiona Rae, Mary Ramsden, Dorothea Rockburne, Jackie Saccoccio, Mira Schendel,
Yuko Shiraishi, Raphaela Simon, Pat Steir, Hedda Sterne, Alma Thomas, Mildred Thompson, Adriana Varejão, Paule
Vézelay, Jessica Warboys and Mary Weatherford”

List of works:

https://www.victoria-miro.com/usr/documents/exhibitions/list_of_works_url/items/45/454bb64bd0bd410bbd30ffb8d4d2b9cb/surface-work-mayfair-walking-list-final.pdf

Quote from press release:

“Surface Work takes its title from a quote by the Abstract Expressionist painter Joan Mitchell, who said: ‘Abstract is not a style. I simply want to
make a surface work.’ The exhibition reflects the ways in which women have been at the heart of abstract art’s development over the past
century, from those who propelled the language of abstraction forward, often with little recognition, to those who have built upon the legacy of
earlier generations, using abstraction to open new paths to optical, emotional, cultural, and even political expression. Historical and
contemporary works shown in dialogue will create a series of conversations across the decades, touching on themes such as the monochrome,
process, geometric abstraction, seriality and gesture.”

News coverage example:

https://www.theguardian.com/artanddesign/2018/apr/15/surface-work-victoria-miro-review-women-abstract-painting?CMP=Share_iOSApp_Other

Guide to the exhibition:

http://viewer.zmags.com/publication/8554a0b8#/8554a0b8/1

I posted some images last month.

 

victoria miro surface works visit 2018

victoria miro surface works visit 2018

 

The painting above, WELL…That’s paint! It’s inspiring!

Adriana Varejão
Azulejão (Moon), 2018
Oil and plaster on canvas
180 x 180 cm
70 7/8 x 70 7/8 in

 

On the way home I sat at Waterloo station and enjoyed the view!

 

 

waterloo station image jenny meehan

Romantic Abstract Expressionistic Lyrical Paintings by Jenny Meehan British female painter

When I get to archiving my current work by processing the images and information I promise I will post them up on this journal.  But this time of year is the important and vital painting season for me.  I need to paint now because I use my studio tent and it is most usable at this time of year.  Kitchen and garden are also handy, but as my paints and tools are all out, sorted and ready to roll, painting has to come first.  This is the least piecemeal part of the year… from March to September and  this is because I focus and drive ahead in all respects. Practically it works best.  Image taking, admin, and all the rest are confined to the darker weeks and days, the colder and the wetter times.  Yes, times like that still occur, this is the UK, of course, and I let the weather determine my course of action and artistic activities.  So my website remains a little need in an update, and digital tasks pile up.  Housework piles up.  All piles up, but the most necessary.  It’s actually much easier to structure things this way than try and equalise the process.  I do write this artist’s journal, but that is because I love to write!  However, this explains the lack of new images of more recent paintings.     So repetition of paintings displayed on this artist’s blog is the necessary result.  Never mind.  Cannot do everything!

catastrophe becoming painting 100days100women.wordpress.com, abstract expressionist lyrical romantic painting, jenny meehan © Jenny Meehan DACS All Rights Reserved

catastrophe becoming painting by jenny meehan submitted to 100days100women.wordpress.com british collectable abstract paintings ©jenny meehan

 

This is one of my personal favourites.  It’s got a great surface…I am pleased with what I have achieved.  This is one of my best achievements.

©jenny meehan DACS

seaside details ©jenny meehan DACS

This is a detail from “Sea Side”.  How annoying… The full painting image is on one of my hard drives and not on this newer computer.  I have extracts but no full view available right now to post.  Never mind!

 

seaside details

©jenny meehan DACS

seaside details ©jenny meehan DACS

seaside details

seaside details

seaside details

©jenny meehan DACS romantic abstract lyrical painting british female contemporary artist

seaside details

seaside details

seaside details

seaside details

seaside details

summer seaside details romantic expressionist lyrical abstract painting by jenny meehan jennifer meehan

summer seaside details romantic expressionist lyrical abstract painting by jenny meehan jennifer meehan

©jenny meehan DACS romantic abstract lyrical painting british female contemporary artist

seaside details

©jenny meehan DACS romantic abstract lyrical painting british female contemporary artist

seaside details

seaside details

©jenny meehan DACS romantic abstract lyrical painting british female contemporary artist

seaside details

©jenny meehan DACS romantic abstract lyrical painting british female contemporary artist

seaside details

©jenny meehan DACS romantic abstract lyrical painting british female contemporary artist

seaside details

©jenny meehan DACS romantic abstract lyrical painting british female contemporary artist

seaside details

©jenny meehan DACS romantic abstract lyrical painting british female contemporary artist

seaside details

©jenny meehan DACS romantic abstract lyrical painting british female contemporary artist

©jenny meehan DACS
romantic abstract lyrical painting british female contemporary artistseaside details

 

All this dancing and prancing around with painting… lyrical and brushmarks, experimentation and exploration.   I am pushing ahead.

 

This is another sound painting.  As it is the seaside time of year here in the UK…As much as possible,  this is a good one to show now. The side side is one of my favourite places.  Both positive memories from the past and current pleasure inform the feeling.  As my childhood was more sad than not, I hold onto the happy parts most keenly because they were gifts and I am glad I received them.

 

drop in the ocean painting jenny meehan romantic lyrical abstraction expressionist abstract fine painting drop in the ocean painting jenny meehan

british collectable abstract paintings ©jenny meehan DACS
romantic abstract lyrical painting british female contemporary artist

Ah thank goodness for that “Drop in the Ocean” painting is at least to be found in completeness!

These two go very well together. Not surprising really!   I am selling these, so contact me if interested, via my website;  jamartlondon.com

I sell my paintings when no longer needed for study and exhibition purposes.  At between £200 and £500 only, they are very good value indeed.  For a high quality original abstract painting, you may need to look quite a long way for something in this price bracket.  I sell my original paintings to enable me to continue to invest my time and effort into the painting endeavour.  Developing my work, materials, research and study all involve time and money.  It’s a matter of passion in the end.  Any support is welcome and appreciated.

It’s bye bye for now.

Cannot believe it took until the 18th of the month to get this done.

Never mind.

 

 

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