Ah, the light, it really bounces off this paint!

Another example of work from this year.  “Goethe’s Delight Liquor Silicium” was painted with Keim Soldalit silica-sol mineral paint on board, pigment added as necessary.  A real joy.

(Note: later donated to Keim Mineral Paints as a small token of thanks)




Now is a time for me to look back on work carried out over the year.  This painting “Break Out/Promised Land” was interesting to paint.  I concentrated on bringing texture and different surfaces into play and it was quite nice to let the textural information inform choices in colour and the direction of the next marks or brushstrokes.  I let the painting grow naturally, so I didn’t have an idea from the outset of how it would develop, but seeing it at the end it rang true.  I have learnt through it, which is my main objective.  It would be nice to do some more of these,  and it is the case that acrylic paint is just the right medium to use for paintings like this.  I always feel slightly disappointed with the colour intensity of acrylic paint, though adding pigment of course is always an option.   I have not painted with an acrylic underpainting and oil on top yet… so maybe this is something I might explore next.

(Note: later sold to a collector)



Digital C Print of Lino Print produced at West Dean College in January as part of a relief printmaking course led by Dale Deveraux Barker.  Great course, highly recommended!  I used a mixture of lino, rollers and paper cut outs for the work I carried out on this course. 

Looking back and reviewing work this year.  A lot of experimenting with texture.  And pigment.  A lot of painting done from an uncertain beginning but somehow finding itself in the process, and other paintings with a clear design, which only have a small element of unpredictability.  This painting “Sack Of A Great House” came straight from the unconscious into being, and rang true, which is pleasing.  However, I hope to spend a little more time soon with a clearer idea of subject matter from the outset…Not so much as to ruin the important role of the process, but I think the painting I have done so far suggests that I can trust myself to express what I want, and with that knowledge, I feel confident to set to the business of painting with more assurance than I have so far demonstrated.  There is always a strong sense of direction, even in the most spontaneous painting.  Maybe I should create more of an environment for the imagination, pull things in a little tighter, and see what happens with that?

Mixing colours…mixing colours…

Just focusing on areas of colour…thinking about it, literally weighing one colour against another and not thinking about anything else is an unexpectedly pleasurable process.  Gone for now are those little dippy dabs of colour, gone is the random mixing of colours, ad hoc, hit and miss, and the little palette (Though mine has never been small, I prefer to use a large board on a table!)

Now I am looking at flat areas (beautifully flat and singing in the light…the mineral paint surface is matt and almost comforting to look at) and as I experiment with subtle changes in tone and hue, I have the feeling that though this is not the kind of painting I expected to be doing right now…it’s more design really, however, it is doing me a lot of good.  It may not be such an emotionally charged process as most of my smaller paintings, but it’s almost ministering to me in terms of colour experience. 

The Beeck Mineral Paint smells lovely. I’m using the Beeck Beeckosil for the large colour areas of this mural.  This is a specialist paint, and I needed to consult several companies with respect to the correct preparation of substrate and the application, so many thanks to all those people who helped me in this respect.  It’s been an education in itself.  I am also looking into the mineral paint that Keim produce too, and plan to try that out on another mural in the future.  (I might well use Soldalit for the lines on this one). I’m glad I allowed for plenty of time for this project…it’s taking a lot longer to plan than I first expected.  This is mostly to do with getting the colours just right…I can’t faff about when I paint the real thing.  I also need to ensure I don’t waste paint, and I need to know exactly what I am doing in terms of proportions of pigment/toner when I mix up the colours in larger amounts for the mural.  Because the mural is the largest painting I have done so far (approx 1.5 by4 metres) I am probably being more careful than I need to be,  but better that than  the other option of careless (and expensive) mistakes. 

As I experiment with the colours on card in preparation for the mural painting “proper” I find I like this mineral paint better than the casein paint I tried out last year.  The colour does change when drying, but not so dramatically, which does help.  When this exterior mural project is done, I might well continue working with this paint on non flexible appropriately prepared substrates, as well as experimenting with using it on some stone/concrete sculpture.  Experiments started on an exterior wall in November are looking good, and it certainly helps ones confidence when embarking on using a paint one hasn’t used before to do samples and try it out first.  It takes a long time to dry, and even a few weeks to fully harden, but it does indeed harden, and it’s a fine paint.  I love it.

experimental drawing

going with the flow

“A person who has the vision of God is not devoted to a cause or to any particular issue – he is devoted to God Himself.  You always know when the vision is of God because of the inspiration that comes with it.  Things come to you with greatness and add vitality to your life because everything is energized by God.”  Oswald Chambers ((excerps from the devotional My Utmost for His Highest)

I do think people with vision do also have specific areas which they are passionate about, and that devotion to a particular cause or issue is a good thing, but it is true that the main orientation which keeps us going is towards our Creator.

Working away on the mural design for a local school playground.  I’ve chosen the colours…broadly…and now comes the fine tuning. This happens naturally as I work out the measurements for mixing up larger quantities of paint.  (It’s a bit different from mixing paints on a small scale!)  I’m mixing small amounts in jars and recording the different proportions of different colours needed to get the tone/hue I am aiming for.  In the process is the opportunity to experiment with more subtle variations of colour, and this is quite an enjoyable activity.  Even slight modulations make a huge difference to the over-all effect. I cannot afford use my normal method of obtaining colours by trial and error (plus a dollop of experience!)as this would waste too much paint.  I am using silicate mineral paint (Beeck) which isn’t cheap, and also I don’t want to waste paint full stop. The whole project is meant to be as ecologically friendly as possible!

I’ll soon have some images and I will keep updates on progress coming.

Information added later, as seen below!

Take a look at Jenny Meehan’s website jamartlondon  to see some of her more recent work!  http://www.jamartlondon.com/


Page with the Trafalgar Junior School Mural on: http://www.jamartlondon.com/mineral-paint-mural/4571505927


trafalgar junior school silicate mineral paint mural by artist Jenny Meehan

trafalgar junior school silicate mineral paint mural by artist Jenny Meehan .. Characters are copies of some of the childrens artwork produced in a drawing workshop tutored by John T Freeman, who then placed and transferred the drawings onto the mural


Image from the very beginning!

trafalgar junior school silicate mineral paint mural by artist Jenny Meehan .. Characters are copies of some of the childrens artwork produced in a drawing workshop tutored by John T Freeman, who then  placed and transferred the drawings onto the mural

trafalgar junior school silicate mineral paint mural by artist Jenny Meehan .. And crew of children!


trafalgar junior school silicate mineral paint mural by artist Jenny Meehan .. Characters are copies of some of the childrens artwork produced in a drawing workshop tutored by John T Freeman, who then  placed and transferred the drawings onto the mural

trafalgar junior school silicate mineral paint mural by artist Jenny Meehan ..


jenny meehan jamartlondon,school mural silicate mineral painting,trafalgar junior school twickenham playground mural project.

Children at Trafalgar Junior School working very hard on the bridging primer application for the mural!


Well, How fortunate I am to live so near to The White Hart Pub in Chessington. I would not have said that in the past, as we seemed to get a lot of vomit, broken glass, noise (and even on one occasion someone walking over the top of our car in the middle of the night!).  I have always like the building itself though.  So there is some sadness over its disappearance.  While I write this, there is now only a very little part of it left. However, my proximity to the building has been a good advantage in my attempts to record some of the process of its demolition.

The processes involved in conserving paintings have been of great interest to me of late, but like any human being, (starting maybe from the first tower we build with our wooden bricks) the process of destroying what we have created has always had its own appeal!  Though I only started taking photographs of The White Hart last Friday, it is amazing how quickly the building has been taken down.  It’s been down with an amazing amount of care and skill, and I can’t pretend to be anything other than impressed.  While I wish I had started taking images right at the beginning of the process, I do have other images taken just recently after it closed down, and these include images before it was vandalised, so I am pleased about that.  I plan to work on the images over a period of time and hopefully exhibit them at some point.

While I am focusing on my painting over the next year, it seems that the appeal of the camera for me is now as a means of recording the present, (hopefully for future generations to be able to access).  I have also enjoyed the visual combination which exists in a damaged building…the presence of structure alongside brokenness.

I will be posting images of  The White Hart Pub in Chessington gradually, (over the next couple of months)  both on a dedicated page on my website and also on my Flickr stream.   https://www.flickr.com/photos/54075937@N08/with/5010967191/

A lot of my oil paintings from the most excellent “Landscape and Figure Painting in Oils –  The British Tradition” course by John T Freeman are not finished but there are a few I have finished mulling over, so here is one of them which has undergone the necessary process of being sent through the computer for viewing over the internet.  John T Freeman is one of the most gifted teachers I have had the good privilege to have stumbled upon.  West Dean College and Gardens is  a great place, and I love meeting people dearly, and there are so many people who love artistic expression, it’s all a bit heavenly.  Yes, I am missing it.   It is a privilege to go there too.

My photographic work has over the course of time lent further and further in the direction of blocks of rich colour and I would like to explore this direction using a different printing process to that of photographic reproduction. One that opens up some new possibilities.   And ink… I did try it out this year at the West Dean Summer School in a taster session, and it was POWERFUL stuff! I did not like the smell or the consistency, so maybe that does not bode well, but the COLOUR!  I do feel I want to continue the strands which have emerged from my photographic art, and this is certainly one of them.  I think it’s going to be a useful tool for some interesting work in the future.

One of my experiments carried out at West Dean College, 2010

I am exploring many exciting and interesting ways of manipulating paint and it is opening up lots of expressive opportunities.


Take a look at Jenny Meehan’s website jamartlondon  to see some of her more recent work!  http://www.jamartlondon.com/

Back from the Awards Ceremony at Pallant House Gallery, Chichester.  Great to see the delightful selection of work, and it was also very interesting to see a slideshow of all the work which was entered for the competition.  Many great pieces were not selected.  I am  grateful that one of my works was displayed as part of the exhibition.    I hope they get even more entries next year, as the way that the gallery have linked up with St Wilfrid’s Hospice is a wonderful thing, and it would be good for even more money to go to the Hospice and also to “Outside In” 

See this link for more;


Here is one of my works which was not shortlisted, but entered in the competition:

One of the entries for the St Wilfrid's Hospice/Pallant House Gallery Open Art Exhibition 2010

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