Ah yes, it is my favourite place.  West Dean College is where it all started for me in 2005 when I attended the “Sculpture with Wire”  Course tutored by David Farrer.   My sculpture “Articulation” hangs in my studio as a beautiful reminder of a kind of birth… I nearly sold it a couple of years ago, but I am quite glad I still have it for now. I may well continue working on it in the future.  That course worked as a kind of take-off pad for me I think… to suddenly have a whole week to be creative made me realise how fundamental my creativity is to my existence.  And one course turned into several more over the years, mostly involving working with metal, but two in painting.  Short but sweet.

I am playing it safe this year and attending an excellent course by John T Freeman.  I know it’s excellent because I did it a couple of years ago.  (I say “playing it safe”  because I have attended a course which just wasn’t the right kind of thing for me before, and this is a very discouraging experience.)  The painting course is only for a week,  but I just cannot wait.

Image is one taken at West Dean Gardens in the Spring.  My heart’s gone out of making photographic images right now, but I take a little time now and again to fiddle around with past images with Adobe Photoshop.   And it is a very handy skill to have as an artist.  Good for putting work up on the internet, sending it here and there, entering competitions and all that stuff.  However, I worry at times that there may be glue on the stool that I sit on in front of the computer.  You sit down, thinking you are just going to check your emails, and then look up one hour later, and realise you are still there!  So I presently work as little as I can on the computer, and as much as I can with paint.

Having said that, occasionally I am tempted to play around on screen.  Hence  “Morning River, West Dean”, which was an image originally taken in 2007.   It’s a nice little game, but I would not claim that my current photographic images are anything special in themselves.  They are an artistic product without any great craftsmanship.  Some knowledge, a limited tool in the shape of my  distinctly unprofessional camera, and the computer magic of software.  Yet there is value in it for me all the same.  But I am not a photographer, no, I am not.  The beauty of it, for me, has all drained dry.  I am pleased with what I have done in the past, and I am keen to continue some threads started in the past,  but I don’t see much future in it for me.

This type of black and white image ” Morning River, West Dean”  IS something I will continue with, and rather interestingly, it is something in the vein of which I started with. Stuck all over my “Articulation” sculpture (2005) are black and white photocopied images of the branches of a tree in my garden.   I was struck so by the patterns of the branches of different trees, by the whole system of a tree, by the relationship between the overarching pattern or design and that of each unique individual tree.  So it appears I have come full circle!

http://www.jamartlondon.com/

Take a look at my website and see some examples of my current art working.

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While pushing ahead with paintings, there is always plenty of tidying up to be done, and that means not only housework type chores but computer based ones….making images of paintings in progress (which I find a helpful practice) and also preparing past photographic work for display.  Part of this involves trying to get work out there, so that other people can enjoy it if they like it…Hence the title “Purchase Poster Prints of Imagery by Fine Artist Jenny Meehan” !

I spent a lot of time from around 2006 to 2009 on my photographic work, and still fall for the odd photographic image from time to time.  I don’t want to spend lots of time producing it as some do as  “limited edition” prints though…When I do produce it for specific people or events I number and sign the work, but I don’t limit it in an artificial way.  I don’t see the point…it’s not limited…there is no plate to wear out, there is no natural process of disintergration of the image.  Isn’t that whole idea just a marketing strategy?   Maybe if you are very famous for your photography and it actually means something it might serve some purpose, but for most of us, living in a world which suffers from an excess of images, the idea of limiting does not sit so well with me.

See also the “Photography” section on my website for more information on editions and print types if you would like to know more.

Jenny Meehan Photographic Imagery

http://www.jamartlondon.com/

 

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