imagined worlds exhibition alph the sacred river coleridge kubla khan jenny meehan

imagined worlds exhibition alph the sacred river coleridge kubla khan jenny meehan


As per normal, skim down, as I have written far too much for a single post, but added and added and added!!!!

Imagined Worlds Exhibition – A touring exhibition of artworks inspired by the poem ‘Kubla Khan’ written by Samuel Taylor Coleridge in 1816.

Good news.  My work has been selected for this touring exhibition “Imagined Worlds Exhibition – A touring exhibition of artworks inspired by the poem ‘Kubla Khan’ ”

Imagined Worlds Exhibition – A touring exhibition of artworks inspired by the poem ‘Kubla Khan’ written by Samuel Taylor Coleridge in 1816. This is a celebration by the Friends of Coleridge supported by Somerset Art Works, working in partnership with the National Trust, CICCIC Taunton, and Art at the Heart, RUH Bath.

CICCIC Memorial Hall, Paul St, Taunton TA1 3PF 7 October -12 November 2016 . Special PV 21 October 2016

Mid November – January tbc

RUH Bath Mid January – Mid April 2017

Coleridge Cottage Nether Stowey Mid April – May 2017

I am delighted about this.  Coleridge is a poet I both studied at degree level and very much enjoy.  So pleased to make my own response present in this way.  The work I submitted is here, shown above,  along with the information I prepared to accompany it.
Jenny Meehan is a well established South West London based artist whose art work evolves in a process led way, dependent on both intuition and imagination. She studied Literature at Kingston University and after working as a teacher for several years has spent the last ten years developing her creative practice, which includes painting, printmaking and poetry.
The artwork submitted responds to the water element in the poem ‘Kubla Khan’; “Alph, the sacred river” whose mysterious flow runs through its lines. Resonating with emotional highs and lows and “meandering with a mazy motion”, it carries the listener along with it.
Water is a subject matter which often preoccupies Jenny, occurring as a repeated motif in many of her paintings and prints. An interest in the subconscious and the resulting exploration of “caverns measureless to man” attracted her to this image in the poem.
Other Information
Jenny Meehan
Title of Work: “Alph, The Sacred River 1”
Image sent with email. Price: £ 200
Dimension 36 x 27cm
Medium: Ink jet Print on Cartridge Paper 1/10 Limited Edition

Over the Summer we stopped by outside Coleridge Cottage Nether Stowey.  We had got a little lost but when I saw the sign I took it as an added bonus to see the cottage, if only from the outside!

It does not seem to be open every day, but a few times a week.  I am very pleased to think of my visual art residing in the same building as the poet himself.   I am very pleased with the way I framed it.. I found the frame over the Summer and instinct told me to buy it…I knew it would be useful.  It works well with the flow feeling of the print.  I am also pleased that there is an illusion of reflection happening.  The photograph here was taken without glazing, yet there is an appearance of reflection which is apt for the piece.  I have now glazed it, and it looks doubly reflective!  Suitable for a poem by Coleridge!




jenny meehan jamartlondon photo black white copper work metal work copper foliage jenny meehan

jenny meehan jamartlondon photo black white

Above:  Copper Fern 1 by Jenny Meehan  (Image of “Copper Fern” by Jenny Meehan)

jenny meehan jamartlondon photo black white copper

jenny meehan jamartlondon photo black white

Above: Copper Edge (Image of “Copper Edge” by Jenny Meehan)

jenny meehan jamartlondon photo black white copper work copper jenny meehan

jenny meehan jamartlondon photo black white

Above: Copper Fern 2 by Jenny Meehan (Image of “Copper Fern” by Jenny Meehan)


Ah, October.  Lovely spiders, everywhere.  I walk into them.  Watch them weave. And leaves are changing. Creeping edges of colour; yellow, orange, black, red.  Damp green grass, and the birds sound louder.  I like this time of year. Even the rain.

I planned to start some printmaking, but my right knee, with it’s osteoarthritis, is making everything take longer.  And so time is short; too short to start a new project right now.  I cannot walk very quickly.  I have had a lot of pain in the last few weeks.   I am doing a lot of  exercise, and physiotherapy, and “Better Bones” classes.  But my bones are not better.  It is what is around them that needs attention. My legs are certainly stronger. And I am less heavy.  Let the weight loss continue.  But how I wish I could walk for longer than 20 minutes, without a stick, and without severe pain at the end of it. I do not like this.  It is a miserable matter.  I cry and get cross.  Cry and Cross! There may be a title for a painting there!

So, with domestic work, and various voluntary activities,  plus exercise, exercise, exercise, the time is all used up. But I have managed to make some frames for paintings carried out over the Summer.  Which I quite like doing. And need for next year.  And I have also spent some time discovering more about Bessel van der Kolk…

Bessel van der Kolk  Very interesting.  Just listened to a talk by Bessel van der Kolk, MD called “Trauma, Body, and the Brain: Restoring the Capacity for Synchronicity and Imagination,” an exploration of how the brain is shaped by experience and how our relationship to ourselves is the product of our synchronicity with those around us.  Wonderful talk, very interesting and inspiring!

I have also been listening to several different talks which I was able to access through an online training summit, all focused on Neuroscience, Trauma, Mindfulness, and Attachment Therapy.  I am a big fan of Margaret Wehrenberg (not personally, because I don’t know her at all!!!) but certainly of her books which I have found very helpful personally, and as she was speaking on one of the sessions, I thought I would sign up for the summit…

Little snippets/notes from listening to Margaret Wehrenberg which I found particularly interesting and helpful…

She spoke on “The Purpose of Worry and How to Manage It” .  Under this banner highlights for me personally were…

how fear and worry are different…

why do we worry? anxiety is a normal condition. it is they way we feel in response to ambiguity.  sensation of anxiety gives us some motivation to look for and identify potential problems and look for them but with a disorder we feel anxiety in the absence of any actual threat or problem…  get into “what if” thinking and worry becomes persistent, disruptive, and robs people of the joy of being alive.

fear and worry distinguished…if there is a distinct threat, basically  something which has an objective observable cause… that is fear and it prompts action, look for a way to escape from what it is that scares us, we can imagine that we would be afraid…that is not the same as worry… worry is persistent however it  never solves a problem where as fear can solve a problem

some people are wired up to be worriers more than others and have not very effective stopping mechanisms or brain shifting capacity… lots of her techniques attempt to equip the person to shift gears manually, and eventually this becomes more automatic with repetition using brain to change the brain.

stress creates conditions of anxiety as an outcome of stress…  so stress reduction is key.    ie body care sleep eat,    causes people to feel generally uneasy..  thinking what could be going wrong…

anxiety is a condition looking for content… asking all the time what could be causing me to have this kind of arousal?  seeking relief, ie with health anxiety..  internet searching!!!    scanning for health concerns.. looking up symptoms and trying to diagnose themselves, does not typically help. Calmness while searching, act of reassurance in seeking, and while online person may feel calm,  but better to respond to the feeling of a needing some reassurance through other ways not internet searching…

people believe if is it is possible to happen then it is probably going to happen….start to behave as if it is going to happen or is even happening right now. But it may only be remotely possible.  Are you worrying about something which is possible or probable? 

do you have a real problem, if so you can plan a way to solve it… so planning is a good tool a real antidote to worry

if you cannot make a plan then it is not a real problem, or at least not yet, so then worry is the problem itself.


Well, the above is a little taster.  Excuse the note form.  As said, I use this Journal not as a finished piece of personal narrative, but as an unfolding notebook/journal/record, for my own use as much as sharing it with any interested parties.   If you would like to find out more about Margaret’s work she has a website:   The two books I have read by Margaret Wehrenberg are “The 10 Best-Ever Depression Management Techniques: Understanding How Your Brain Makes You Depressed & What You Can Do to Change it” and “The 10 Best-Ever Anxiety Management Techniques: Understanding How Your Brain Makes You Anxious and What You Can Do to Change it”.

I liked very much the writing style of the books as well as the content and organisation.  I read  “The 10 Best-Ever Depression Management Techniques: Understanding How Your Brain Makes You Depressed”  when I was very depressed several years ago, and found the tone very helpful, as not patronising.   I had a pre existing interest in the neuroscience, due to my brother’s head injury, and I found the matter of fact approach, with reference to how the brain works,  good for me personally.  Also, being someone possessing sound intelligence and being of a practical nature, enjoying concrete and material things, as well as theory,  I was glad to find something which suggested that I could manage what was happening to me and that I had some kind of influence over it.  This is always a big step when feeling depressed, however it is a crucial one.  There were so many small and accessible things suggested that one could do.  This was just what I needed.  I never had an expectation of quick and easy answers, and was looking around to access psychotherapy at the time, but as I was unable to access it for six months  I needed something to help me manage things in the meantime. It might not suit everyone, but was perfect for me.

There were plenty of other speakers also. I don’t have the inclination to share any more here, but one of the little bits of information I picked up from another talk was with regard to a term “Window of Tolerance”. “Window of Tolerance” is a term coined by Dr. Dan Siegel, and is now widely used in understanding normal brain/physiology reaction responses, as well in trauma-informed treatment terminology, and in all areas of mental health. Efforts are made to assist individuals to learn how to widen their personal, unique Window of Tolerance, as well as to have methods to stay in the Window of Tolerance via self-soothing and self-regulating behaviours. When an individual “jumps” out, or feels “pushed” out of their Window of Tolerance on the upper or lower sides, the prefrontal cortex is essentially going offline, with only subcortical brain regions (limbic system-emotional brain, and brain stem) staying active, removing ability to think through actions and consequences. Before any type of talking or making sense of a situation can occur, individuals need to find a way back into their Window of Tolerance, through self-soothing and self-regulating behaviours, which will allow all regions of the brain to get back online, and our processing system to function appropriately.

Mmm, as you can see.  I am really into this!

quoted from:–traumaanxiety-rela

I found this terribly interesting.  Not quite sure what I will do with it, if anything right at the moment, but wanting to record it here in the Journal so that I will at some point look over it again, and it won’t just disappear in the computer without memory!

This is such a psychological post in the Journal…  I am also interested in numbing!

Numbing is a biological process whereby emotions are detached from thoughts, behaviours, and memories. As I look back into the significant period of depression I experienced, which was over the period  from about 2010 to 2012,  I am aware very much that the numbing I experienced was a traumatic stress reaction, and one which hid what was going on inside emotionally.  It is this, and the feeling of separation from others, because of the emotional disconnect, which makes it all the more distressing.  The impact of trauma is felt very greatly by the person, but is not very easy for others to recognise, because the emotionless-ness hides the distress and masks the levels of stress experienced.   It is efficiently kept to oneself. But it is a sad isolation. Alcohol to self-medicate does not help either.  You cannot deny your emotions on a long term basis.

A Brief Writing on It…

The detachment

The feeling of the


to connect

The gap, which imperceptibly widens

The falling apart, within, without

The without-ness growing like a huge plant

Which sucks the water from the soul

This is the abyss in which I have fallen.


It’s a long time since I have written any poetry.  Must do some this Winter.  And must put some visual content in this post… I have been doing a lot of research recently and very little painting.  The painting below dates from between 2007 and 2012… (around 2010 I think).  Certainly carried out during those “wilderness years”.  Didn’t like it at the time, but I like it now.

sketch of chessington rear access road jenny meehan

sketch of chessington rear access road jenny meehan


Love working abstractly… So interesting.  But great to have something there to bounce off too!

Determined to do some painting, despite the obstacles in the way, the pain, the slowness of walking, the mounting of domestic tasks, the knowledge that as I stand to paint, the end result will be I cannot stand at all in the evening. I must instead tend to my knee with ice, massage, heat, and whatever else I fancy.   Going out to network is out of the question.  I do not anticipate pain coming to me… I am using mindfulness to good effect, however it seems doggedly faithful. And arrives an uninvited guest.  What I will achieve in the future, with this situation of disability is a matter of concern to me, even while taking one day at a time.  So I look back and enjoy what I have done.  I will do more…It just looks like it will be more difficult.  Knee replacement at some point.  Often feel unsure of how long I can keep this up.

Posting Recent List of Exhibitions..

Here is what I have done so far in the way  of exhibitions.  Just skim down quickly if they are not of interest!  Just need to remind myself of what I have done at the moment!

Exhibitions List Up to Date. To October 2016

Imagined Worlds Exhibition – A touring exhibition of artworks inspired by the poem ‘Kubla Khan’ written by Samuel Taylor Coleridge in 1816. This is a celebration by the Friends of Coleridge supported by Somerset Art Works, working in partnership with the National Trust, CICCIC Taunton, and Art at the Heart, RUH Bath.

CICCIC Memorial Hall, Paul St, Taunton TA1 3PF 7 October -12 November 2016 . Special PV 21 October 2016

Mid November – January tbc, RUH Bath Mid January – Mid April 2017, Coleridge Cottage Nether Stowey Mid April – May 2017
“The Art of Caring” ( second exhibition curated by Peter Herbert) at The Conference Centre, St Pancras Hospital, NW1 OPE 21st July – 13th October 2016
KAOS OPEN STUDIOS 11th / 12th and 18th / 19th June 2016 (Kingston Artists’ Open Studios)70 artists taking part at venues around Kingston. Annual event.
Kingston Artists’ Open Studios Taster Exhibition at Cass Art , 103 Clarence Street, KT1 1 QY in “The Art Space” Kingston Upon Thames. 6th – 20th June 2016
“Anagrams” at Kingston Museum, Kingston Art 2016. Juried. Wheatfield Way, Kingston upon Thames, KT1 2PS. 29 April 2016 to 2 July 2016

“Building Bridges, the Female Perspective” 8th March – October 2016 organised by Southwark Arts Forum & Tower Bridge Art at the Bridge #7. Tower Bridge Victorian Engine Rooms, Tower Bridge Road London SE1 2UP.

“The Art of Caring” Exhibition curated by Alban Low at The Upper Circle Gallery, The Rose Theatre, Kingston-upon-Thames 12th to 24th May 2016.


CornerHouse Charity Exhibition for “Straight Talking Charity at Cornerhouse Arts Centre, Surbiton, Surrey Nov 30th – Dec 31st

Challenging Behaviour Foundation Charity Exhibition Sun Pier House, Sun Pier, Medway Street, Chatham, Kent, ME4 4HF 3 November 2015 – 29 November 2015

Court Farm Cafe Group Exhibition, organised by Kingston Arts Cafe at Court Farm Garden Centre, Worcester Park, Surrey KT4 7QH October 2015 – January 2016

A Letter in Mind – The Art of Journey, Charity Exhibition at Gallery@oxo, South Bank, London SE1 9PH 8th October until 18th October 2015. My donated work sold for this worthy cause.

Brighton Sussex University Hospitals Trust National Transplant Week 2015 (7th-13th September) public art exhibition in Brighton UK at the Brighton Jubilee Library Jubilee St, Brighton, East Sussex BN1 1GE. Items 13 and 14 were my donations.

Jenny Meehan’s donation can be found on page 10 of the following publication:

To bid, go to the Ebay store, here’s the facebook link:

‘The Story So Far’, organised by Acton Arts Forum, at W3 Gallery, 185 Acton High Street, W3 9DJ . From 1 July to 14th July 2015.

KAOS (Kingston Artists’ Open Studios “Selfie” Exhibition in The Art Space at Cass Arts, Kingston Upon Thames. 6 – 14th June

KAOS OPEN STUDIOS June 2015 (Kingston Artists’ Open Studios) at venues around Kingston. Annual event.
“Flying Colours” Joint exhibition of prints, Leatherhead Theatre, Leatherhead (Jenny Meehan and Chris Birch) 3rd – 30th May 2015

“Day of Reflection on Spiritual Homelessness” at St Nicholas Church, Guildford GU2 4AW on 11th April 2015. Six paintings shown as part of a group exhibition.

“Tiny Bones and Lasting Stones of Memory” (poem and painting) shown as part of Holocaust Memorial Day – Keeping the Memory Alive Through Art Exhibition: Kingston University, 16th – 17th March; Kingston Museum, 26 March – 23 April 2015, Kingston College, 24th – 28th April 2015 and at the Council Chambers, Kingston Upon Thames 1st February (Third prize in adult category)

2014 Exhibitions

Holocaust Memorial Day – Keeping the Memory Alive Through Art Exhibition at the Council Chambers, Kingston Upon Thames, Sunday 1st February (Third prize in adult category)

KAOS Exhibition at All Saints Church, Kingston upon Thames
KT1 1JP 11th Nov – 25th Nov. Kingston Artist’s Open Studios Group Exhibition

“Breaking the Chains” (Anti human trafficking) Exhibition at Tower Gallery, Memorial Community Church, 395 Barking Road, London E13 8AL. 16th October – 6th November. Selected

“A Letter in Mind”…The National Brain Appeal’s Exhibition Charity Exhibition) at gallery@oxo, Oxo Tower Wharf, Bargehouse Street, South Bank, London, SE1 9PH. 2nd October – 5th October. Selected and donated work sold.

Dulwich Picture Gallery Open Exhibition, Gallery Road, London SE21 7AD 30th Sept – 12th Oct 2015. Juried, (Selection panel headed by Ian Dejardin, and including Rebecca Fortnum, Clive Head, Nicky Hirst and Elo Schuneman).

NewArt@Baker Tilly, Baker Tilly, 3rd Floor, One London Square, Cross Lanes Guildford GU1 1UN 7th June -20th September. Selected

Court Farm KAOS (Kingston Artists’ Open Studios) Cafe at Court Farm Garden Centre, Worcester Park, Surrey. 3rd May – 27th July

Multiple Sclerosis Trust “The Secret Art Show” (Charity Exhibition) Spirella Building, Bridge Road, Letchwoth Garden City, Hertfordshire SG6 4ET. 30th April – 7th May

Artistsmeet Open Exhibition, Rickmansworth, Hertfordshire WD3 1EH. 3rd March – 6th May 2014 Selected.

“Drawn Together” Riverside Gallery, Old Town Hall, Richmond Upon Thames TW9 1TP. 1st March – 25th May 2014 Juried.

“Sacred Spaces” KAOS Exhibition curated by Jenny Meehan, Leatherhead Theatre, Leatherhead. May 3 – 31st 2014. Seven members of Kingston Artists’ Open Studios.

“Speaking Out – Women Recovering from the Trauma of Violence” Embrace Arts at the RA Centre, Leciester University, Leciester. 13 January – 28th March 2014. Juried.

“Drawing Inspiration” Holocaust Memorial Day Trust, A-Side B-Side Gallery, Hackney Downs Studios, E8 2BT. 23rd Jan – 3rd Feb 2014 Highly Commended awarded. Juried.

“Recovery” Exhibition – Institute Of Mental Health/City Arts at Nottingham University NG7 2TU Nov 6th – May 2014

2013 Exhibitions

“Recovery” Exhibition – Institute Of Mental Health/City Arts at Nottingham University NG7 2TU Nov 6th – May 2014

Brixton Drawing Project Exhibition. Brixton East, Brixton, SW9 Sunday 6th October.

Orange Tree Theatre KAOS Group Exhibition. Orange Tree Theatre, Richmond upon Thames, Surrey 23rd Oct – 30th Nov.

PARTIA “Collective Nostalgia” at Aintree University Hospital, Liverpool. 1st Oct-1st Nov 2013. Selected.

Court Farm KAOS (Kingston Artist’s Open Studios) Group Exhibition. Cafe at Court Farm Garden Centre, Worcester Park, Surrey. Sept 3rd – November 2013

“Not The Royal Academy” exhibition at Llewellyn Alexander Fine Paintings. London SE1 June – August

“Allotted” Curated Exhibition at The Beetroot Tree Gallery, Draycott, Derbyshire 15th June – 27th July 2013 Selected.

“Lines” Curated Exhibition at The Strand Gallery, London. Selected. June 2013

Cornerhouse Arts Centre, Surbiton, Surrey. Jenny Meehan Recent Work, Solo Exhibition. June 2013

Group Exhibition “Order and KAOS” (Four Painters from Kingston Artists Open Studios). Leatherhead Theatre (curated by Jenny Meehan) 4th-31st May.

Dugout Women’s Inclusive Festival – The Hoxton Arches, Cremer Street, E2 8HD (2nd March 2013). Juried.

Open Exhibition at The Classroom Gallery, Nottingham. Selected. March 23 – April 5th.

National Open Exhibition 2013 at Electric Picture House Congleton, Cheshire. March 9th -30th. Selected.

September – December Alliance Healthcare Exhibition, Alliance Healthcare, Chessington Surrey (SOLO)

The Bog Standard Gallery, Artistsmeet, Watersmeet, Rickmansworth Hertfordshire. WD3 1EH December 2012

The Ark Centre Autumn Exhibition, Basingstoke, Hampshire RG24 9NN. October/November 2012

Artistsmeet Open Exhibition, Rickmansworth, Hertfordshire WD3 1EH. September/October 2012

Cranleigh Arts Centre Open Exhibition, Cranleigh, Surrey GU6 8AS June 2012

“Some Kind Of Narrative” Joint Exhibition at Leatherhead Theatre, Leatherhead, Surrey KT22 8DN Stephanie Greenslade – Jenny Meehan. 29th April – 25th May 2012. ”

Hidden Artists” Exhibition at Denbies Picture Gallery 2012, Denbies Wine Estate, Charity fundraising event for NSPCC.

2011 project “Strong Voices” Event 2011 at The Rose Theatre, Kingston Upon Thames in October. (sculpture and photographs). Charity event.

Cranleigh Arts Centre Open Exhibition 2011 at Cranleigh Arts Centre, Cranleigh, Surrey GU6 8AS June 2011 Juried Exhibition

“Hidden Artists” Exhibition at Denbies Picture Gallery 2011, Denbies Wine Estate, Dorking, Surrey. Fundraising exhibition for NSPCC.

“John Lewis Prize” Exhibition (of shortlisted work) at “The Place To Eat”, John Lewis, Kingston Upon Thames. 8th September – 10th December 2010 Juried Exhibition

Pallant House Gallery/St Wilfrid’s Hospice Open Art Exhibition at Pallant House Gallery, Chichester, West Sussex. 3rd June – 2nd July 2010. Juried Exhibition.

Surrey Artists Network Ist Anniversary Exhibition at Otters Pool Studio, Guildford, Surrey GU1 4QG Ist May – 22nd May 2010. Juried Exhibition.

Denbies Open Exhibition 2010 Denbies Vineyard, Dorking, Surrey RH5 6AA January 7th-17th, 2010.

“Doorway” Visual Meditation 2009 (Jenny Meehan and Mary Reid) at St Paul’s C of E Church, Hook, Surrey. February 22nd.

2008 – 2006

Kingston Contemporary Open 2007 (Stanley Picker Gallery, Kingston Upon Thames, Surrey, UK). Juried.

Kingston Contemporary Open 2006 (Stanley Picker Galllery, Kingston Upon Thames, Surrey, UK). Juried.

SOLO EXHIBITIONS (Self Organised in Community Spaces)

” Jenny Meehan -Recent Paintings and Prints” Cornerhouse Arts Centre, Surbiton Surrey June 2013

“Paintings – Jenny Meehan ” Alliance Healthcare, Chessington, Surrey Sept-Dec 2012

“Inking Outside The Block” (CornerHOUSE Arts Centre, Surbiton) December 5th to December 31st 2011.

Painting and Poetry – Third Prize in “Keeping the Memory Alive through Art”, Kingston Inter Faith Forum, Kingston University, Kingston Upon Thames February 2015

Painting – Highly Commended – Needhams Open Art Competition 2009, Cambridgeshire, UK. Juried Exhibition.

Poetry – Finalist (second place) in “Literary Mary” poetry competition March 2009

Painting – Highly Commended – “Drawing Inspiration” Competition Holocaust Memorial Day Trust, January 2014


BA Hons English Literature (Kingston University, Kingston Upon Thames)

PGCE Primary Education (Roehampton Institute, Roehampton)


Kingston Museum

John Lewis Partnership

Bog Standard Gallery

Private collections in the United Kingdom


This is getting to be a rather long post… As often happens…

Walter Darby Bannard, 1934-2016

A lovely write here:

Notes from the Life of an Artist by Franklin Einspruch, an artist and writer based in Boston.

Sometimes I am caught by what I read, and this part caught me:

I’ll let you in on a secret: the scorn never mattered. Darby lived well. His was a life full of brilliant friends, talented colleagues, and passionate relationships. Throughout it all and up to the end, he painted. When he was painting, canvases tacked to the floor, surrounded by jars of acrylics, and an arsenal of squeegees, brooms, and brushes at the ready, his enjoyment was unassailable. Art rides in on pleasure, he says in the Aphorisms.

The pleasure carries something with it, something very precious to us that is inseparable from the pleasure itself.

I live with that something every day, but I can’t say what it is. No one can. If you have an eye, you comprehend it in an instant; you feel it and you know it. That’s that.

And now that really is that.”

The above quoted from:   Do take a look and read the whole post.

There is such a lot of distraction.  But I will certainly be taking a look at and reading some more!

Researching Family History

I have dug around a bit. Stumbled on this:

Some of my family history

While not possible to trace much of my mother’s side due to lack of information,  I was grateful to find this recently:

Born in Boscombe, Hampshire in 1882, Albert was the son of blacksmith, Colin Gray and his wife Selina. He had an older brother, Colin Bertie and a younger sister, Laura. In 1891 the family were living in Victoria Road, Pokesdown, where they also took in a lodger. They later moved to Hannington Road, Bournemouth. By 1901 Albert’s brother was working as a decorator, whilst his sister was employed as a laundress and later as a dye cleaner in the textile industry.

Albert seems to have followed a similar career path to his sister. By the age of 29 he was a wash house foreman, in a local laundry. This is probably where he met his future bride, Gertrude Harradine. The daughter of a railwayman, she was originally from 104 Palmerston Road, Wimbledon but was boarding in Bournemouth, having found work as a laundress. The couple married at Holy Trinity Church, Wimbledon on 3 August, 1912.

During the war, Albert joined the Royal Field Artillery. He served with the 189th Brigade, part of the 41st Division. This was formed in Aldershot in 1915 from units raised in southern England. Comprising 3 – 4 gun batteries, the brigade was sent to France in May 1916 and was initially based in the area between Hazebrouck and Bailleul. As field artillery for the 1st Army, Albert and his comrades would have fought in the Battle of Flers-Courcelette. During this week-long offensive in September 1916, artillery and infantry tried, but failed to break the German line and leave an opening for cavalry attacks. In November the 189th brigade was also involved in the Battle of the Transloy Ridge, part of the third and final offensive of the Somme campaign. Fighting was made all the more harrowing by terrible weather conditions and a battlefield devastated by months of artillery fire.

Promoted to the rank of sergeant, Albert must have shown bravery and determination during his military service, as he was mentioned in dispatches. He survived the war, albeit briefly and died of influenza on 25 November 1918, just two weeks after peace was declared. He was buried at Gap Road Cemetery and is commemorated at Wimbledon Parish Church. His widow continued to live at 28a Wycliffe Road, Wimbledon, after his death.

I had gleaned some of the information myself, but this extract above, which I quote from   contains much more detail than I had been able to obtain on my own.

That’s it, for now!!!!




Jenny Meehan is a painter, poet, and Christian contemplative  based in East Surrey/South West London.   Her interest in Christ-centred spirituality and creativity are the main focus of this artist’s journal, which rambles and meanders on, maybe acting as a personal (yet open to view)  note book as much as anything else.  If you read and enjoy it, this would be an added bonus! 

Her website is  ( replaces the older now deceased website

Jenny Meehan BA Hons (Lit.) PGCE also occasionally offers art tuition for individuals or in shared sessions.  Please contact Jenny at or through the contact form at for further details as availability depends on other commitments.    

 Jenny Meehan works mainly with either oils or acrylics  creating both abstract/non-objective paintings  and also semi-abstract work.  She also produces representational/figurative artwork,  mostly using digital photography/image manipulation software, painting and  drawing.  Both original fine paintings and other artwork forms  and affordable photo-mechanically produced prints are available to purchase.  

Jenny Meehan exhibits around the United Kingdom.   To be placed on Jenny Meehan’s  bi-annual  mailing list please contact Jenny via her website contact page:

Also, you could follow the Jenny Meehan Contemporary Artist’s Journal at WordPress and keep informed that way. 


Website Link for jamartlondon: 

A selection of non objective paintings can be viewed on pinterest:

My prints and some merchandise which uses my artwork can also be purchased safely and easily through




All content on this blog,  unless specified otherwise,  is © Jenny Meehan.  Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts of writing and links may be used, provided that full and clear credit is given to Jenny Meehan with appropriate and specific direction to the original content.  Images may not be used without permission under any circumstances. 

Copyright and Licensing Digital Images Information – Jenny Meehan

Copyright in all images by Jenny Meehan is held by the artist.
Permission must be sought in advance for the reproduction, copying or any other use of any images by Jenny Meehan. Individuals or businesses seeking licenses or permission to use, copy or reproduce any image by Jenny Meehan should, in the first instance, contact Jenny Meehan.

Copyright for all visual art by Jenny Meehan is managed by the Design and Artists Copyright Society (DACS) in the UK. If you wish to licence a work of art by Jenny Meehan, please contact Jenny Meehan in the first instance to clarify your requirements. There is a contact form on my website

Licensing an image is quick and easy for both parties and is organised through the Design and Artist Copyright Society. (Note, my images are not shown on the “Art image” selection on the Design and Artist Copyright “Art Image” page. This does NOT mean you cannot apply for a license to use an image of my work from DACS… They simply have a very limited sample selection of work in their “Artimage” page!)



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