small world futures chapbook sampson low publishers

small world futures chapbook


I enjoyed taking part in the Small World Futures project earlier on this year.

And look here….. The delightful chap book!

HUGE thanks to Collect Connect for all their hard work!

Title:  Small World Futures – A CollectConnect Production at the #unsettledgallery

It’s published by Sampson Low Ltd, 2018

Chapbook 24


ISBN 978-1-910578-80-3

All rights reserved.

Text quoted from the sampson low website:

“The tradition of chapbook publishing in England is a long established one and here at Sampson Low Ltd we think it’s the perfect format for our most exciting authors and artists. Although small (A6) and relatively brief (16 printed pages) our punchy publications share their ideas with you in one delicious sitting.”   and see here:

This wonderful chapbook is the remaining evidence for the exhibition which took place in public spaces around London Bridge.

Info: Small World Futures is a collection of 38 miniature sculptures depicting what life could look like in years to come. Each of these small artworks will be placed in public spaces (#unsettledgallery) around London Bridge. A writer will also use the worlds as inspiration.
Thursday, February 1, 2018
Wednesday, February 28, 2018
London Bridge, London

I love this kind of thing…  I sometimes moan a bit about not showing my work as much as I would like because of costs involved.  Something like this gets the work out there on the street.  OK, you have to be prepared to loose it.  But that’s not a bad thing now and again.  I liked very much the writing on my work…I am pretty sure I published it here on this Journal a few posts back.

How good to now have this chapbook as a record!   Do go and buy one for yourself.

vibe drome by jenny meehan

vibe drome by jenny meehan


Kingston Artists’ Open Studios (OS18)

Kingston Artists’ Open Studios (OS18) took place on 9/10th and 16/17th June 2018 from 11am to 5pm each day.

It was a really good year, and very enjoyable.

Here are some images of my paintings in situ…

kingston artists open studios jenny meehan paintings in situ

KAOS open studios jenny meehan paintings

KAOS open studios jenny meehan paintings

KAOS open studios jenny meehan paintings

KAOS open studios jenny meehan paintings

Kingston Artists’ Open Studios is a voluntary group, and we need and appreciate all the support we can get. If you think you could help us in anyway, do contact us via the link below.  Visual art is important to the health of society, bringing pleasure, connection, and space for contemplation.  The value is not easy to measure maybe, but it is always worth investment.

Hope to see you at this even next year, maybe?  !Jenny Meehan


kingston artists open studios jenny meehan

kingston artists open studios jenny meehan  image from 2017


Image shows paintings of Jenny Meehan and ceramics by Cressida Borrett

Contact me via my contact page at jamartlondon if you would like more information!


Looking backwards and moving forwards…

Or moving forwards and looking backwards?  !!!

This old post from 2012…

This painting…  I liked it, and it was exhibited at The Ark Conference Centre in Basingstoke.  Titled “Sorrow for Myself”.

sorrow for myself, abstract colour markmaking painting, human figure, depression, grief,trauma, loss,psychotherapy and art,jenny meehan fine and applied art,british contemporary abstract fine painting,subconscious subject matter,emotional release,lyrical abstraction,lyrical markmaking,instinctive intuitive process led painting,

The narrative:  The weight is heavy. The sun sets. Broken fragments are carried away. Down stream.  This is sorrow.  Sorrow for myself.  Blood is shed, but it is the blood of Christ which covers. God is compassionate.

The reference:  “Yet it was our weaknesses he carried;

it was our sorrows  that weighed him down.

And we thought his troubles were a punishment from God,

a punishment for his own sins!”

We think about being sorry for ourselves as a bad thing.  But it’s not what I meant with using the term “Sorrow for myself”.   I have allowed myself  to feel sorrow for myself, and to feel the sadness which I previously did not allow very much room for in my life.  It seems to be for me a process of allowing myself to feel compassionate towards myself.   I picked up this painting last year and decided to continue to work on it.  I have now titled it “Kaleidoscope” …

Not a great image of it…  Main archive image is still in the camera, but this will do for now.

Also I am increasingly deciding to put watermarks over my images.  It’s a boring job to contact websites and get them to remove images they have no permission and/or license to use.  Very boring.

©jenny meehan kaleidoscope painting jenny meehan process led painting abstract lyrical british colourist

kaleidoscope painting jenny meehan ©jenny meehan


The story behind this title is as follows;   I had a  vision while at an Ignatian Retreat Day at the Mount Street Jesuit Centre a while back where I could see I was holding a kaleidoscope in my hands and lamenting the broken pieces in it.  Then Jesus, or rather, Yeshua the Messiah… (Digression!  So many people just use the words “Jesus Christ” meaninglessly, I am seriously wondering if I might be best to use Yeshua, as it’s more in the historical context and I don’t hear people using it carelessly!) Anyway, back to the point.   He placed his hand on mine and told me to lift the kaleidoscope to my eyes and point it at him.  He guided my hand to turn it and as I did so beautiful light and patterns flowed through it, and the patterns went on forever and ever and they were always changing and all completely different.   Both looking at the brokenness, which was a sorrowful process,  and looking through the kaleidoscope, which was wonderful,  are important.   It was hard to allow Yeshua to touch my hand.  Maybe I felt like a leper, as we had been meditating on Yeshua healing the leper?  Maybe?  I wonder if the turning motion was the process of repentance?  It would seem so based on my current reflections and thoughts.  A continual process.   Allowing our Creator God to turn us around?  Writing words about it seems shoddy and clumsy.  But I continue to think about it.  And to title the painting with its continued work “Kaleidoscope” is just right.

Here it is now.  I showed it at this years Kingston Artists’ Open Studios.

I sell my paintings when they have been exhibited and/or I no longer need them for study and reflection. I don’t sell more than a handful each year. It’s great when they find someone to own them.  Makes more room in my house for the new ones too!  I am increasingly not using frames as they take up a lot of room.  I am now starting to work on card and other substrates rather than stretched canvas.


Tiny Bones Poem by Jenny Meehan


Tiny Bones

I trod on fragments of bone;
Homosexual, Jew and gypsy.
Unknowingly desecrating
precious loved ones,
with my soles.

A heartless, human realisation –
I did not know, until the man told me.
When he spoke,
my world changed.
Brokenness took a new meaning.
Even the tiniest
is a terrible thing.

I took one of the splinters –
pressed it
into my skin
and wept.

Jenny Meehan

lasting stones of memory painting by jenny meehan for holocaust memorial day kingston

lasting stones of memory painting by jenny meehan for holocaust memorial day kingston



“Surface Work”  Exhibition across Victoria Miro’s London galleries  VERY GOOD INDEED!

This was good… VERY GOOD.  When I found out about it it was straight into the diary.  Essential viewing for any female abstract artist. And other folk too, of course!  I wrote about this a little bit in my last post.  But here is more information…

Some text from the website:

“An international, cross-generational exhibition of women artists who have shaped and transformed, and continue to influence and expand, the language of abstract painting.

Private View 6-8pm, Wednesday 11 April 2018

14 St George Street, London W1S 1FE
Tuesday-Saturday 10am-6pm

Taking place across Victoria Miro’s London galleries, this international, cross-generational exhibition is a celebration of women artists who have shaped and transformed, and continue to influence and expand, the language and definition of abstract painting.”

It included the following female artists:

The exhibition includes: Rita Ackermann, Etel Adnan, Gillian Ayres, Sara Barker, Lynda Benglis, Suzanne Blank Redstone,
Betty Blayton, Sandra Blow, Sarah Cain, Varda Caivano, Lygia Clark, Prunella Clough, Angela de la Cruz, Jay DeFeo,
Svenja Deininger, Lucy Dodd, Louise Fishman, Helen Frankenthaler, Mary Heilmann, Ilse D’Hollander, Loie Hollowell,
Tess Jaray, Martha Jungwirth, Bharti Kher, Lee Krasner, Yayoi Kusama, Agnes Martin, Joan Mitchell, Katy Moran, Annie
Morris, Rebecca Morris, Victoria Morton, Elizabeth Murray, Dala Nasser, Elizabeth Neel, Tomie Ohtake, Betty Parsons,
Howardena Pindell, Liubov Popova, Fiona Rae, Mary Ramsden, Dorothea Rockburne, Jackie Saccoccio, Mira Schendel,
Yuko Shiraishi, Raphaela Simon, Pat Steir, Hedda Sterne, Alma Thomas, Mildred Thompson, Adriana Varejão, Paule
Vézelay, Jessica Warboys and Mary Weatherford”

List of works:

Quote from press release:

“Surface Work takes its title from a quote by the Abstract Expressionist painter Joan Mitchell, who said: ‘Abstract is not a style. I simply want to
make a surface work.’ The exhibition reflects the ways in which women have been at the heart of abstract art’s development over the past
century, from those who propelled the language of abstraction forward, often with little recognition, to those who have built upon the legacy of
earlier generations, using abstraction to open new paths to optical, emotional, cultural, and even political expression. Historical and
contemporary works shown in dialogue will create a series of conversations across the decades, touching on themes such as the monochrome,
process, geometric abstraction, seriality and gesture.”

News coverage example:

Guide to the exhibition:

I posted some images last month.


victoria miro surface works visit 2018

victoria miro surface works visit 2018


The painting above, WELL…That’s paint! It’s inspiring!

Adriana Varejão
Azulejão (Moon), 2018
Oil and plaster on canvas
180 x 180 cm
70 7/8 x 70 7/8 in


On the way home I sat at Waterloo station and enjoyed the view!



waterloo station image jenny meehan

Romantic Abstract Expressionistic Lyrical Paintings by Jenny Meehan British female painter

When I get to archiving my current work by processing the images and information I promise I will post them up on this journal.  But this time of year is the important and vital painting season for me.  I need to paint now because I use my studio tent and it is most usable at this time of year.  Kitchen and garden are also handy, but as my paints and tools are all out, sorted and ready to roll, painting has to come first.  This is the least piecemeal part of the year… from March to September and  this is because I focus and drive ahead in all respects. Practically it works best.  Image taking, admin, and all the rest are confined to the darker weeks and days, the colder and the wetter times.  Yes, times like that still occur, this is the UK, of course, and I let the weather determine my course of action and artistic activities.  So my website remains a little need in an update, and digital tasks pile up.  Housework piles up.  All piles up, but the most necessary.  It’s actually much easier to structure things this way than try and equalise the process.  I do write this artist’s journal, but that is because I love to write!  However, this explains the lack of new images of more recent paintings.     So repetition of paintings displayed on this artist’s blog is the necessary result.  Never mind.  Cannot do everything!

catastrophe becoming painting, abstract expressionist lyrical romantic painting, jenny meehan © Jenny Meehan DACS All Rights Reserved

catastrophe becoming painting by jenny meehan submitted to british collectable abstract paintings ©jenny meehan


This is one of my personal favourites.  It’s got a great surface…I am pleased with what I have achieved.  This is one of my best achievements.

©jenny meehan DACS

seaside details ©jenny meehan DACS

This is a detail from “Sea Side”.  How annoying… The full painting image is on one of my hard drives and not on this newer computer.  I have extracts but no full view available right now to post.  Never mind!


seaside details

©jenny meehan DACS

seaside details ©jenny meehan DACS

seaside details

seaside details

seaside details

©jenny meehan DACS romantic abstract lyrical painting british female contemporary artist

seaside details

seaside details

seaside details

seaside details

seaside details

summer seaside details romantic expressionist lyrical abstract painting by jenny meehan jennifer meehan

summer seaside details romantic expressionist lyrical abstract painting by jenny meehan jennifer meehan

©jenny meehan DACS romantic abstract lyrical painting british female contemporary artist

seaside details

©jenny meehan DACS romantic abstract lyrical painting british female contemporary artist

seaside details

seaside details

©jenny meehan DACS romantic abstract lyrical painting british female contemporary artist

seaside details

©jenny meehan DACS romantic abstract lyrical painting british female contemporary artist

seaside details

©jenny meehan DACS romantic abstract lyrical painting british female contemporary artist

seaside details

©jenny meehan DACS romantic abstract lyrical painting british female contemporary artist

seaside details

©jenny meehan DACS romantic abstract lyrical painting british female contemporary artist

seaside details

©jenny meehan DACS romantic abstract lyrical painting british female contemporary artist

©jenny meehan DACS
romantic abstract lyrical painting british female contemporary artistseaside details


All this dancing and prancing around with painting… lyrical and brushmarks, experimentation and exploration.   I am pushing ahead.


This is another sound painting.  As it is the seaside time of year here in the UK…As much as possible,  this is a good one to show now. The side side is one of my favourite places.  Both positive memories from the past and current pleasure inform the feeling.  As my childhood was more sad than not, I hold onto the happy parts most keenly because they were gifts and I am glad I received them.


drop in the ocean painting jenny meehan romantic lyrical abstraction expressionist abstract fine painting drop in the ocean painting jenny meehan

british collectable abstract paintings ©jenny meehan DACS
romantic abstract lyrical painting british female contemporary artist

Ah thank goodness for that “Drop in the Ocean” painting is at least to be found in completeness!

These two go very well together. Not surprising really!   I am selling these, so contact me if interested, via my website;

I sell my paintings when no longer needed for study and exhibition purposes.  At between £200 and £500 only, they are very good value indeed.  For a high quality original abstract painting, you may need to look quite a long way for something in this price bracket.  I sell my original paintings to enable me to continue to invest my time and effort into the painting endeavour.  Developing my work, materials, research and study all involve time and money.  It’s a matter of passion in the end.  Any support is welcome and appreciated.

It’s bye bye for now.

Cannot believe it took until the 18th of the month to get this done.

Never mind.



Drop In Drawing/Painting Sessions for 2015 – Fridays- Daytime-Once a Month-Workshop Style-Beginners and Experienced Welcome
Friday 27th February 1 – 3pm
Friday 20th March 1 – 3pm
Friday 17th April 1 – 3pm
Friday 15th May 1 – 3pm
The idea is that I am available to help you to develop your own projects and ideas. I will be there to add my technical and practical input, and help you by discussing your direction and the difficulties which may be encountered along the way, if you so require. As to what you actually do, this could be from drawing from the imagination, copying something from life, designing something abstract, or making a collage of text and images. Or simply experimenting and exploring what it is like to use a particular material or method of drawing.I will provide some ideas if people like, but anticipate people coming along with some idea of what they might like to do beforehand. However, just a vague idea is just fine! Participants also need to bring their own materials along with them. I am gearing it mostly to dry media, ie pencil, charcoal, oil pastels, chalk pastels, pens, biros, markers etc. If someone sneaks a bit of paint in, I won’t complain though.. (how could I?) however, for practical reasons, you might need to work outside if you are painting medium or large scale!The idea of holding the sessions on a “drop in” basis is that is it often hard for people to commit to a regular group a long time in advance, however, you do need to let me know the same week if you will be attending, as there is limited space and so I need to know about numbers. I won’t be formally planning a structured session… On these occasions the session takes a “workshop” style approach, with plenty of individual input and opportunities for feedback, discussion, and analysis, as you consider ways of developing your own direction.
If interested, then please contact me via my website contact form for more information.   Thanks.
 Some Painting
 Some painting would be a fine thing…There is too much rubbish in the house which needs sorting!  Too many outstanding household chores, jobs, mending, admin, etc etc.  However I reflect that it’s not a bad thing to have gaps in one’s creative production.   Ill with some flu type cold, and minus my voice for a few weeks forces me into silence, and also into a nostalgic trip into the past as I look through images on CDS and put them onto a portable hard drive.  It’s great to be able to document my work myself.    For a nice escape, I took a tour.
Fancy a little tour around some of the National Gallery?   This little “Life of Christ” tour may be an enjoyable investment of time!
I have also started a mini blog on the Artists Newsletter site.  This is an attempt to make a somewhat narrower stream than river which is this meandering discourse.   I envisage this being orientated around just what I am working as I am working on it, rather than a broader span of past and present artworking.
I am concerned that I might be spewing out too many words, however, I cannot deny that I find it helpful to my creative processes.  I suspect this might be something I start and don’t continue…this does happen sometimes, but it might be useful to try, maybe focusing just on my sculpture/3D work.  ???
I have also looked back on the photography blog site…Something that kept me happy when the children were younger.   I would like to pull together some of the past imagery and self publish a book with some poems maybe.  At some point.
“When we were children, we used to think that when we were grown-up we would no longer be vulnerable. But to grow up is to accept vulnerability… To be alive is to be vulnerable.”
Madeleine L’Engle
Yeah, so true.
Past Work Review 
New Start by Jenny Meehan

New Start by Jenny Meehan

 There is something of the moon in here…Something of an orbit…It is one of the geometric abstract works from the “Signs of the Times” Series.  I had painted some flat abstract paintings several years earlier, but didn’t enjoy painting  sharp lines and didn’t see the point in going to a lot of effort to make intense, flat, smooth areas of colour with paint, when I could do so far more easily,(and get the effect that I wanted ie..smooth smooth smooth, and completely all over satin finish…so that the light would hit the physical surface in exactly the same way), far more easily with vector graphics and wonderful rich pigment ink printed by Poster Pigeon.  I don’t mind plugging them because the service and prints were excellent.
These colours I like very much, I may take and use as a start for a painting.  The moon pops into a lot of my paintings too.  Why the moon?  Maybe just because it is nice and round and white…I suspect this is what attracts me.  Looking at the moonlight as it sometimes floods into the house on a dark clear night is a wonderful experience.  The quality of light, light reflected, does seem to bathe  one in a way which the sunlight cannot.  It is more gentle, more mysterious, and a deeper kind of light.  Reflected light.
As I often do, I have played with this image, and produced this:
starting out series design by jenny meehan to buy on redbubble

starting out series design by jenny meehan to buy on redbubble

This is one of a series.
I have put these up on Redbubble.  The cards and other products are quite reasonably priced, so take a look.  If you would like to support in some small way my art working, which is far, far, from profitable in the monetary sense of the word, at least, then buying something this way will, at some point help me pay for materials.  ( I say “at some point” because I haven’t yet even reached the small amount of sales which mean that any due payments will get processed!)   I get around ten percent of whatever the cost of the item is. Only three items with my design have been sold in the last five years…!!!!!  This is common, because the pool of lovely art work is so large.  Which is good, though doesn’t make it that much of a feature in my life.  I do feel it is good to make things available though, which is why I bother with it.  I have completely given up on the idea that I might ever generate anything resembling an income from my art working.  And I don’t wish to make what I do commercial in the sense of really gearing myself up in that direction.  However, it’s always a little boost when something happens! And, materials are expensive.  We are fortunate to  get by financially as a family, but the fact that I don’t earn because I am investing my time in other directions, means that I don’t mind making little pleas like this from time to time.  I don’t paint on thin air.  It all has to come from somewhere.
Look under the products to narrow down the shown selection to something you are most interested in.  The cards are super and very good value.
If you take a look, see something you like, but don’t wish to buy at, then even enabling a “share” will be great!
If you have some inclination to support my art working in a rather more substantial way, then Cass Art gift vouchers always come in handing for art materials.  Or an Art Fund card, Tate Card, Royal Academy Card…anything like that which helps me see lots of art… A useful thing for any artist to do.  Keeps one fresh.   (feels odd to mention it, but  why not?) 
I was thinking today that we are all wounded…This is something which every single person shares with each other.  We are all the same in this respect.  Some people have a larger portion than others, but it is foolish to make measurements about such things.  We tend to be  defensive, and guarded about our suffering.  For self protection, I think.   I was reading about how groups of hens peck their weakest member, and I can see we all have a bit of this instinct in us too.  It is horrible, but true, that signs of weakness, particularly if we are not able to identify, embrace, and accept our own vulnerabilities, weaknesses and struggles, sometime contribute to decisions, both subconscious and conscious, to give other people a hard time.  I am grateful I have opportunity to delve below the surface of my own experiences, both past and present.  Therapy has been a great asset for my art working for sure.   And it has introduced me to the area of  depth psychology, which in turn leads me at times to spend time reading about different theories and approaches.  As always, there are endless numbers of different schools of thought and theories.  None on their own make up the whole picture, thankfully.  But very interesting to read about!
(Logotherapy is a form of psychotherapy proposed by the Austrian neurologist, psychiatrist, and holocaust-
survivor, Dr Viktor E. Frankl.)
Quote from:
Fabry, Joseph B.
The Pursuit of Meaning : Logotherapy Applied to Life
. Cork (4 Bridge St., Cork):Mercier Press, 1975.
 Fabry writing about a type of psychotherapy approach called Logotherapy:
” It tells him that he cannot change his past, but that he is not its slave either; that he can change his present and influence his future. It tells him that he has limitations but also great freedom within these, and that the use of this freedom can make the difference between a full and empty life; that, if not used responsibly, freedom will turn into meaningless arbitrariness. It tells him that he has choices to make, at every moment, and that he must make them in the face of constant uncertainty, that he never can wait until all answers are in. It tells him that each person is alone, yet participates in a reality that far transcends him and his understanding; that success in life does not depend on the obvious; that individual life is geared to ultimate meaning. It tells him that he can never grasp the reality of the Ultimate, whatever name is given to it, but that everything depends on how he responds to its demands. Logotherapy assumes that ultimate  meaning exists but that it is ultimately un-knowable for the individual. He only can guess at it by means of his conscience, which is part of his human make up and therefore can err. And what his best guesses will reveal is not the overall Master plan but only the meaning of one life situation at a time. He can participate in ultimate meaning only by responding, to the best of his limited capacities, to the meaning demands of the moment. The day-by-day pursuit of meaning gives content to his life. Happiness, peace of mind, satisfaction, success are only by-products of his pursuit of meaning.”
I like these thoughts, though I don’t sign up to any particular school or approach to therapy, (not knowing enough about it in the first place!)  I do rather like this quote from Fabry in addition to the above: “In philosophy something wholly new is likely not to be fully true. That holds for psychotherapy, too. If Logotherapy had achieved nothing more than to rediscover and reformulate old truths even then it would have contributed to the advancement of psychotherapy.”


The Imagination between Beauty and Goodness

Rather a snippet… But as said before…This blog is my notebook!


Mount Street Jesuit Centre

I am benefiting from my visits to the Mount Street Jesuit Centre.  While I cannot shake off the feeling that I am venturing, soaked in Protestantism, onto Catholic territory, I don’t mind the feeling, indeed, I quite like it.  I haven’t found it a problem, rather, it is very interesting, and I am finding, as far as I have experienced so far at least, that those who are looking to deepen their experience of the Creator God through investing time in listening and learning, and whose focus is on deepening their own personal spirituality in a determined and dedicated way, have a wider conception of the body of Christ than that exclusive idea that it is limited to one’s own particular church or church tradition.  (Thankfully!) So I am having interesting discussions and meeting lots of lovely people who were not brought up in a Baptist Church and who don’t go to an Anglican Church.

When asked what I considered myself to be recently, found myself faltering, and saying “nothing really”, explaining that I had been in a great variety of churches, including charismatic, Baptist, evangelical, house churches, and now the Anglican church.  I did mention that my choice to be baptised as an adult was particularly significant for me.  I went to a Baptist Church (Hampton Wick Baptist Church)  as a child, and the female minister Sister Edna Black was such an inspiration to me…I realise this more now as an adult than I did as a child.   So my deep roots feel mostly of that variety.  Choosing to be baptised is the most significant turning point in my life, and the symbolism of that resonates mostly through my self, particularly at this present time.  I have the Baptist  ideas on adult Baptism to thank for that.  I see it as the most helpful marker in my own experience and walk in faith.   Other people have different markers.  I don’t feel that one should have to be baptised or anything like that.  I feel that our Creator is interested in the constant conversion of our hearts as we bumble along in everyday life most of all.  Conversion as a constant, and dedicated baptism process of death and life.  Immersion in the Holy Spirit.  Identifying ourselves with Christ, and taking our identity in who we are in Christ.   But now later on in my journey, I am glad I took part in that particular rite of conversion, because it’s so rich in symbolism, in a continual kind of way, rather than as a one off experience, also.



Can we still experience the sacred in a secular world?  Ignation and Buddhist Perspectives – Facilitated by Terry Walsh SJ

7th February.

Text from the printed leaflet.  Quote:

“Fr Terry Walsh is a Jesuit priest and a philosopher. His curiosity about the roots of human experience – cognitive, ethical and religious – led him to the practice of Buddhist meditation at a time in 2007 when he was living among the Tibetans in exile in northern India. Since then he has returned to Asia every two years to teach philosophy and to continue the practice of meditation in monasteries in Thailand, Laos, and Sri Lanka. There he has discovered not an identity, but a valuable and enlightening correlation between the Buddhist concept of mindfulness and the Ignatian focus on the desires that compel the search for the divine as the interior realization of freedom.”


“Do we believe that in the present state of secular culture marked by unbelief in God and indifference to religion it is still possible to experience the sacred? I believe experience of the sacred is attainable, but there are obstacles mostly of our own making that must be overcome. As the parable of the sower in Matthew’s Gospel suggests, it is possible to have ears and not hear, eyes and not see, hearts and not understand (Mt 13). The sacred might surround us and thoroughly penetrate our lives; yet we don’t perceive it.

Both Buddhism and Ignatian spirituality direct us to enter into ourselves, to search for traces of a hidden yet real dimension of the sacred within the fabric of mundane experience, which we unthinkingly dismiss as too ordinary or profane to contain the divine.

The workshop will explore how these two schools of spirituality offer concrete ways to achieve a freedom that arises once we have let go of preconceived notions of the sacred that blind us to its authentic presence and constrict our experience. We need to allow our minds and senses to grow accustomed to the darkness and emptiness of spirit, because this is where grace takes root and thrives. For whatever we think of the holy, it is not just another object in the world, there to be egotistically manipulated for personal satisfaction.”

For more information on the Mount Street Jesuit Centre, go to:


Photoshop Learning

There is so much to learn, and while I really should have picked up this little gem of knowledge before, I only recently found out the following!

Merge Layers – All layers that are selected are merged into a single layer

Merge visible – All layers that are not hidden will be merged into a single layer

Flatten Image – Will merge all layers and discard any layers that are hidden

Ah well, better late than never!

Holocaust Memorial Day 2015: Keeping the Memory Alive at the Council Chambers, Guildhall, Kingston on Sunday 1st February 2015

This was a very valuable event with lots of variety and different presentations by many people, including the Revd Andrew Williams who gave an excellent presentation on the visual arts in relation to the Holocaust.  I was very pleased to receive third prize in the 16+ category of the art competition which was part of the event.  The judging panel was made up of representatives from the Kingston Synagogues, the Holocaust Memorial Day Trust, the Inter Faith Forum and the Volunteering Service at Kingston University.

How lovely it was to receive a prize, and a lovely one, at that, some gift vouchers to spend at a local art store.  So useful too!  I met some great  people, and was glad of the opportunity to spend time in reflection not only on the Holocaust, but on other genocides which have happened since, and to receive the sobering message that our intentions should be strengthened against the prejudice and fear which often starts such horrific processes festering, and adds fuel to the creation of such atrocities.

The plan is that over the coming weeks several local exhibitions will be mounted in order to display the work.

lasting stones of memory painting by jenny meehan for holocaust memorial day kingston

lasting stones of memory painting by jenny meehan for holocaust memorial day kingston

Above:  Lasting Stones of Memory – Painting by Jenny Meehan – Acrylic on Canvas Board

Tiny Bones


I trod on fragments of bone;

Homosexual, Jew and Gypsy.

Unknowingly desecrating

precious loved ones,

with my soles.


A heartless, human realisation –

I did not know, until the man told me.

When he spoke,

my world changed.

Brokenness took a new meaning.

Even the tiniest


is a terrible thing.


I took one of the splinters –

pressed it

into my skin

and wept.


Jenny Meehan

3 – 22 February 2015

Society of Wood Engravers

I always go and see the exhibition at the Bankside Gallery by the Society of Wood Engravers, as I love it so much.  Here is the text which I quote from the website:

“The Society of Wood Engravers is the principal organisation and rallying point for those interested in the subject, and it also maintains a lively interest in other forms of relief printmaking. Essentially, it is an artists’ exhibiting society. There are about seventy members, practising artists who have been elected or invited to membership on merit.
An international exhibition drawn from an open submission of wood engravings and other forms of relief printmaking. In this show there will be over 130 original prints by elected SWE members and others, plus a special section spotlighting the work of Sarah van Niekerk and her great influence as a teacher of engraving. While the exhibition will comprise mainly of wood engravings other forms of relief print such as woodcut and linocut will also be on display”

Well, I saw it again this year, and it always delivers.  Something about black and white is very challenging, and very useful and important.  The combination of mark making variations, types, directions, characters, all give a lot.


Copyright Alert

A blog run by someone else has pinched one of my drawing images and has posted it up as their own work.   Just for the records, the image below is my work.  In this case it appears difficult to track down…mshahzis.blogspot.  But no way of contacting that I can see right now, anyway.   But for those that like to know what they are looking at…This pencil sketch is mine!


Leith Hill Surrey Pencil Sketch Jenny Meehan Contemporary British Artist surrey artist artwork for sale to buy affordable english romantic artist modern, tree trunk bench resting place,

This pencil sketch is by Jenny Meehan.
Copyright jenny meehan.

I’m not flattered when people do this.    Those that have respect, ask permission before using others work on their blogs and certainly provide clear credit and a link, so that there is no confusion.  For full information on copyright matters, see below.

Copyright Information – Jenny Meehan 

Copyright in all images by Jenny Meehan is held by the artist.
Permission must be sought in advance for the reproduction, copying or any other use of any images by Jenny Meehan. Individuals or businesses seeking licenses or permission to use, copy or reproduce any image by Jenny Meehan should, in the first instance, contact Jenny Meehan.
Any persons discovered to be reproducing, copying or using images by Jenny Meehan without prior consent, authorisation or permission will be put on notice that Jenny Meehan is the copyright owner and asked to immediately cease and desist the infringing activity. If a satisfactory response and / or compliance is not forthcoming promptly, the matter will be pursued. For clarification of the laws of copyright, please contact the Design and Artists Copyright Society (DACS).

Copyright for all visual art by Jenny Meehan is managed by the Design and Artists Copyright Society (DACS) in the UK. If you wish to licence a work of art by Jenny Meehan, please contact Jenny Meehan in the first instance to clarify your requirements.

Licencing an image is quick and easy for both parties and is organised through the Design and Artist Copyright Society. (Note, my images are not shown on the “Art image” selection on the Design and Artist Copyright “Art Image” page. This does NOT mean you cannot apply for a licence to use an image of my work from DACS… They simply have a very limited sample selection of work in their “Artimage” page!)

Also, please of course feel free to contact me if you are looking for a particular type of artwork image, as I have a large archive of images myself. I will also be able to let you know the maximum size the digital image is available at. If you then wish to licence the artwork image,  I would then refer you to  the Design and Artist Copyright Society to arrange the licencing agreement according to your requirements. Once paid and agreed, I then supply the high resolution image directly to you.

If you need any further clarification, the DACS website is clear and very helpful indeed, and they would be happy to help you.

Design and Artist Copyright Society
33 Old Bethnal Green Road
London E2 6AA
Telephone: +44 (0) 20 7336 8811
Fax: +44 (0) 20 7336 8822
Offices are open 0930 – 1700 Monday through Friday.


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